Treasures from the Wreck of the Unbelievable or The project of Damien Gerst as the focus of contemporary art self-positioning tendencies

The article presents and analyzes the large-scale exhibition of the world-famous and scandalously famous English artist Damien Hirrst, presented in the framework of the Venice Biennale 2017. It gives a brief overview of the artist›s creative path and the concept of the «Treasures from the Wreck of t...

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Veröffentlicht in:Sučasne mistectvo H. 13; S. 21 - 45
1. Verfasser: Олеся Авраменко
Format: Journal Article
Sprache:Englisch
Veröffentlicht: National Academy of Arts of Ukraine. Modern Art Research Institute 12.12.2017
Schlagworte:
арт-ринок
блокбастер
венеційська бієнале
копія
метамодернізм
містифікація
проект демієна герста
псевдостилізм
спекуляція цінностями
стиль
стилізація
історизм
ISSN:2309-8813, 2663-0362
Online-Zugang:Volltext
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Beschreibung
Zusammenfassung:The article presents and analyzes the large-scale exhibition of the world-famous and scandalously famous English artist Damien Hirrst, presented in the framework of the Venice Biennale 2017. It gives a brief overview of the artist›s creative path and the concept of the «Treasures from the Wreck of the Unbelievable « project — a recent experiment in the style of the metamodernism, as well as a number of professional questions regarding the tasks and meanings of such projects.
ISSN:2309-8813
2663-0362
DOI:10.31500/2309-8813.13.2017.142199