Absolvo te! Komizm w pierwszych rosyjskich utworach fantastycznych

The article analyzes the first stories of modern Russian fantastic literature in terms of its comic motifs. The sources and forms of comicality are identified, as well as their meaning and the reasons why the authors who laid the foundations for Russian fantastic genre used comic elements at the tur...

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Bibliographic Details
Published in:Przegląd Środkowo-Wschodni Vol. 7; no. 7; pp. 191 - 220
Main Author: Cudowski, Tomasz
Format: Journal Article
Language:English
Polish
Published: University of Warsaw - Department of Central and East European Intercultural Studies 07.12.2022
Uniwersytet Warszawski - Katedra Studiów Interkulturowych Europy Środkowo-Wschodniej
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ISSN:2543-618X, 2545-1324
Online Access:Get full text
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Summary:The article analyzes the first stories of modern Russian fantastic literature in terms of its comic motifs. The sources and forms of comicality are identified, as well as their meaning and the reasons why the authors who laid the foundations for Russian fantastic genre used comic elements at the turn of the 18th and 19th centuries. The first authors of the Russian fantastic literature, such as Nikolai Karamzin, Alexandr Bestuzhev-Marlinsky, Antony Pogorelsky or Orest Somov, were strongly influenced by pre-romantic trends, for which comism was a completely strange category, contrary to their nature. However a bit later, more popular Russian fantastic writers, such as Nikolai Gogol, Alexandr Pushkin, Ivan Turgenev and Fyodor Dostoyevsky, creators of the fantastic literature of that period, did not avoid comic elements in their works.
ISSN:2543-618X
2545-1324
DOI:10.32612/uw.2543618X.2022.pp.191-220