Cold War Art Worlds South Asian Art and Artists in Prague, 1947-1989
Prague as a vital Cold War hub for South Asian artists. During the Cold War, the Central-European capital city Prague, along with other previously less noticed locations in the polarised post-war world, emerged as a key site where an art world of particular importance for artists from South Asia dev...
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Leuven
Leuven University Press
2025
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| ISBN: | 9789461666628, 9461666624, 9789462704701, 9462704708, 9789461666635, 9789462703780, 9461666632, 9462703787 |
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| Abstract | Prague as a vital Cold War hub for South Asian artists. During the Cold War, the Central-European capital city Prague, along with other previously less noticed locations in the polarised post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasising cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarisation between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonisation that rejected rigid systemic alignment in favour of participation across blocs by prioritising migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies. |
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| AbstractList | Prague as a vital Cold War hub for South Asian artists. During the Cold War, the Central-European capital city Prague, along with other previously less noticed locations in the polarised post-war world, emerged as a key site where an art world of particular importance for artists from South Asia developed. By emphasising cultural mobility as a catalyst for exchange and network building, this book challenges and complicates assumptions about Cold War binaries of East and West and the polarisation between so-called totalitarian regimes and free cultures. Positioning Prague as a nexus where South-Asian modernisms intersected with multiple peoples, histories, and ideologies in the post-World War II era, it offers a narrative of decolonisation that rejected rigid systemic alignment in favour of participation across blocs by prioritising migratory aesthetics over nationalist parochialism. Well-researched and rich in archival materials, this book proposes new ways of writing art histories and makes a significant contribution to both Cold War studies and critical global modernism studies. |
| Author | Wille, Simone |
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| Snippet | Prague as a vital Cold War hub for South Asian artists. During the Cold War, the Central-European capital city Prague, along with other previously less noticed... |
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| SubjectTerms | Asian history Cold War Studies Global Modernism History History and Archaeology History of art Internationalism Migratory Aesthetics Mobility Studies The Arts The Arts: treatments and subjects Transcultural Studies |
| Subtitle | South Asian Art and Artists in Prague, 1947-1989 |
| Title | Cold War Art Worlds |
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