Fassbinder's germany history identity subject
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his film...
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| Hlavní autor: | |
|---|---|
| Médium: | E-kniha Kniha |
| Jazyk: | angličtina |
| Vydáno: |
Amsterdam
Amsterdam University Press
1996
Amsterdam Univ. Press |
| Vydání: | 1st ed. |
| Edice: | Film Culture in Transition |
| Témata: | |
| ISBN: | 9053560599, 9789053560594, 9048503507, 9053561846, 9789048503506, 9789053561843 |
| On-line přístup: | Získat plný text |
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| Abstract | Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism. |
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| AbstractList | Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism. This title is available in the OAPEN Library - http://www.oapen.org. Pioneering study exploring a major filmmaker's creative vision of Germany's troubled national identity. Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism. |
| Author | Elsaesser, Thomas |
| Author_xml | – sequence: 1 fullname: Elsaesser, Thomas |
| BackLink | https://cir.nii.ac.jp/crid/1130000798237964544$$DView record in CiNii http://www.ssoar.info/ssoar/handle/document/31735$$DView record in SSOAR (Social Science Open Access Repository) |
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| DOI | 10.2307/j.ctt46mt94 |
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| Discipline | Film |
| EISBN | 9789048503506 9048503507 |
| Edition | 1st ed. 1 |
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| Language | English |
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| Notes | "Chronology": p. 304-318 Includes bibliographical references (p. 321-339) and index |
| OCLC | 323271572 |
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| PublicationDate | 1996. c1996 1996 |
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| PublicationSeriesTitle | Film Culture in Transition |
| PublicationYear | 1996 |
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| Snippet | Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly... Pioneering study exploring a major filmmaker's creative vision of Germany's troubled national identity. |
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| SubjectTerms | 1945-1982 Criticism and interpretation Ethnic studies Fassbinder, Rainer Werner Fassbinder, Rainer Werner, 1946- -- Criticism and interpretation Film Studies Films, cinema Germany History History and Archaeology Motion pictures Motion pictures -- Germany -- History Performing arts Social groups, communities and identities Society and culture: general Society and Social Sciences Sociology Television The Arts |
| SubjectTermsDisplay | Motion pictures |
| Subtitle | history identity subject |
| TableOfContents | Fassbinder's germany: history identity subject -- Table of Contents -- Introduction: A Work Upstaged by Life? -- 1. Fassbinder Representing Germany -- 2. From Vicious Circles to Double Binds: Impossible Demands in the Field of Vision -- 3. Murder, Merger, Suicide: The Politics of DESPAIR -- 4. The BRD Trilogy, or: History, the Love Story?: The Marriage of Maria Braun, Lola and Veronika Voss -- 5. Fassbinder, Reflections of Fascism and the European Cinema -- 6. ...wie einst? Lili Marleen -- 7. Frankfurt, Germans and Jews: The City, Garbage and Death -- 8. Beyond 'Schuld' and 'Schulden': In a Year of Thirteen Moons -- 9. Franz Biberkopf'slex-changes: Berlin Alexanderplatz -- 10. Historicising the Subject: A Body of Work -- Appendix One -- Appendix Two -- Appendix Three -- Notes -- Index. Intro -- Table of Contents -- Introduction: A Work Upstaged by Life? -- 1. Fassbinder Representing Germany -- 2. From Vicious Circles to Double Binds Impossible Demands in the Field of Vision -- 3. Murder, Merger, Suicide The Politics of despair -- 4. The BRD Trilogy, or: History, The Love Story? THE MARRIAGE OF MARIA BRAUN, LOLA and VERONIKA VOSS -- 5. Fassbinder, Reflections of Fascism and the European Cinema -- 6. ...wie einst? LILI MARLEEN -- 7. Frankfurt, Germans and Jews The City, Garbage and Death -- 8. Beyond 'Schuld' and 'Schulden' IN A YEAR OF THIRTEEN MOONS -- 9. Franz Biberkopf's/ex-changes BERLIN ALEXANDERPLATZ -- 10. Historicising the Subject A Body of Work -- Appendix One: A Commented Filmography The House That Rainer Built -- Appendix Two: Fassbinder's Germany 1945-1982 A Chronology -- Appendix Three: Bibliography -- Notes -- Index |
| Title | Fassbinder's germany |
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