The Digital Rights Movement The Role of Technology in Subverting Digital Copyright
The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In The Digital Rights Movement , Hector Postigo shows that what began as an assertion of consumer rights to digital content has become somet...
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| Format: | E-Book Buch |
| Sprache: | Englisch |
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Cambridge
MIT Press
2012
The MIT Press |
| Ausgabe: | 1 |
| Schriftenreihe: | The Information Society Series |
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| ISBN: | 9780262017954, 0262017954, 026230533X, 9780262305334 |
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| Abstract | The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In The Digital Rights Movement , Hector Postigo shows that what began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership. Increasingly stringent laws and technological measures are more than incoveniences; they lock up access to our "cultural commons." Postigo describes the legislative history of the DMCA and how policy "blind spots" produced a law at odds with existing and emerging consumer practices. Yet the DMCA established a political and legal rationale brought to bear on digital media, the Internet, and other new technologies. Drawing on social movement theory and science and technology studies, Postigo presents case studies of resistance to increased control over digital media, describing a host of tactics that range from hacking to lobbying. Postigo discusses the movement's new, user-centered conception of "fair use" that seeks to legitimize noncommercial personal and creative uses such as copying legitimately purchased content and remixing music and video tracks. He introduces the concept of technological resistance--when hackers and users design and deploy technologies that allows access to digital content despite technological protection mechanisms--as the flip side to the technological enforcement represented by digital copy protection and a crucial tactic for the movement. |
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| AbstractList | The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In The Digital Rights Movement, Hector Postigo shows that what began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership. Increasingly stringent laws and technological measures are more than incoveniences; they lock up access to our “cultural commons.” Postigo describes the legislative history of the DMCA and how policy “blind spots” produced a law at odds with existing and emerging consumer practices. Yet the DMCA established a political and legal rationale brought to bear on digital media, the Internet, and other new technologies. Drawing on social movement theory and science and technology studies, Postigo presents case studies of resistance to increased control over digital media, describing a host of tactics that range from hacking to lobbying. Postigo discusses the movement's new, user-centered conception of “fair use” that seeks to legitimize noncommercial personal and creative uses such as copying legitimately purchased content and remixing music and video tracks. He introduces the concept of technological resistance—when hackers and users design and deploy technologies that allows access to digital content despite technological protection mechanisms—as the flip side to the technological enforcement represented by digital copy protection and a crucial tactic for the movement. The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In The Digital Rights Movement, Hector Postigo shows that what began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership. Increasingly stringent laws and technological measures are more than incoveniences; they lock up access to our “cultural commons.” Postigo describes the legislative history of the DMCA and how policy “blind spots” produced a law at odds with existing and emerging consumer practices. Yet the DMCA established a political and legal rationale brought to bear on digital media, the Internet, and other new technologies. Drawing on social movement theory and science and technology studies, Postigo presents case studies of resistance to increased control over digital media, describing a host of tactics that range from hacking to lobbying. Postigo discusses the movement's new, user-centered conception of “fair use” that seeks to legitimize noncommercial personal and creative uses such as copying legitimately purchased content and remixing music and video tracks. He introduces the concept of technological resistance—when hackers and users design and deploy technologies that allows access to digital content despite technological protection mechanisms—as the flip side to the technological enforcement represented by digital copy protection and a crucial tactic for the movement. The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In The Digital Rights Movement, Hector Postigo shows that what began as an assertion of consumer rights to digital content has become something broader: a movement concerned not just with consumers and gadgets but with cultural ownership. Increasingly stringent laws and technological measures are more than incoveniences; they lock up access to our "cultural commons." Postigo describes the legislative history of the DMCA and how policy "blind spots" produced a law at odds with existing and emerging consumer practices. Yet the DMCA established a political and legal rationale brought to bear on digital media, the Internet, and other new technologies. Drawing on social movement theory and science and technology studies, Postigo presents case studies of resistance to increased control over digital media, describing a host of tactics that range from hacking to lobbying. Postigo discusses the movement's new, user-centered conception of "fair use" that seeks to legitimize noncommercial personal and creative uses such as copying legitimately purchased content and remixing music and video tracks. He introduces the concept of technological resistance--when hackers and users design and deploy technologies that allows access to digital content despite technological protection mechanisms--as the flip side to the technological enforcement represented by digital copy protection and a crucial tactic for the movement. The movements against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998. In this book, Postigo shows that what began as an assertion of consumer rights to digital content has become something broader. |
| Author | Postigo, Hector |
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| Copyright | 2012 Massachusetts Institute of Technology 2012 MIT This content is available without a subscription. It may not be altered in any way and proper attribution is required. https://creativecommons.org/licenses/by/4.0/legalcode |
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| Notes | Includes bibliographical references (p. [209]-217) and index 21-7-2020 - No DOI registered in CrossRef for ISBN 9780262304412 MODID-c3d406b30dc:The MIT Press |
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| Snippet | The movement against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of 1998.... The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The... The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The... The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks.The... The evolution of activism against the expansion of copyright in the digital domain, with case studies of resistance including eBook and iTunes hacks. The movements against restrictive digital copyright protection arose largely in response to the excesses of the Digital Millennium Copyright Act (DMCA) of... |
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| SubjectTerms | Computers Computing and Information Technology Computing and Processing Copyright Copyright and electronic data processing Copyright law Design, Graphics & Media Digital Lifestyle and online world: consumer and user guides Digital rights management Digital TV and media centres: consumer / user guides Fair use (Copyright) General Topics for Engineers Graphical and digital media applications Hacktivism Hacktivism -- Law and legislation Impact of science and technology on society Information Science Intellectual Property Intellectual property law Internet Internet -- Law and legislation Internet Studies Law Law and legislation Laws of specific jurisdictions and specific areas of law Mathematics and Science Piracy (Copyright) Piracy (Copyright) -- Prevention Prevention Science: general issues Technology Technology & Policy |
| Subtitle | The Role of Technology in Subverting Digital Copyright |
| TableOfContents | Front Matter
Table of Contents
1: Introduction
2: The National Information Infrastructure and the Policymaking Process
3: Origins of the Digital Rights Movement:
[Part II Introduction]
4: Dmitry Sklyarov and the Advanced eBook Processor
5: DeCSS:
6: DeCSS Continued:
7: iTunes Hacks:
8: Structure and Tactics of the Digital Rights Movement
9: Conclusion
Appendix
Notes
References
Index Intro -- The Information Society Series -- Contents -- Part I -- 1 Introduction -- 2 The National Information Infrastructure and the Policymaking Process -- 3 Origins of the Digital Rights Movement: The White Paper and the Digital Millennium Copyright Act -- Part II -- 4 Dmitry Sklyarov and the Advanced eBook Processor -- 5 DeCSS: Origins and the Bunner Case -- 6 DeCSS Continued: The Hacker Ethic and the Reimerdes Case -- 7 iTunes Hacks: Hacking as a Tactic in the Digital Rights Movement -- 8 Structure and Tactics of the Digital Rights Movement -- 9 Conclusion -- Appendix -- Notes -- References -- Index |
| Title | The Digital Rights Movement |
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