Film Festivals From European Geopolitics to Global Cinephilia
Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world’s most famous festivals – Cannes, Berlin, Venice and Rotterdam – Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows...
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| Format: | E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford
Amsterdam University Press
04.12.2007
Taylor & Francis Group |
| Ausgabe: | 1st ed. |
| Schriftenreihe: | Film Culture in Transition |
| Schlagworte: | |
| ISBN: | 9789053562161, 9053562168, 9048506727, 9789053561928, 9789048506729, 9053561927 |
| Online-Zugang: | Volltext |
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| Abstract | Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world’s most famous festivals – Cannes, Berlin, Venice and Rotterdam – Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda’s, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance. |
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| AbstractList | Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda's, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance. This title is available in the OAPEN Library - http://www.oapen.org. Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda's, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance. The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influentiual cultural network. Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and Rotterdam - Film Festivals tells the story of a phenomenon that began in the midst of geopolitical disputes in war-torn Europe. De Valck shows how festivals turned the odds into advantages and developed into a successful global network. Taking into account the oft multilateral influences of major actors, such as Hollywood, the avant-garde and political/economic agenda's, the book offers a comprehensive understanding of film festivals. A must-read for everyone interested in quality film cultures that revolve around cultural value, aesthetic innovation and socio-political relevance. This title can be previewed in Google Books - http://books.google.com/books?vid=ISBN9789053561928. This title is available in the OAPEN Library - http://www.oapen.org. The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influential cultural network |
| Author | de Valck, Marijke |
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| Copyright | 2007 Amsterdam University Press 2007 Marijke de Valck https://creativecommons.org/licenses/by-nc/4.0/legalcode |
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| Keywords | Films, cinema PERFORMING ARTS South FIL General Film, Media, and Communication AUP Wetenschappelijk Film & Video |
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| Snippet | Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world’s most famous festivals – Cannes, Berlin, Venice and... Film festivals are hugely popular events that attract lovers of cinema worldwide. Focusing on the world's most famous festivals - Cannes, Berlin, Venice and... The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influential... The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influentiual... |
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| SubjectTerms | AUP Wetenschappelijk Europe FIL Film festivals Film Studies Film, Media, and Communication History & Criticism Performing Arts PERFORMING ARTS / Film & Video / General South |
| SubjectTermsDisplay | Film festivals |
| Subtitle | From European Geopolitics to Global Cinephilia |
| TableOfContents | Film festivals: from European geopolitics to global Cinephilia -- Table of Contents -- Acknowledgements -- Introduction - Film Festivals as Sites of Passage -- 1. Berlin and the Spatial Reconfiguration of Festivals -- 2. Cannes and the -- 3. Venice and the Value-Adding Process -- 4. Rotterdam and the Rise of Thematic Festivals -- Conclusion - Successful or Safe? -- Notes -- Bibliography -- Index of Names -- Index of Film Titles -- Index of Subjects. Front Matter Table of Contents Acknowledgements Introduction 1: Berlin and the Spatial Reconfiguration of Festivals 2: Cannes and the “Alternative” Cinema Network 3: Venice and the Value-Adding Process 4: Rotterdam and the Rise of Thematic Festivals Conclusion Notes Bibliography Index of Names Index of Film Titles Index of Subjects Back Matter Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- Introduction Film Festivals as Sites of Passage -- European Roots -- Film Festivals and Cultural Theory -- Three Historical Phases -- Film Festivals as New Object of Historical Research -- Film Festivals and the Pre-war Avant-garde -- Film Festivals and the Post-war Avant-garde -- Network Theory -- Film Festivals and Actor-Network Theory -- Sites of Passage -- Understanding Festival Space -- Case Studies -- Chapter 1: Berlin and the Spatial Reconfiguration of Festivals: From European Showcases to International Film Festival Circuit -- Geopolitical Agendas -- German Film Industry in Crisis -- The Western Cultural Showcase in the East -- The Olympics of Film -- Sovereign Nations, Diplomatic Disputes -- European Cinemas and Hollywood -- The Call for Independent Festivals -- Upheaval in Berlin -- The Forum: Between Barricades and Ivory Tower -- Embedded Festivals -- Return of the National -- The Local and the Global -- City Marketing -- Spatial Movements and Accreditation -- Conclusions -- Chapter 2: Cannesand the "Alternative" Cinema Network: Bridging the Gap between Cultural Criteria and Business Demands -- Film Wars between Hollywood and Europe -- Hollywood Rising -- Crisis in European Film Industries -- Film Festivals as an Alternative to Distribution -- Transformations in the World Cinema Market -- Video and Porn -- The New Independents -- Miramax -- The Festival Network -- The Question of Distribution -- In the Business of Cultural Prestige -- Facilitating the Industries -- Picking up on Trends in Cannes -- Le Marché du Cinéma -- Glitter and Glamour -- Media Event -- Conclusion -- Chapter 3: Venice and the Value-Adding Process: The Role of Mediation, Segregation and Agenda Setting -- The Value-Adding Process -- Tripartite Selection Beyond the High/Low Distinction -- The Film Festival Event -- Hybridized Performativity -- A Travelling Sequence of Events -- The Spatial Axis -- The Mostra and the Cultural Memory of Space -- Spatial Segregation through Accreditation -- The Temporal Axis -- The Winner: The Return -- The Loser: Buongiorno, Notte -- The Favorite: Lost in Translation -- The Scandal: Twentynine Palms -- Agenda Setting and Media Exposure -- Conclusion -- Chapter 4: Rotterdam and the Rise of Thematic Festivals: From Cinephile Initiatives to Popular Events -- Thematic Festivals -- The Age of Programmers -- Rotterdam and Film International -- Programming, Passion and Politics -- The Dogma of Discovery and Politics of Participation -- Thematic Festivals in the Festival Circuit -- Cinephilia and the New Festival Audiences -- Video, Digitization and the Rise of Contemporary Cinephilia -- Memory and the Market -- Debating the New Festival Audiences in Rotterdam -- The Age of Festival Directors -- The Experience Economy -- Fundraising, Sponsoring and the City -- Conclusion -- Conclusion Successful or Safe?: The Strengths and Weaknesses of the Film Festival Network -- The Larger Network -- Successful or Safe? -- Adding Value and Agenda Setting -- Implications and Limitations -- Notes -- Bibliography -- Index of Names -- Index of Film Titles -- Index of Subjects 2. Cannes and the “Alternative” Cinema Network. Bridging the Gap between Cultural Criteria and Business Demands -- 4. Rotterdam and the Rise of Thematic Festivals. From Cinephile Initiatives to Popular Events -- Index of Subjects 3. Venice and the Value-Adding Process. The Role of Mediation, Segregation and Agenda Setting -- 1. Berlin and the Spatial Reconfiguration of Festivals. From European Showcases to International Film Festival Circuit -- Acknowledgements -- Table of Contents -- Index of Film Titles -- Introduction – Film Festivals as Sites of Passage -- Frontmatter -- Conclusion – Successful or Safe? The Strengths and Weaknesses of the Film Festival Network -- Index of Names -- Notes -- Bibliography -- |
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