Shakespeare and the medieval world
A unique study examining the influence of medieval culture, thinking and drama on Shakespeare's work, looking at his use of sources and the ways in which the traditions of medieval drama permeate his plays.
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| Hlavní autor: | |
|---|---|
| Médium: | E-kniha Kniha |
| Jazyk: | angličtina |
| Vydáno: |
London
Arden Shakespeare
2010
Bloomsbury Publishing Plc Bloomsbury |
| Vydání: | 1 |
| Edice: | Arden Critical Companions |
| Témata: | |
| ISBN: | 9781408172322, 1904271782, 9781904271789, 1408172321 |
| On-line přístup: | Získat plný text |
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| Abstract | A unique study examining the influence of medieval culture, thinking and drama on Shakespeare's work, looking at his use of sources and the ways in which the traditions of medieval drama permeate his plays. |
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| AbstractList | A unique study examining the influence of medieval culture, thinking and drama on Shakespeare's work, looking at his use of sources and the ways in which the traditions of medieval drama permeate his plays. Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and poet. Medieval culture pervaded his life and work, from his childhood, spent within reach of the last performances of the Coventry Corpus Christi plays, to his dramatisation of Chaucer in The Two Noble Kinsmen three years before his death. The world he lived in was still largely a medieval one, in its topography and its institutions. The language he spoke had been forged over the centuries since the Norman Conquest. The genres in which he wrote, not least historical tragedy, love-comedy and romance, were medieval inventions. A high proportion of his plays have medieval origins and he kept returning to Chaucer, acknowledged as the greatest poet in the English language. Above all, he grew up with an English tradition of drama developed during the Middle Ages that assumed that it was possible to stage anything - all time, all space. Shakespeare and the Medieval World provides a panoramic overview that opens up new vistas within his work and uncovers the richness of his inheritance. |
| Author | Cooper, Helen |
| Author_xml | – sequence: 1 fullname: Cooper, Helen |
| BackLink | https://cir.nii.ac.jp/crid/1130282269474157056$$DView record in CiNii |
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| DOI | 10.5040/9781472555243 |
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| Discipline | Languages & Literatures Drama |
| EISBN | 1408138980 9781408138984 9781408138991 1408138999 |
| Edition | 1 |
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| ISBN | 9781408172322 1904271782 9781904271789 1408172321 |
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| Notes | Includes index "Bloomsbury Arden Shakespeare"--T.p. verso Reprinted in 2013 by Bloomsbury Methuen Drama Bibliography: p. [257]-263 |
| OCLC | 893332523 |
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| PublicationCentury | 2000 |
| PublicationDate | 2010 2012 2014-09-26 2014-09-22 |
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| PublicationDate_xml | – year: 2010 text: 2010 |
| PublicationDecade | 2010 |
| PublicationPlace | London |
| PublicationPlace_xml | – name: London |
| PublicationSeriesTitle | Arden Critical Companions |
| PublicationYear | 2010 2012 2014 |
| Publisher | Arden Shakespeare Bloomsbury Publishing Plc Bloomsbury |
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| Snippet | A unique study examining the influence of medieval culture, thinking and drama on Shakespeare's work, looking at his use of sources and the ways in which the... Helen Cooper's unique study examines how continuations of medieval culture into the early modern period, forged Shakespeare's development as a dramatist and... |
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| SubjectTerms | 1564-1616 Civilization, Medieval, in literature English literature English literature -- Middle English, 1100-1500 -- Influence Knowledge Middle Ages Middle Ages in literature Shakespeare, William Shakespeare, William, 1564-1616 |
| TableOfContents | Cover -- CONTENTS -- TEXTUAL NOTE -- ACKNOWLEDGEMENTS -- ABBREVIATIONS -- LIST OF ILLUSTRATIONS -- Introduction -- Chapter One: Shakespeare's Medieval World -- Remembered worlds -- Continuities -- The shape of life -- The shape of death -- The world of language -- Chapter Two: Total Theatre -- Remembering the religious drama -- Shakespeare and the cycle plays -- Chapter Three: Staging the Unstageable -- Presenting the play -- Immaterial beings -- Imagining place -- Time -- Chapter Four: The Little World of Man -- Language and personification -- Man and the universe -- Moral interludes and dramatic structure -- Dumbshows, emblems and allegorical action -- Three types: king, shepherd and fool -- Chapter Five: The World of Fortune -- The falls of great men -- Tragedies from the medieval world -- Chapter Six: Romance, Women and the Providential World -- Heroines, inheritance and happy endings -- Beyond the natural -- The last plays -- Pericles -- Chapter Seven: Shakespeare's Chaucer -- A Midsummer Night's Dream -- A note on Bottom and the ass -- Troilus and Cressida -- The Two Noble Kinsmen -- NOTES -- BIBLIOGRAPHY -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y |
| Title | Shakespeare and the medieval world |
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