A companion to digital art
Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today's digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. * Showcases the critical and theoretical approaches in this fast-m...
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| Hlavný autor: | |
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| Médium: | E-kniha Kniha |
| Jazyk: | English |
| Vydavateľské údaje: |
Chichester
Wiley
2016
Wiley-Blackwell John Wiley & Sons, Incorporated |
| Vydanie: | 1 |
| Edícia: | Wiley Blackwell companions to art history |
| Predmet: | |
| ISBN: | 1118475208, 9781118475201, 9781118475218, 1118475216, 1118475240, 9781118475249, 9781119225744, 1119225744 |
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| Abstract | Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today's digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists.
* Showcases the critical and theoretical approaches in this fast-moving discipline
* Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions
* Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists
* Tackles digital art's primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence
* Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art |
|---|---|
| AbstractList | Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today's digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists.
* Showcases the critical and theoretical approaches in this fast-moving discipline
* Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions
* Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists
* Tackles digital art's primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence
* Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today's digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art's primary practical challenges - how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving disciplineExplores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutionsProvides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theoristsTackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescenceUp-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art |
| Author | Christiane Paul |
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| Notes | Includes bibliographical references and index |
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| Snippet | Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today's digital art, combining fresh,... Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh,... |
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| SubjectTerms | Computer art |
| TableOfContents | Intro -- Title Page -- Copyright Page -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- Introduction: From Digital to Post-Digital-Evolutions of an Art Form -- Histories of Digital Art -- Network Cultures: The Politics of Digital Art -- Digital Art and the Institution -- Note -- References -- Part I Histories of Digital Art -- Chapter 1 The Complex and Multifarious Expressions of Digital Art and Its Impact on Archives and Humanities -- Introduction -- Media Art's Revolution? -- Media Art's Multifarious Potential for Complex Expression -- Media Art and the Humanities -- Image Science: From the Image Atlas to the Virtual Museum -- Art History-Visual Studies-Image Science -- Complex Imagery -- Collective Strategies: New Tools for the Humanities -- The Archive of Digital Art (formerly Database of Virtual Art) -- Bridging the Gap: New Developments in Thesaurus Research -- Media Art Education -- The Problem of Media Art Documentation Today-Future Needs -- A New Structure for Media Art Research -- Notes -- References -- Further Reading -- Chapter 2 International Networks of Early Digital Arts -- The IT Sector as Capitalist Dream of Growth -- The Emergence of Digital Arts and Related Networks -- Bridging Analog and Digital Art in New Tendencies -- Digital Art Networks of the 1980s -- Is It Possible to Organize a Meta-Network? -- Conclusion -- Notes -- References -- Further Reading -- Chapter 3 Art in the Rear-View Mirror: The Media-Archaeological Tradition in Art -- Artists and Media Archaeology-Before the Beginnings -- Art, Technology, and the Past in the 1950s and 1960s -- Avant-Garde Cinema, New Film Historicism, and Archaeologies of Projection -- New Media Art, Media Archaeology, and Female Media Artists -- Alternative Archaeologies of Moving Images and Sounds: Toshio Iwai and Paul DeMarinis Conclusion: The Media-Archaeological Turn -- Notes -- References -- Further Reading -- Chapter 4 Proto-Media Art: Revisiting Japanese Postwar Avant-garde Art -- An Overview of Postwar Avant-garde Art -- Collectives, Exhibitions, and Organizations -- East Asian Avant-garde Art after World War II -- From Experimental Art to Digital Media Art -- Notes -- References -- Chapter 5 Generative Art Theory -- Introduction -- What Is Generative Art? -- Complexity, Systems, and Generative Art -- The Future of Generative Art -- Notes -- References -- Chapter 6 Digital Art at the Interface of Technology and Feminism -- Exclusions and Exceptions -- Inclusions -- Cyberfeminist Critique -- Networking Communities -- Hacktivist Pedagogy -- Representation, Change, and Fabriculture -- References -- Further Reading -- Chapter 7 The Hauntology of the Digital Image -- Notes -- References -- Chapter 8 Participatory Art: Histories and Experiences of Display -- A First Thesis -- A Second Thesis -- A Third Thesis -- Four Case Studies of Dynamic Displays -- Conclusion: Toward an Art of Participation -- Notes -- References -- Part II Aesthetics of Digital Art -- Chapter 9 Small Abstract Aesthetics -- Aesthetics -- Aesthetic Condition -- Aesthetic Carriers -- Material Aesthetics -- Aesthetic Repertory -- The First Definition of an Aesthetic Condition -- Processes -- Aesthetic Distribution -- Aesthetic Information -- Reality Themes -- Creative and Communication Pattern -- Common Signs -- Signal and Sign -- Categories of Signs -- Semioses -- Numeric and Semiotic Aesthetics -- Micro- and Macroaesthetics -- General Numerical Aesthetics -- Numerical Macroaesthetics -- Numerical Microaesthetics -- Semiotic Macroaesthetics -- Semiotic Microaesthetics -- Nuclear Aesthetics -- Numerical Nuclear Aesthetics -- Semiotic Nuclear Aesthetics -- The System of Semiotic Aesthetic Crude and Subtle Aesthetics -- General Conclusion -- Acknowledgment -- Notes -- Chapter 10 Aesthetics of the Digital -- Notes -- References -- Chapter 11 Computational Aesthetics -- Medium Specificity -- Computational Construction -- Ten Aspects of Computational Aesthetics -- If - then -- Notes -- References -- Chapter 12 Participatory Platforms and the Emergence of Art -- Archives, Art Platforms, and Web Communities -- Total Creativity and Social Media -- Notes -- References -- Chapter 13 Interactive Art: Interventions in/to Process -- Introduction: Bodies in Process -- Bodies and Spaces -- Interaction and Relation -- Bodies and Signs -- Processing Interventions -- Bodies and Communities -- Strategies of Engagement -- Interactive Futures -- Note -- References -- Further Reading -- Chapter 14 The Cultural Work of Public Interactives -- Defining Public Interactives -- Importance of History -- The Cultural Impact of Public Interactives -- The Art and Design of Public Interactives -- Genres of Public Interactives -- Conclusion: Augmented Public Spaces, Experience Design, and the Technological Literacies of the Future -- Notes -- References -- Further Reading -- Part III Network Cultures: The Politics of Digital Art -- Chapter 15 Shockwaves in the New World Order of Information and Communication -- Introduction -- The Need for a New Political Economy of Communications -- "The Last Free Media of the West" -- The New New World Order -- Tactical Media -- Neoliberalism and Its Discontents -- Art of the Digital Commons -- Conclusion -- Acknowledgments -- Notes -- References -- Chapter 16 Critical Intelligence in Art and Digital Media -- Digital Communication -- Interactive Media -- Intangible Materials -- Asymmetric Invisibility -- The Creative Empire -- Cultural Economies -- Imagineering Work -- A New Spirit of Art -- Smoke and Mirrors Chapter 23 The Digital Arts In and Out of the Institution- Where to Now? -- What? -- Who? -- When? -- Where? -- How? -- Why? -- Notes -- References -- Chapter 24 The Nuts and Bolts of Handling Digital Art -- Introduction -- Fundamental Concepts -- Learning the Work-Initial Conservation Assessment and Interview -- Collection and Capture -- When a Disk Image is Overkill -- Post-Capture Preparation for Long-term Storage -- Beyond the File System: Digital Repositories -- Intervention and Exhibition: Fundamental Treatment Concepts -- Intervention and Exhibition: The Magnavox Odyssey -- Documentation Practices -- Conclusion -- Notes -- References -- Chapter 25 Trusting Amateurs with Our Future -- The Oldest Human Record -- What Are Professional Archivists to Make of This? -- The Amateurs Arrive -- The Amateurs Take Control -- Outperforming the Professionals: Emulation -- Learning from the Amateurs: Crowdsourcing -- Challenges of Proliferative Preservation -- Conclusion -- Notes -- References -- Chapter 26 Enabling the Future, or How to Survive FOREVER -- Conservation Practice -- Authentic Alliances -- Identifying Authentic Alliances and the Use of Documentation -- Acknowledgments -- Notes -- References -- Further Reading -- Chapter 27 Exhibition Histories and Futures: The Importance of Participation and Audiences -- New Media Systems-Databases, Taxonomies, and Methods -- Behaviors-Live, Social, Participative -- Exhibitions for Behaviors -- Documenting Exhibitions … and Audiences? -- Futures-Connected Modes of Documenting, Curating, and Historicizing? -- Notes -- References -- Index -- EULA Phantoms in the City -- Operative Interventions -- From Tactics to Strategy -- Forgotten Futures -- Cultural Intelligence -- Fiction and Agency -- References -- Chapter 17 The Silver Age of Social Media: Nettime.org and the Avant-Garde of the '90s -- Notes -- References -- Chapter 18 Art in the Corporatized Sphere: The Impact of Commercial Social Media on Online Artistic Practice -- From Open Fields to Walled Gardens -- The Aesthetic Mechanics of Social Networks -- Trading Independence for Audience -- Appropriating the Platform -- Asserting Authorship -- What Defines Ownership Online? -- The Persistence of the Poor Image -- Building Critical Economies -- Acknowledgment -- Notes -- References -- Further Reading -- Chapter 19 Artistic Visualization -- Defining Data Visualization -- Reduction and Space -- Visualization without Reduction -- Media Visualization: Examples -- Conclusion -- Notes -- References -- Chapter 20 Critical Play: The Productive Paradox -- Thinking "Critical Play" -- A Concise History of "Critical Play" -- Proposition 1: Critical Play Exposes and Examines Dominant Values -- Proposition 2: Critical Play Can Mean Toying with the Notion of Goals, Making Games with Problematic, Impossible, or Unusual Endings -- Proposition 3: Criticality Can Lead to Extreme New Kinds of Play, and Make Familiar Types of Play Unfamiliar -- The Future of Critical Play -- Note -- References -- Further Reading -- Part IV Digital Art and the Institution -- Chapter 21 Contemporary Art and New Media: Digital Divide or Hybrid Discourse? -- Artworlds -- Bridging the Gap: Implicit vs. Explicit Influence and Medium Injustice -- The Post-Medium Condition and Its Discontents -- Further Provocations -- The 34.2 Million Question -- Acknowledgments -- Notes -- References -- Chapter 22 One of Us!: On the Coupling of New Media Art and Art Institutions -- References |
| Title | A companion to digital art |
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