Acts and apparitions Discourses on the real in performance practice and theory, 1990-2010
Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority.
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| Format: | E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Manchester
Manchester University Press
2018
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| Ausgabe: | 1 |
| Schlagworte: | |
| ISBN: | 1526130742, 9781526130747, 9781784993764, 178499376X |
| Online-Zugang: | Volltext |
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| Abstract | Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority. |
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| AbstractList | 'Acts and Apparitions' examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority. Acts and apparitions examines how new performance practices from the 1990s to the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority.This book departs significantly from existing scholarship on contemporary performance in its rejection of the dramatic/postdramatic binary and its interrogation of previous applications of Derridean poststructuralism to theatrical representation and notions of the real.It offers new perspectives on the political analysis of contemporary theatre and performance across a wide range of models from Forced Entertainment and the Wooster Group, to Roland Schimmelpfennig and Howard Barker; from verbatim theatre to audio tours and the interactive performances of Ontroerend Goed. Acts and apparitions examines how new performance practices from the 1990s to the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority. This book departs significantly from existing scholarship on contemporary performance in its rejection of the dramatic/postdramatic binary and its interrogation of previous applications of Derridean poststructuralism to theatrical representation and notions of the real. It offers new perspectives on the political analysis of contemporary theatre and performance across a wide range of models from Forced Entertainment and the Wooster Group, to Roland Schimmelpfennig and Howard Barker; from verbatim theatre to audio tours and the interactive performances of Ontroerend Goed.Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority. Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing political implications of the concept's rapidly disintegrating authority. |
| Author | Tomlin, Elizabeth |
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| Copyright | 2013 Liz Tomlin |
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| DOI | 10.7765/9781526130747 |
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| Discipline | Drama Recreation & Sports |
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| Keywords | artistic development performer documentary theatre tradition philosophical development political implications representational practice experiential realities theatrical representations dramatic representation manchesterhive variable pricing textbooks verbatim methodologies radicalism poststructuralist narrative spectator postdramatic deconstructions performance practices |
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| Snippet | Acts and apparitions examines how new performance practices from the 1990s to the present day have been driven by questions of the real and the ensuing... Acts and apparitions examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing... 'Acts and Apparitions' examines how new performance practices from the 1990s and the present day have been driven by questions of the real and the ensuing... |
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| SubjectTerms | ART / Techniques / General artistic development documentary theatre tradition dramatic representation experiential realities History & Criticism manchesterhive variable pricing textbooks performance practices performer PERFORMING ARTS philosophical development political implications postdramatic deconstructions Poststructuralism poststructuralist narrative radicalism Realism Reality in art representational practice spectator Stage presentations Stagecraft Theater Theater-20th century-History and criticism Theater-21st century-History and criticism theatrical representations verbatim methodologies |
| Subtitle | Discourses on the real in performance practice and theory, 1990-2010 |
| TableOfContents | Front Matter
Table of Contents
List of figures
Acknowledgements
Introduction
1: Discourses of resistance:
2: Deconstructing the postdramatic:
3: Quoting quotations:
4: Representing the real:
5: Re-membering the real:
6: From spect-actor to corporate player:
Afterword
References
Index 4 Representing the real: verbatim practice in a sceptical age 5 Re-membering the real: experiential challenges to the medium of theatrical representation 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences Afterword References Index 3 Quoting quotations: citational theory and contemporary characterisation Part II: Apparitions of the real Acknowledgements 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation Cover Introduction Part I: The discursive act 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes Title Page, Copyright Page, Dedication Contents List of figures ACTS AND APPARITIONS: Discourses on the real in performance practice and theory, 1990-2010 -- Half Title Page -- Title Page -- Copyright -- Dedication -- Contents -- List of figures -- Acknowledgements -- Introduction -- Part I: The discursive act -- 1 Discourses of resistance: representation and the real in the twentieth-century avant-gardes -- 2 Deconstructing the postdramatic: questions of mimesis, authorship and representation -- Part II: Apparitions of the real -- 3 Quoting quotations: citational theory and contemporary characterisation -- 4 Representing the real: verbatim practice in a sceptical age -- 5 Re-membering the real: experiential challenges to the medium of theatrical representation -- 6 From spect-actor to corporate player: reconfigurations of twenty-first-century audiences -- Afterword -- References -- Index Part I: The discursive act -- Afterword 2 Deconstructing the postdramatic Index Acknowledgements 4 Representing the real 3 Quoting quotations 5 Re-membering the real Liz Tomlin -- List of figures 1 Discourses of resistance Part II: Apparitions of the real -- Contents Introduction 6 From spect-actor to corporate player References Dedication Liz Tomlin Front matter |
| Title | Acts and apparitions |
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