Authorizing Early Modern European Women From Biography to Biofiction

The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwive...

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Hlavní autori: Fitzmaurice, James, Miller, Naomi J., Steen, Sara Jayne
Médium: E-kniha Kniha
Jazyk:English
Vydavateľské údaje: Netherlands Amsterdam University Press 06.12.2021
Taylor & Francis Group
Vydanie:1
Edícia:Gendering the Late Medieval and Early Modern World
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ISBN:9789463727143, 9463727140, 9048552907, 9789048552900, 1041176007, 9781041176008
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Abstract The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them.
AbstractList The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences. It also pays attention to the historical women creators themselves, who, be they saints or midwives, visual artists or poets and playwrights, stand out for their roles as active practitioners of their own arts and for their accomplishments as creators. Whether they delivered infants or governed as monarchs, or produced embroideries, letters, paintings or poems, their visions, the authors argue, have endured across the centuries. As the title of the volume suggests, the essays gathered here participate in a wider conversation about the relation between biography, historical fiction, and the growing field of biofiction (that is, contemporary fictionalizations of historical figures), and explore the complicated interconnections between celebrating early modern women and perpetuating popular stereotypes about them.
The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories of early modern women to modern audiences.
Author Miller, Naomi J.
Steen, Sara Jayne
Fitzmaurice, James
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Keywords Women
LITERARY CRITICISM
ART
1500 to c 1700
Europe
Literary studies: c. 1500 to c. 1800
South
Early Modern Studies
Literary Theory, Criticism, and History
Subjects & Themes
Women Artists
History, Art History, and Archaeology
History of art
AUP Wetenschappelijk
Literary studies: c 1600 to c 1800
Modern period, c 1500 onwards
Gender and Sexuality Studies
Art and Material Cultures
Early Modern Women, Historical Women, Biofiction, Biography, Renaissance Women
Early modern history: c 1450
Social and cultural history
c 1500 onwards to present day
HISTORY
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Language English
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Notes Includes bibliographical references and index
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Snippet The essays in this volume analyze strategies adopted by contemporary novelists, playwrights, screenwriters, and biographers interested in bringing the stories...
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SubjectTerms History
Literary Criticism
Subjects & Themes
The arts. Fine and decorative arts
Women
Subtitle From Biography to Biofiction
TableOfContents 20. "The Gossips' Choice: Extending the Possibilities for Biofiction with Creative Uses of Sources" -- 21. Afterword -- Index
Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- List of Figures -- Acknowledgments -- 1. "Introduction: Biography, Biofiction, and Gender in the Modern Age" -- Section I: Fictionalizing Biography -- 2. "Sister Teresa: Fictionalizing a Saint" -- 3. "Portrait of an Unknown Woman: Fictional Representations of Levina Teerlinc, Tudor Paintrix" -- 4. "An Interview with Dominic Smith, Author of The Last Painting of Sara de Vos: Capturing the Seventeenth Century" -- 5. "Lanyer: The Dark Lady and the Shades of Fiction" -- 6. "Archival Bodies, Novel Interpretations, and the Burden of Margaret Cavendish" -- Section II: Materializing Authorship -- 7. "Bess of Hardwick: Materializing Autobiography" -- 8. "The Queen as Artist: Elizabeth Tudor and Mary Stuart" -- 9. "'Very Secret Kept': Facts and Re-Creation in Margaret Hannay's Biographies of Mary Sidney Herbert and Mary Wroth" -- 10. "Imagining Shakespeare's Sisters: Fictionalizing Mary Sidney Herbert and Mary Sidney Wroth" -- 11. "Anne Boleyn, Musician: A Romance Across Centuries and Media" -- Section III: Performing Gender -- 12. "Reclaiming Her Time: Artemisia Gentileschi Speaks to the Twenty-First Century" -- 13. "Beyond the Record: Emilia and Feminist Historical Recovery" -- 14. "Writing, Acting, and the Notion of Truth in Biofiction About Early Modern Women Authors" -- 15. "Jesusa Rodríguez's Sor Juana Inés de la Cruz: Reflections on an Opaque Body" -- Section IV: Authoring Identity -- 16. "From Hollywood Film to Musical Theater: Veronica Franco in American Popular Culture" -- 17. "The Role of Art in Recent Biofiction on Sofonisba Anguissola" -- 18. "'I Am Artemisia': Art and Trauma in Joy McCullough's Blood Water Paint" -- 19. "The Lady Arbella Stuart, a 'Rare Phoenix': Her Re-Creation in Biography and Biofiction"
Title Authorizing Early Modern European Women
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