Documenting Performance The Context and Processes of Digital Curation and Archiving
Performance in the digital age has undergone a radical shift in which a once ephemeral art form can now be relived, replayed and repeated. Until now, much scholarship has been devoted to the nature of live performance in the digital age; Documenting Performance is the first book to provide a collect...
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| Hlavní autor: | |
|---|---|
| Médium: | E-kniha Kniha |
| Jazyk: | angličtina |
| Vydáno: |
London
Bloomsbury Publishing Plc
2017
Bloomsbury Methuen Drama |
| Vydání: | 1 |
| Témata: | |
| ISBN: | 1472588215, 9781472588210, 1472588185, 9781472588180, 1472588177, 9781472588173 |
| On-line přístup: | Získat plný text |
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- Documenting Performance: An Introduction - Performance Arts and Their Memories - Description Models for Documenting Performance - Intellectual Property Matters for Documenting Performance: Challenges and Current Trends - Expanding Documentation, and Making the Most of ‘the Cracks in the Wall’ - Remembering Performance Through the Practice of Oral History - Translating Performance: Desire, Intention and Interpretation in Photographic Documents - Documenting Audience Experience: Social Media as Lively Stratification - Web Archiving and Participation: The Future History of Performance? - Documenting Digital Performance Artworks - Paradocumentation and NT Live’s ‘CumberHamlet’ - Thinking Virtually in a Distracted Globe: Archiving Shakespeare in Asia - From Copper-plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre - Archiving Western Australian New Music Performance - Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive - What do we Document? Dense Video and the Epistemology of Practice - Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Trainings - Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance - Documenting Dance: Tools, Frameworks and Digital Transformation - Notes - Bibliography
- 1 Documenting Performance: An Introduction - I Contexts for Documenting Performance - 2 Performance Arts and Their Memories - 3 Description Models for Documenting Performance - 4 Intellectual Property Matters for Documenting Performance: Challenges and Current Trends - 5 Expanding Documentation, and Making the Most of ‘the Cracks in the Wall’ - II Ways of Documenting Performance - 6 Remembering Performance Through the Practice of Oral History - 7 Translating Performance: Desire, Intention and Interpretation in Photographic Documents - 8 Documenting Audience Experience: Social Media as Lively Stratification - 9 Web Archiving and Participation: The Future History of Performance? - 10 Documenting Digital Performance Artworks - III From Documents to Documenting - 11 Paradocumentation and NT Live’s ‘CumberHamlet’ - 12 Thinking Virtually in a Distracted Globe: Archiving Shakespeare in Asia - 13 From Copper-plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre - 14 Archiving Western Australian New Music Performance - 15 Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive - IV Documenting Bodies in Motion - 16 What do we Document? Dense Video and the Epistemology of Practice - 17 Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Trainings - 18 Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance - 19 Documenting Dance: Tools, Frameworks and Digital Transformation - Notes - Bibliography
- Cover page -- Halftitle page -- Title page -- Copyright page -- Dedication -- Contents -- List of Illustrations -- List of Tables -- List of Contributors -- Acknowledgements -- 1 Documenting Performance: An Introduction -- Common (back)ground -- How to document performance -- Structure -- Part One Contexts for Documenting Performance -- 2 Performance Arts and Their Memories -- The conceptual relationship between memory, performance arts and exhibition -- Practices of documenting memories of performance arts at museums -- Memories of the body and embodied memories -- 3 Description Models for Documenting Performance -- The performance event as a cultural object -- Performing arts digital information initiatives -- A new description paradigm: beyond resources types and domains -- FRBRoo: a domain ontology for performing arts -- A case study: Teatro Municipal Miguel de Cervantes -- Conclusion and future trends -- 4 Intellectual Property Matters for Documenting Performance: Challenges and Current Trends -- Copyright -- Fixity 4 in copyright -- The restrictions of copyright when applied to the performing arts -- Originality and authorship -- Performers' rights -- Documenting performance -- Protecting the documenter's work -- Conclusion -- 5 Expanding Documentation, and Making the Most of 'the Cracks in the Wall'1 -- Problematizing the document -- When the artwork is the document: Lynn Hershman Leeson -- Unauthorized documents: Tino Sehgal -- Expanding documentation: JODI -- Conclusion -- Acknowledgements -- Part Two Ways of Documenting Performance -- 6 Remembering Performance Through the Practice of Oral History -- 7 Translating Performance: Desire, Intention and Interpretation in Photographic Documents -- How the subject intervenes -- How the photographer and the camera intervene -- The intervention of the spectator
- Photography and its intentional gaps -- The photograph as object of translation -- Photographic reception as translation -- Motion, flux and the need for consciousness -- 8 Documenting Audience Experience: Social Media as Lively Stratification -- Documenting 'liveness' -- Experiencing disappearance -- Experiential divergence and cultural legacy -- The stratification of social media -- Live tweeting and blogging: a #lively #resistance -- Conclusion -- 9 Web Archiving and Participation: The Future History of Performance? -- Web archiving and performance -- Mapping the fi eld: web archiving and performance -- Formal social memory -- Informal social memory -- Mixing formal and informal social memory: the Internet Archive -- Web archiving and big data - a participatory method? -- Conclusion -- 10 Documenting Digital Performance Artworks -- Live performance in the digital era -- Everything is data -- Conclusion -- Part Three From Documents to Documenting -- 11 Paradocumentation and NT Live's 'Cumber Hamlet' -- National Theatre Live -- The deposits of Hamlet -- Encores -- Pre-, post-, and con- text: framing the survey -- Engaging with pre-broadcast paradocumentation -- Engaging with paradocumentation during the broadcast -- Engaging with post-broadcast documentation -- Comparison of audience groups -- Conclusion -- 12 Thinking Virtually in a Distracted Globe: Archiving Shakespeare in Asia -- Hamlets' ghosts on the video player -- Restaging Hamlet -- The archivist as Horatio -- Where is the virtual scene? -- 13 From Copper-plate Inscriptions to Interactive Websites: Documenting Javanese Wayang Theatre -- Copper-plate inscriptions -- Puppet collections -- Anthropological documents -- Audiovisual recordings -- 14 Archiving Western Australian New Music Performance
- 15 Participation and Presence: Propositional Frameworks for Engaging Users in the Design of the Circus Oz Living Archive -- The Circus Oz Living Archive -- Designing for/with liveness -- Designing for presence -- Designing with/for people -- Discovering the possibility of narrative -- Conclusion -- Part Four Documenting Bodies in Motion -- 16 What do we Document? Dense Video and the Epistemology of Practice -- Document, event, technique -- In praise of video -- Dense video and digital epistemology -- What do we document? -- 17 Pleasures of Writing about the Pleasures of the Practice: Documenting Psychophysical Performer Trainings -- Articulating pleasure -- The drive to write -- Urgency -- Tension and constriction -- 'Knowing through pleasure' -- 18 Dance Archival Futures: Embodied Knowledge and the Digital Archive of Dance -- Ephemerality and the archive -- The digital and the spatio-temporal -- The collective experience as preservation -- The future of the dance archive -- 19 Documenting Dance: Tools, Frameworks and Digital Transformation -- Historic practices: iconography, notation and scoring dance -- Documents and documentation -- Documenting dance: from analogue to digital methods -- Writing the dance: documenting the digital -- Contemporary strategies and methods for documenting dance -- Conclusion -- Notes -- Bibliography -- Index