Documentarity Evidence, Ontology, and Inscription
A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident. In this book, Ronald Day offers a historical-conceptual account of how something becomes evident. Crossing philosophical ontology with docu...
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| Médium: | E-kniha Kniha |
| Jazyk: | angličtina |
| Vydáno: |
Cambridge
MIT Press
2019
The MIT Press University of Indiana/TOME |
| Vydání: | 1 |
| Edice: | History and Foundations of Information Science |
| Témata: | |
| ISBN: | 9780262043205, 0262043203, 0262356023, 9780262356022 |
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| Abstract | A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident.
In this book, Ronald Day offers a historical-conceptual account of how something becomes evident. Crossing philosophical ontology with documentary ontology, Day investigates the different genres, technologies, modes of inscription, and innate powers of expression by which something comes into presence and makes itself evident. He calls this philosophy of evidence documentarity, and it is through this theoretical lens that he examines documentary evidence (and documentation) within the tradition of Western philosophy, largely understood as representational in its epistemology, ontology, aesthetics, and politics.
Day discusses the expression of beings or entities as evidence of what exists through a range of categories and modes, from Plato's notion that ideas are universal types expressed in evidential particulars to the representation of powerful particulars in social media and machine learning algorithms. He considers, among other topics, the contrast between positivist and anthropological documentation traditions; the ontological and epistemological importance of the documentary index; the nineteenth-century French novel's documentary realism and the avant-garde's critique of representation; performative literary genres; expression as a form of self evidence; and the “post-documentation” technologies of social media and machine learning, described as a posteriori, real-time technologies of documentation. Ultimately, the representational means are not only information and knowledge technologies but technologies of judgment, judging entities both descriptively and prescriptively. |
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| AbstractList | A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident.
In this book, Ronald Day offers a historical-conceptual account of how something becomes evident. Crossing philosophical ontology with documentary ontology, Day investigates the different genres, technologies, modes of inscription, and innate powers of expression by which something comes into presence and makes itself evident. He calls this philosophy of evidence documentarity, and it is through this theoretical lens that he examines documentary evidence (and documentation) within the tradition of Western philosophy, largely understood as representational in its epistemology, ontology, aesthetics, and politics.
Day discusses the expression of beings or entities as evidence of what exists through a range of categories and modes, from Plato's notion that ideas are universal types expressed in evidential particulars to the representation of powerful particulars in social media and machine learning algorithms. He considers, among other topics, the contrast between positivist and anthropological documentation traditions; the ontological and epistemological importance of the documentary index; the nineteenth-century French novel's documentary realism and the avant-garde's critique of representation; performative literary genres; expression as a form of self evidence; and the “post-documentation” technologies of social media and machine learning, described as a posteriori, real-time technologies of documentation. Ultimately, the representational means are not only information and knowledge technologies but technologies of judgment, judging entities both descriptively and prescriptively. A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident. A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident.In this book, Ronald Day offers a historical-conceptual account of how something becomes evident. Crossing philosophical ontology with documentary ontology, Day investigates the different genres, technologies, modes of inscription, and innate powers of expression by which something comes into presence and makes itself evident. He calls this philosophy of evidence documentarity, and it is through this theoretical lens that he examines documentary evidence (and documentation) within the tradition of Western philosophy, largely understood as representational in its epistemology, ontology, aesthetics, and politics.Day discusses the expression of beings or entities as evidence of what exists through a range of categories and modes, from Plato's notion that ideas are universal types expressed in evidential particulars to the representation of powerful particulars in social media and machine learning algorithms. He considers, among other topics, the contrast between positivist and anthropological documentation traditions; the ontological and epistemological importance of the documentary index; the nineteenth-century French novel's documentary realism and the avant-garde's critique of representation; performative literary genres; expression as a form of self evidence; and the "post-documentation" technologies of social media and machine learning, described as a posteriori, real-time technologies of documentation. Ultimately, the representational means are not only information and knowledge technologies but technologies of judgment, judging entities both descriptively and prescriptively. |
| Author | Day, Ronald E |
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| Copyright | 2019 Massachusetts Institute of Technology 2019 MIT This content is available without a subscription. It may not be altered in any way and proper attribution is required. |
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| Snippet | A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes... A historical-conceptual account of the different genres, technologies, modes of inscription, and innate powers of expression by which something becomes evident. |
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| SubjectTerms | Coding theory and cryptology Computing and Processing Documentation Evidence General Topics for Engineers Impact of science and technology on society Information Science Information Systems Information technology Information technology -- Philosophy Library and information services Literature Literature -- Philosophy Mathematics and Science Ontology Philosophy Philosophy and Religion Philosophy: epistemology and theory of knowledge Reference, Information and Interdisciplinary subjects Research and information: general Science: general issues Topics in philosophy |
| Subtitle | Evidence, Ontology, and Inscription |
| TableOfContents | Cover -- Title Page -- Copyright Page -- Contents -- Acknowledgments -- Introduction -- 1 The Philosophical Perspective -- 2 Documentarity in the Works of Paul Otlet and Georges Bataille: Two Competing Notions of "Document" and Evidence -- 3 Figuring Documentarity -- 4 Documentarity and the Modern Genre of "Literature" -- 5 Displaced Reference for Information: Jokes, Trauma, and Fables -- 6 Rights of Expression -- 7 Post-Documentation Technologies -- Conclusion -- Notes -- References -- Index |
| Title | Documentarity |
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