Gypsy Music The Balkans and Beyond
Gypsies have for centuries been simultaneously vilified and romanticized—associated with criminality and dirt, but at the same time with color, magic, and music. Gypsy music is popular around the world and often performed with gusto at major events, including at weddings in Bulgaria, jazz bars in Pa...
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| Format: | eBook |
| Language: | English |
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London
Reaktion Books
2017
Reaktion Books, Limited |
| Edition: | 1 |
| Series: | Reverb |
| Subjects: | |
| ISBN: | 1780238657, 9781780238654, 9781780238234, 1780238231 |
| Online Access: | Get full text |
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| Abstract | Gypsies have for centuries been simultaneously vilified and romanticized—associated with criminality and dirt, but at the same time with color, magic, and music. Gypsy music is popular around the world and often performed with gusto at major events, including at weddings in Bulgaria, jazz bars in Paris, and festivals in the United States. In Gypsy Music, Alan Ashton-Smith explores why this music has such wide appeal, surveying the varied styles that are considered to be gypsy music and asking what links them together. The book begins in the Balkans, home to the world's largest Romani populations and a major site of gypsy music production. But just as the traditionally nomadic Roma have traveled globally, so has their music. Gypsy music styles have roots and associations outside of the Balkans, including Russian Romani guitar music, flamenco and gypsy jazz, and the more recent forms of gypsy punk and Balkan beats. Covering the thirteenth century to the present day, and with a geographical scope that ranges from rural Romania to New York by way of Budapest, Moscow, and Andalusia, Gypsy Music reveals the remarkable diversity of this exuberant art form. |
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| AbstractList | Gypsies have for centuries been simultaneously vilified and romanticized—associated with criminality and dirt, but at the same time with color, magic, and music. Gypsy music is popular around the world and often performed with gusto at major events, including at weddings in Bulgaria, jazz bars in Paris, and festivals in the United States. In Gypsy Music, Alan Ashton-Smith explores why this music has such wide appeal, surveying the varied styles that are considered to be gypsy music and asking what links them together. The book begins in the Balkans, home to the world's largest Romani populations and a major site of gypsy music production. But just as the traditionally nomadic Roma have traveled globally, so has their music. Gypsy music styles have roots and associations outside of the Balkans, including Russian Romani guitar music, flamenco and gypsy jazz, and the more recent forms of gypsy punk and Balkan beats. Covering the thirteenth century to the present day, and with a geographical scope that ranges from rural Romania to New York by way of Budapest, Moscow, and Andalusia, Gypsy Music reveals the remarkable diversity of this exuberant art form. |
| Author | Alan Ashton-Smith |
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| Snippet | Gypsies have for centuries been simultaneously vilified and romanticized—associated with criminality and dirt, but at the same time with color, magic, and... Gypsies have for centuries been simultaneously vilified and romanticized-associated with criminality and dirt, but at the same time with color, magic, and... |
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| SubjectTerms | MUSIC Romanies Romanies-Balkan Peninsula-Music-History and criticism Romanies-Music-History and criticism |
| Subtitle | The Balkans and Beyond |
| TableOfContents | Cover -- Gypsy Music: The Balkans and Beyond -- Imprint Page -- Contents -- Introduction -- 1. The Origins of Balkan Gypsy Music -- 2. Liszt vs Bartók: The Hungarian Question -- 3. Gypsy Music and Balkanism -- 4. Contemporary Gypsy Music in the Balkans -- 5. Gypsy Music in Russia -- 6. Gypsy Music in Spain: Flamenco -- 7. Gypsy Jazz: Hybrid Forms -- 8. Gypsy Punk and Balkan Beats -- Conclusion -- References -- Bibliography -- Discography -- Acknowledgements -- Photo Acknowledgements -- Index |
| Title | Gypsy Music |
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