Photofascism : photography, film, and exhibition culture in 1930s Germany and Italy
Photography and fascism in interwar Europe developed into a highly toxic and combustible formula. Particularly in concert with aggressive display techniques, the European fascists were utterly convinced of their ability to use the medium of photography to manufacture consent among their publics. Unf...
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| Main Author: | |
|---|---|
| Format: | eBook Book |
| Language: | English |
| Published: |
London
Bloomsbury Visual Arts
2020
Bloomsbury Publishing Bloomsbury Publishing USA Bloomsbury |
| Edition: | 1 |
| Series: | Visual Cultures in German Contexts |
| Subjects: | |
| ISBN: | 1501347063, 9781501347061, 1501347071, 9781501347078 |
| Online Access: | Get full text |
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Table of Contents:
- Intro -- Title Page -- Copyright Page -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: Designing, Displaying, and Facilitating Fascism -- Chapter 1: Last Stop before Photofascism: Activist Photo Spaces and the Exhibition of the Building Workers Unions, Berlin, 1931 -- Chapter 2: "Acting on the Visitor's Mind": The Exhibition of the Fascist Revolution, Rome, 1932 -- Chapter 3: Nazis in Ascendance: Die Kamera, Berlin, 1933 -- Chapter 4: "A Fundamental Irony": International Art in the Age of Nationalism at the Venice International Film Festivals, 1932-6 -- Chapter 5: Both/And: German and Italian Photography Exhibitions in 1936-7 -- Chapter 6: Epilogue: From Hegemony to Terror: 1938-42 and Visual Culture in the Twenty-first Century -- Appendix: Listings of German, Italian, and American Films from Venice Film Festivals, 1932-8 -- Bibliography -- Index