The Theatre of the Street Public Violence in Antwerp During the First Half of the Twentieth Century

In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city.

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Bibliographic Details
Main Author: Vrints, Antoon
Format: eBook
Language:English
Published: Boston BRILL 2019
Brill
Edition:1
Series:Crime and City in History
Subjects:
Violence
ISBN:9789004416925, 9004416927
Online Access:Get full text
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Abstract In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city.
AbstractList In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the meanings and functions of street violence in a modern European city.
"Violence troubles us. Violence disturbs us. Violence gets people moving. In reaction to violent incidents, silent marches regularly pass through the streets of Belgian cities. Many times, thousands of people participate in these protest marches against violence"--.
Author Vrints, Antoon
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DOI 10.1163/9789004416932
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Snippet In The Theatre of the Street: Public Violence in Antwerp During the First Half of the Twentieth Century Antoon Vrints offers a historical analysis of the...
"Violence troubles us. Violence disturbs us. Violence gets people moving. In reaction to violent incidents, silent marches regularly pass through the streets...
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proquest
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Publisher
SubjectTerms Violence
Subtitle Public Violence in Antwerp During the First Half of the Twentieth Century
TableOfContents 4 Epilogue: Public Violence, from Theatre to Misunderstood Spectacle -- Sources and Bibliography -- Unpublished Sources -- Published Sources -- Literature -- Subjects -- Modern Authors
Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Figure and Tables -- Abbreviations -- Introduction -- 1 A Controversial Issue -- 2 Violence as a Significant Social Phenomenon -- 3 The Empirical Basis -- 4 Structure of This Book -- Chapter 1 Life on a Stage -- 1.1 Introduction -- 1.2 A Public Existence -- 1.3 Openness, Reputation and Reciprocity -- 1.4 Honour Fights -- 1.5 Between Self-Regulation and Disciplination by an Outside Agency -- 1.6 Revenge, Social Standing and Violence -- 1.7 Violence as a Means of Social Control? -- 1.8 Domestic Squabbles and Respectability -- 1.9 Sexual Violence, Shame and Discretion -- 1.10 Conclusion -- Chapter 2 The Rules of the Game -- 2.1 Ritual Interaction -- 2.2 The Power of Language -- 2.3 Expressive Body Language -- 2.4 Violation and Defilement -- 2.5 Territorial Strategies -- 2.6 The Rules of the Duel -- 2.7 Conclusion -- Chapter 3 Men's and Women's Roles -- 3.1 Introduction -- 3.2 Men and Women in Battle -- 3.3 Men's and Women's Language -- 3.4 Men's and Women's Places? -- 3.5 Conclusion -- Chapter 4 Repertoires of Respectability -- 4.1 Introduction -- 4.2 Group-Specific Behavioural Patterns -- 4.3 Shifts over Time? -- 4.4 Possible Explanations for Behavioural Shifts -- 4.5 Conclusion -- Chapter 5 Values behind Words -- 5.1 Insults, Values and Identification -- 5.2 The Sexual Reputation of Men and Women -- 5.3 Purity and Respectability -- 5.4 The Established and the Outsiders -- 5.5 About "coward", "thief" and Other Insults -- 5.6 Conclusion: Substantive Stability? -- General Conclusion -- 1 Public Violence and Social Ties: a Theatre with a Message and an Audience -- 2 Public Violence and Social Stratification: Theatre of the Common People -- 3 Public Violence and Social Meaning: Honour and Shame at Stake
Title The Theatre of the Street
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