Brussels 1900 Vienna Networks in Literature, Visual and Performing Arts, and other Cultural Practices
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture...
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| Main Authors: | , , |
|---|---|
| Format: | eBook |
| Language: | English |
| Published: |
Boston
BRILL
20.11.2021
Brill |
| Edition: | 1 |
| Series: | Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft |
| Subjects: | |
| ISBN: | 9789004459977, 9004459979 |
| Online Access: | Get full text |
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Table of Contents:
- Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Figures and Tables -- Note on Contributors -- Acknowledgements -- Introduction: Brussels 1900 Vienna: Cultural Transfers 1880-1930 -- Works Cited -- Part 1 Staging Modernisms -- Chapter 1 The Power of Retheatricalization and Depersonalization: Maurice Maeterlinck and Hugo von Hofmannsthal -- Works Cited -- Chapter 2 Viennese Theatre Critics on Viennese Maeterlinck Productions -- Works Cited -- Chapter 3 Arthur Schnitzler and Theatre in Belgium: 1900-1930 -- Acknowledgement -- Works Cited -- Part 2 Transpositions -- Chapter 4 Literary Exchanges from Vienna to Brussels 1880-1920: Incomplete Reciprocity and Networking Processes -- 1 Introduction -- 2 Images, Identities, Historiography -- 3 Incomplete Reciprocity and Interconnectedness with "Southern Germany" -- 4 The Exception of De Boomgaard -- 5 Multilateral Transfer Processes: Rilke, Verhaeren, Zweig and Kippenberg -- 6 Conclusion -- Works Cited -- Chapter 5 Stefan Zweig as a Mediator and Translator of Emile Verhaeren's Poetry -- 1 Stefan Zweig's Mediation of Verhaeren's Work in Germany and Austria -- 2 Zweig's Translations of Verhaeren's Poetry -- 3 Conclusion -- Works Cited -- Chapter 6 Concepts of Exoticism in Brussels and Vienna around 1900 -- 1 Definition of "the Exotic" -- 2 Representations of the Exotic in Vienna around 1900 -- 3 Representations of the Exotic in Belgium around 1900 -- 4 Social Sensitivity and Symbolism in Belgium -- 5 Evasion of Reality in Austria -- 6 Conclusion -- Works Cited -- Chapter 7 Parallel Campaigns of Cultural Renewal: Art Nouveau, Robert Musil, and The Man Without Qualities -- Works Cited -- Part 3 Transformations -- Chapter 8 Belgian Artists and the Secessionist Battle for Modern Art -- 1 Belgian Artists as Midwives of the Secession Project
- 2 1900: A Turning Point in Aesthetics and (Self-)Image -- 3 Félicien Rops' Secret Omnipresence -- 4 Belgian Art as a New European Force -- 5 German Art Scene as a Mediator for the Connection Brussels/Vienna -- 6 Conclusion -- Acknowledgements -- Works Cited -- Chapter 9 Another Modernity? Viennese Art Criticism and the Reception of Belgian Arts and Architecture around 1900 -- 1 Brussels: Identity through Hybridity -- 2 Brussels: The Strength of Periphery -- 3 Brussels: Modernity through Minor Arts -- Works Cited -- Chapter 10 Fernand Khnopff, a Painter Columnist in the Viennese Press: A London-Vienna Connection via Brussels -- 1 Contributions to Viennese Periodicals -- 2 Khnopff's Englishness in Vienna -- 3 Architectural Concerns and the London-Vienna Connection -- Works Cited -- Chapter 11 Kinderkunst between Vienna and Brussels 1900: Child Art, Primitivism, and Patronage -- 1 Discovering Child Art in Vienna 1900 -- 2 Collecting 'Art for the Child' in Vienna and Brussels 1900 -- Works Cited -- Chapter 12 Between Brussels and Vienna: Frans Masereel's Transnational Wordless Narratives -- 1 Introduction -- 2 From Minor Art to an (almost, not yet) Autonomous Art majeur -- 3 From Internationalism to a Transnational Art as a New Religion? -- 4 Conclusion -- Works Cited -- Part 4 Resonances -- Chapter 13 Arnold Schoenberg, La Jeune Belgique, and the Dialectics of (Viennese) Modernism -- 1 Schoenberg and 'Dialectical Oppositions' -- 2 Schoenberg and Fin-de-Siècle Vienna -- 3 La Jeune Belgique and Jung Wien -- 4 Schoenberg and Maeterlinck: Pelleas und Melisande -- 5 Schoenberg's Return to Maeterlinck -- 6 Schoenberg and Giraud -- 7 Conclusion -- Works Cited -- Chapter 14 Parallels and Intervals: Violinists Intersecting with Modernity -- 1 Preludio -- 2 Three Modern Violinists and their Artistic Circles -- 3 Ysaÿe - from Liège to Vienna
- 3.1 Ysaÿe and the Symbolists in Brussels -- 3.2 Ysaÿe - Internationalist in Art -- 3.3 Ysaÿe - Agent of the Future -- 3.4 Ysaÿe and the New Scales -- 4 Fritz Kreisler - in Ysaÿe's Footsteps -- 4.1 Kreisler - in between Worlds -- 5 Rudolf Kolisch and the Radical New Music -- 5.1 Coda - the Pro Arte Quartet -- Works Cited -- Part 5 Café and Psyche -- Chapter 15 About Well-lit Hullaballoos and Suffocating Air: Senses in the Brussels and Viennese Cafés at the Fin-de-Siècle -- 1 Brussels - Vienna -- 2 Diversity in Brussels -- 3 Diversity in Vienna -- 4 Literary Coffee Houses -- 5 Senses -- 6 Conclusion -- Works Cited -- Chapter 16 Psychoanalysts Through Translation? Julien (Johan) Varendonck (1879-1924) - Anna Freud (1895-1982) -- 1 Translation - Introduction -- 2 Sigmund Freud and Translation -- 3 Varendonck as a Multi-lingual Belgian Subject -- 4 Anna Freud as Translator -- 5 Conclusion - Translation and War -- Acknowledgements -- Works Cited -- Index Names -- Topics and Places