Brussels 1900 Vienna Networks in Literature, Visual and Performing Arts, and other Cultural Practices

Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture...

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Hauptverfasser: Defraeye, Piet, Mitterbauer, Helga, Reyns-Chikuma, Chris
Format: E-Book
Sprache:Englisch
Veröffentlicht: Boston BRILL 20.11.2021
Brill
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Schriftenreihe:Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft
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ISBN:9789004459977, 9004459979
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Abstract Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
AbstractList Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
This co-edited volume offers new insights into the complex relations between Brussels and Vienna in the turn-of-the-century period (1880-1930). Through archival research and critical methods of cultural transfer as a network, it contributes to the study of Modernism in all its complexity.Seventeen chapters analyse the interconnections between new developments in literature (Verhaeren, Musil, Zweig), drama (Maeterlinck, Schnitzler, Hofmannsthal), visual arts (Minne, Khnopff, Masereel, Child Art), architecture (Hoffmann, Van de Velde), music (Schönberg, Ysaÿe, Kreisler, Kolisch), as well as psychoanalysis (Varendonck, Anna Freud) and café culture. Austrian and Belgian artists played a crucial role within the complex, rich, and conflictual international networks of people, practices, institutions, and metropoles in an era of political, social and technological change and intense internationalization.Contributors: Sylvie Arlaud, Norbert Bachleitner, Anke Bosse, Megan Brandow-Faller, Alexander Carpenter, Piet Defraeye, Clément Dessy, Aniel Guxholli, Birgit Lang, Helga Mitterbauer, Chris Reyns-Chikuma, Silvia Ritz, Hubert Roland, Inga Rossi-Schrimpf, Sigurd Paul Scheichl, Guillaume Tardif, Hans Vandevoorde.
Author Reyns-Chikuma, Chris
Mitterbauer, Helga
Defraeye, Piet
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DOI 10.1163/9789004459984
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Mitterbauer, Helga
Defraeye, Piet
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Snippet Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European...
This co-edited volume offers new insights into the complex relations between Brussels and Vienna in the turn-of-the-century period (1880-1930). Through...
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SubjectTerms Modernism (Art)
Modernism (Literature)
Subtitle Networks in Literature, Visual and Performing Arts, and other Cultural Practices
TableOfContents Half Title -- Series Information -- Title Page -- Copyright Page -- Contents -- Figures and Tables -- Note on Contributors -- Acknowledgements -- Introduction: Brussels 1900 Vienna: Cultural Transfers 1880-1930 -- Works Cited -- Part 1 Staging Modernisms -- Chapter 1 The Power of Retheatricalization and Depersonalization: Maurice Maeterlinck and Hugo von Hofmannsthal -- Works Cited -- Chapter 2 Viennese Theatre Critics on Viennese Maeterlinck Productions -- Works Cited -- Chapter 3 Arthur Schnitzler and Theatre in Belgium: 1900-1930 -- Acknowledgement -- Works Cited -- Part 2 Transpositions -- Chapter 4 Literary Exchanges from Vienna to Brussels 1880-1920: Incomplete Reciprocity and Networking Processes -- 1 Introduction -- 2 Images, Identities, Historiography -- 3 Incomplete Reciprocity and Interconnectedness with "Southern Germany" -- 4 The Exception of De Boomgaard -- 5 Multilateral Transfer Processes: Rilke, Verhaeren, Zweig and Kippenberg -- 6 Conclusion -- Works Cited -- Chapter 5 Stefan Zweig as a Mediator and Translator of Emile Verhaeren's Poetry -- 1 Stefan Zweig's Mediation of Verhaeren's Work in Germany and Austria -- 2 Zweig's Translations of Verhaeren's Poetry -- 3 Conclusion -- Works Cited -- Chapter 6 Concepts of Exoticism in Brussels and Vienna around 1900 -- 1 Definition of "the Exotic" -- 2 Representations of the Exotic in Vienna around 1900 -- 3 Representations of the Exotic in Belgium around 1900 -- 4 Social Sensitivity and Symbolism in Belgium -- 5 Evasion of Reality in Austria -- 6 Conclusion -- Works Cited -- Chapter 7 Parallel Campaigns of Cultural Renewal: Art Nouveau, Robert Musil, and The Man Without Qualities -- Works Cited -- Part 3 Transformations -- Chapter 8 Belgian Artists and the Secessionist Battle for Modern Art -- 1 Belgian Artists as Midwives of the Secession Project
2 1900: A Turning Point in Aesthetics and (Self-)Image -- 3 Félicien Rops' Secret Omnipresence -- 4 Belgian Art as a New European Force -- 5 German Art Scene as a Mediator for the Connection Brussels/Vienna -- 6 Conclusion -- Acknowledgements -- Works Cited -- Chapter 9 Another Modernity? Viennese Art Criticism and the Reception of Belgian Arts and Architecture around 1900 -- 1 Brussels: Identity through Hybridity -- 2 Brussels: The Strength of Periphery -- 3 Brussels: Modernity through Minor Arts -- Works Cited -- Chapter 10 Fernand Khnopff, a Painter Columnist in the Viennese Press: A London-Vienna Connection via Brussels -- 1 Contributions to Viennese Periodicals -- 2 Khnopff's Englishness in Vienna -- 3 Architectural Concerns and the London-Vienna Connection -- Works Cited -- Chapter 11 Kinderkunst between Vienna and Brussels 1900: Child Art, Primitivism, and Patronage -- 1 Discovering Child Art in Vienna 1900 -- 2 Collecting 'Art for the Child' in Vienna and Brussels 1900 -- Works Cited -- Chapter 12 Between Brussels and Vienna: Frans Masereel's Transnational Wordless Narratives -- 1 Introduction -- 2 From Minor Art to an (almost, not yet) Autonomous Art majeur -- 3 From Internationalism to a Transnational Art as a New Religion? -- 4 Conclusion -- Works Cited -- Part 4 Resonances -- Chapter 13 Arnold Schoenberg, La Jeune Belgique, and the Dialectics of (Viennese) Modernism -- 1 Schoenberg and 'Dialectical Oppositions' -- 2 Schoenberg and Fin-de-Siècle Vienna -- 3 La Jeune Belgique and Jung Wien -- 4 Schoenberg and Maeterlinck: Pelleas und Melisande -- 5 Schoenberg's Return to Maeterlinck -- 6 Schoenberg and Giraud -- 7 Conclusion -- Works Cited -- Chapter 14 Parallels and Intervals: Violinists Intersecting with Modernity -- 1 Preludio -- 2 Three Modern Violinists and their Artistic Circles -- 3 Ysaÿe - from Liège to Vienna
3.1 Ysaÿe and the Symbolists in Brussels -- 3.2 Ysaÿe - Internationalist in Art -- 3.3 Ysaÿe - Agent of the Future -- 3.4 Ysaÿe and the New Scales -- 4 Fritz Kreisler - in Ysaÿe's Footsteps -- 4.1 Kreisler - in between Worlds -- 5 Rudolf Kolisch and the Radical New Music -- 5.1 Coda - the Pro Arte Quartet -- Works Cited -- Part 5 Café and Psyche -- Chapter 15 About Well-lit Hullaballoos and Suffocating Air: Senses in the Brussels and Viennese Cafés at the Fin-de-Siècle -- 1 Brussels - Vienna -- 2 Diversity in Brussels -- 3 Diversity in Vienna -- 4 Literary Coffee Houses -- 5 Senses -- 6 Conclusion -- Works Cited -- Chapter 16 Psychoanalysts Through Translation? Julien (Johan) Varendonck (1879-1924) - Anna Freud (1895-1982) -- 1 Translation - Introduction -- 2 Sigmund Freud and Translation -- 3 Varendonck as a Multi-lingual Belgian Subject -- 4 Anna Freud as Translator -- 5 Conclusion - Translation and War -- Acknowledgements -- Works Cited -- Index Names -- Topics and Places
Title Brussels 1900 Vienna
URI http://dx.doi.org/10.1163/9789004459984
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