Monuments for posterity : self-commemoration and the Stalinist culture of time
Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building prog...
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| Sprache: | Englisch |
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Ithaca
Cornell University Press
2023
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| Ausgabe: | 1 |
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| ISBN: | 1501768638, 9781501768637, 1501768646, 9781501768644, 1501768654, 9781501768651, 1501774271, 9781501774270 |
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| Abstract | Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics.
By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders.
Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built. |
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| AbstractList | Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to immortalize the memory of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the posterity for whom they were built. Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. "This book examines Stalinist sculptural and architectural monuments, which were tasked with 'immortalizing the memory' of the era, for the edification of future generations. The book analyzes how this objective affected monument design and what factors prompted the popular yearning to be remembered-both in the Soviet Union and beyond its borders."--. Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built. |
| Author | Kalashnikov, Antony |
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| Keywords | POLITICAL SCIENCE & POLITICAL HISTORY Stalin and temporality Soviet and Russian nationalism SOVIET & EAST EUROPEAN HISTORY Stalinist monuments monumentalism Soviet architecture cultural history of Stalinism memory of Stalinism HISTORY |
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| Notes | Includes bibliographical references (p. 175-196) and index |
| OCLC | 1322445038 |
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| PageCount | 216 |
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| PublicationDate | 2023 [2023] 2023-04-15 |
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| Snippet | Monuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead... "This book examines Stalinist sculptural and architectural monuments, which were tasked with 'immortalizing the memory' of the era, for the edification of... |
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| SubjectTerms | ARCHITECTURE ARCHITECTURE / Buildings / Landmarks & Monuments Buildings cultural history of Stalinism Europe HISTORY HISTORY / Russia & the Former Soviet Union Landmarks & Monuments Memorialization -- Social aspects -- Russia (Federation) memory of Stalinism monumentalism Monuments -- Social aspects -- Russia (Federation) POLITICAL SCIENCE POLITICAL SCIENCE & POLITICAL HISTORY POLITICAL SCIENCE / World / Russian & Former Soviet Union Russia & the Former Soviet Union Russian & Former Soviet Union Socialist realism and architecture Socialist realism and architecture -- Russia (Federation) Socialist realism in art SOVIET & EAST EUROPEAN HISTORY Soviet and Russian nationalism Soviet architecture Soviet Union -- History -- 1925-1953 Soviet Union -- History -- 1925-1953.GBC325474 Stalin and temporality Stalinist monuments World |
| TableOfContents | Cover
Title page, Copyright
Epigraph
Contents
Acknowledgments
Introduction: Beyond Totalitarian Monuments
1. Stalinist Monuments in Context
2. Historicist Aesthetics: Developing an Enduring Architecture
3. Synthetic Composition: Anticipating Posterity's Gaze
4. The (Un)contested Politics of Stalinist Monument Building
5. The Cultural Foundations of Stalinist Monument Building
6. Self-Commemoration and the Interwar Culture of Time
Epilogue: Posterity's Monuments
Notes
Bibliography
Index Monuments for Posterity -- Contents -- Acknowledgments -- Introduction: Beyond Totalitarian Monuments -- 1. Stalinist Monuments in Context -- 2. Historicist Aesthetics: Developing an Enduring Architecture -- 3. Synthetic Composition: Anticipating Posterity's Gaze -- 4. The (Un)contested Politics of Stalinist Monument Building -- 5. The Cultural Foundations of Stalinist Monument Building -- 6. Self-Commemoration and the Interwar Culture of Time -- Epilogue: Posterity's Monuments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z Acknowledgments -- 2. Historicist Aesthetics: Developing an Enduring Architecture -- Contents -- 5. The Cultural Foundations of Stalinist Monument Building -- 1. Stalinist Monuments in Context -- Epilogue: Posterity’s Monuments -- Index Introduction: Beyond Totalitarian Monuments -- 3. Synthetic Composition: Anticipating Posterity’s Gaze -- Frontmatter -- 6. Self-Commemoration and the Interwar Culture of Time -- Notes -- Bibliography -- 4. The (Un)contested Politics of Stalinist Monument Building -- |
| Title | Monuments for posterity : self-commemoration and the Stalinist culture of time |
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