Between Figure and Ground Seeing in Premodernity

The terms "figure" and "ground" became fundamental to art-historical analysis. But is this dichotomy suited to describe premodern art and? This volume calls into question long-standing habits of seeing and understanding figure-ground relations, expands art historical vocabularies...

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Hlavný autor: Quené, Saskia C
Médium: E-kniha
Jazyk:English
Vydavateľské údaje: Berlin/Boston De Gruyter 2025
Deutscher Kunstverlag GmbH
Deutscher Kunstverlag (DKV)
Vydanie:1
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ISBN:3422801227, 9783422801226, 3422801219, 9783422801219
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Obsah:
  • Intro -- Table of Contents -- Sharing Ground: An Introduction in Conversation with David Young Kim -- Selected Bibliography -- Acknowledgements -- Part 1 Staging Figures -- In the Round: Master WA's Figureless Prints and Fifteenth-Century Painted Grounds -- Tableau-vivant Curtains as Mediators between Figure and Ground: Petrus Christus, the Salzburg Master, and Jean Fouquet -- Miracles of Mediation: Staging the Sacred in the Annunciation by Pedro da Córdoba -- Part 2 Describing and Translating -- Iconic Difference -- Campus as Locus and Narrative Stained Glass -- Lineage of a Paradigm: "Figure and Ground" in Encyclopedic Sources -- Part 3 Beyond the Surface -- A Foray of Stained Glass: Color, Grisaille, Transparency -- Between Figure and Ground: Lorenzetti's Gold -- Leonardos Untergrund: Zur Gedächtniskunst des Pausens -- Part 4 Navigating Dichotomies -- Zwischen Gestaltpsychologie und Kunstwissenschaft: Zur Ideen- und Begriffsgeschichte von ,Figur und Grund' -- Zwei Meta-Physiken des Bildes? Zur Figur/Grund-Relation in der Vormoderne aus der Perspektive dreistelliger Bildbegriffe -- What Guides the Beholder's Eye: Figures, Ground, or Perspective? -- Part 5 Transgressing Depth -- Painting Shadows in the Middle Ages -- Smoke and Mirrors? The (In)visible Worlds of David Bailly -- Embedded Space in Early Renaissance Painting -- Zeit als Figur ohne Grund -- Image Credits
  • Beate Fricke --
  • Marion Gartenmeister --
  • Tom Steinert --
  • Sharing Ground: An Introduction in Conversation with David Young Kim
  • Saskia C. Quené --
  • Iconic Difference
  • Part 4 Navigating Dichotomies --
  • Acknowledgements --
  • Table of Contents --
  • Embedded Space in Early Renaissance Painting
  • Zeit als Figur ohne Grund
  • Tableau-vivant Curtains as Mediators between Figure and Ground: Petrus Christus, the Salzburg Master, and Jean Fouquet
  • Bruno Haas --
  • In the Round: Master WA’s Figureless Prints and Fifteenth-Century Painted Grounds
  • Part 3 Beyond the Surface --
  • Nicola Suthor --
  • Aden Kumler --
  • Christopher Lakey, Saskia C. Quené --
  • Between Figure and Ground: Lorenzetti’s Gold
  • Smoke and Mirrors? The (In)visible Worlds of David Bailly
  • Raphael Rosenberg --
  • Jürgen Müller --
  • Claudia Blümle --
  • Part 5 Transgressing Depth --
  • A Foray of Stained Glass: Color, Grisaille, Transparency
  • Péter Bokody --
  • Leonardos Untergrund: Zur Gedächtniskunst des Pausens
  • Selected Bibliography --
  • Lineage of a Paradigm: “Figure and Ground” in Encyclopedic Sources
  • Painting Shadows in the Middle Ages
  • Zwei Meta-Physiken des Bildes? Zur Figur/Grund-Relation in der Vormoderne aus der Perspektive dreistelliger Bildbegriffe
  • What Guides the Beholder’s Eye: Figures, Ground, or Perspective?
  • Part 2 Describing and Translating --
  • Image Credits
  • Frontmatter --
  • Noa Turel --
  • Veronica Peselmann --
  • Karin Leonhard --
  • Miracles of Mediation: Staging the Sacred in the Annunciation by Pedro da Córdoba
  • Zwischen Gestaltpsychologie und Kunstwissenschaft: Zur Ideen- und Begriffsgeschichte von ,Figur und Grund
  • Gottfried Boehm --
  • Part 1 Staging Figures --
  • Christoph Poetsch --
  • Campus as Locus and Narrative Stained Glass