Exhibiting Abstraction Strategies in the Propagation of an Avant-garde 1908–1915
The time around 1910 has entered art history as the moment when «abstraction was invented». However, where and when works of non-figurative art became present in the public eye has been afforded little attention to date. Exhibiting Abstraction is the first publication to be devoted entirely to the p...
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- Intro -- Table of Contents -- Acknowledgements -- Note to the Reader -- Introduction -- Part One. The Exhibition of Abstract Art, 1908-1915 -- Part Two. Case Studies: Artists and Exhibitions -- Appendix -- Register of Artist Names -- Table of Figures and Tables -- List of References -- Illustration Sources -- Addendum
- Illustration Sources --
- Tentatively Exhibiting Abstraction: Balla’s Behaviour with Different Audiences --
- Register of Artist Names --
- Kandinsky Continues: The NKVM’s Ausstellung II, Turnus 1910/11 in Munich, 1910 --
- Boccioni: The Coexistence of Figuration and Abstraction --
- Conclusion --
- Kandinsky Strategizing: How to Target Various Audiences at Once --
- Acknowledgements --
- Addendum
- The Impact of Exhibiting Abstraction: The Propagation of an Avant-Garde --
- Part One: The Exhibition of Abstract Art, 1908–1915 --
- List of References --
- When Less Is More – Kupka’s Concentrated Exhibition Activity --
- A1: Exhibitions and Exhibited Artworks --
- Première for Abstraction: Kandinsky at the Sonderbund in Düsseldorf, 1910 --
- Strategies in the Presentation of an Avant-Garde --
- Total Abstraction: The First Fully Abstract Exhibition: Picabia in New York, 1913 --
- Note to the Reader --
- Women Artists Exhibiting (Abstraction?) --
- A2: Comparative Table of Exhibition Statistics for the Seven Male Artists --
- Part Two: Case Studies: Artists and Exhibitions --
- Abstraction Double Bill: Kupka and Picabia at the Salon d’Automne, Paris 1912 --
- Introduction & Disclaimer --
- Picabia as Kandinsky’s First Follower at the Salon de Juin, Rouen 1912 --
- From Munich to Moscow: Kandinsky’s Abstraction at the Jack of Diamonds Exhibition, 1910 --
- Mondrian’s Consistency towards Abstraction --
- Picabia: Ambassador of Abstraction --
- Frontmatter --
- A4: Methodology Extended: Coding the Dataset --
- Questioning the ‘fathers of abstraction’ --
- Table of Figures and Tables --
- The Form and Function of Modern-Art Exhibitions in the Early Twentieth Century --
- Suprematist Exhibition Behaviour: Malevich at the Centre of Attention --
- Famous Last Words – So What? --
- A3: Table of Exhibitions by the 13 Women Artists --