Suchergebnisse - "Eveno, Myriam"

Microchemical analysis of Leonardo da Vinci’s lead white paints reveals knowledge and control over pigment scattering properties von Gonzalez, Victor, Hageraats, Selwin, Wallez, Gilles, Eveno, Myriam, Ravaud, Elisabeth, Réfrégiers, Matthieu, Thoury, Mathieu, Menu, Michel, Gourier, Didier

“… Leonardo da Vinci (1452–1519) is a key artistic and scientific figure of the Renaissance. He is renowned for his science of art, taking advantage of his acute …”
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Early occurrences of the use of smalt and shell gold in the Madonna of Humility by Jacopo Bellini at the beginning of the fifteenth century von Eveno, Myriam, Ravaud, Elisabeth

“… Jacopo Bellini’s Madonna of Humility painted around 1430-40 is a Venetian painting from the Louvre Museum (Paris). Jacopo Bellini, father of well-known …”
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Depth‐resolved historical painting study with minimal microsampling, illustrated with a newly discovered Botticelli workshop painting von Tapia, José, Eveno, Myriam, Laval, Eric, Reiche, Ina

“… A painting from the Botticelli workshop has been studied after its recent discovery, with an innovative and noninvasive approach combining two‐ dimensional …”
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Influence of the painting medium on the alteration process of smalt in oil paintings studied using combined K and Co K-edge XANES von de Mecquenem, Clément, Eveno, Myriam, Zurbach, Damaris, Mösl, Kristina, Cotte, Marine, Reiche, Ina

“… This study investigates the alteration processes affecting the smalt pigment in historical artworks through a combination of analytical techniques including …”
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Characterizing the chemical composition of red coloring matter samples from the Altamira cave using synchrotron µXRF imaging von Tapia, José, Eveno, Myriam, Prada, Alfredo, Fatás, Pilar, de las Heras, Carmen, Arias, Pablo, Müller, Katharina, Schöder, Sebastian, Reiche, Ina

“… The chemical in situ study of red coloring matter from Paleolithic cave art is challenging because the same trace elements can be present both in the matter …”
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X-ray and Infrared Microanalyses of Mona Lisa's Ground Layer and Significance Regarding Leonardo da Vinci's Palette von Gonzalez, Victor, Wallez, Gilles, Ravaud, Elisabeth, Eveno, Myriam, Fazlic, Ida, Fabris, Tiphaine, Nevin, Austin, Calligaro, Thomas, Menu, Michel, Delieuvin, Vincent, Cotte, Marine

“… An exceptional microsample from the ground layer of Leonardo da Vinci's Mona Lisa was analyzed by high-angular resolution synchrotron X-ray diffraction and …”
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Partially fluorinated derivatives as a powerful tool for the restoration of blanched easel paintings von Zhang, Yuqing, Eveno, Myriam, Gallier, Florian, Lattuati-Derieux, Agnès, Lubin-Germain, Nadège, Camaiti, Mara, Salvini, Antonella

“… The use of specific coatings has considerable importance in the field of cultural heritage conservation. The blanching of easel paintings is a worrying …”
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Colourless Powdered Glass as a Drier for Red Lakes: On the Influence of Composition and Particle Size von Tiennot, Mathilde, Majérus, Odile, Caurant, Daniel, Bastian, Gilles, Eveno, Myriam, Ravaud, Elisabeth

“… Colourless glass particles are observed in oil painting layers from 15th-17th- century. Several historical sources mentioned the use of finely ground glass …”
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Toward a three-dimensional vision of the different compositions and the stratigraphy of the painting L’Homme blessé by G. Courbet: coupling SEM–EDX and confocal micro-XRF von Reiche, Ina, Müller, Katharina, Mysak, Erin, Eveno, Myriam, Mottin, Bruno

“… Examination of Gustave Courbet’s L’Homme blessé (Musee d’Orsay, Paris), a painting with three successive compositions on a single canvas, was undertaken with …”
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Improving the characterization of red coloring matter from prehistoric cave art by means of laboratory confocal XRF depth profiling combined with synchrotron XRF imaging von Tapia, José, Eveno, Myriam, Arias, Pablo, Ontañón, Roberto, Schöder, Sebastian, Müller, Katharina, Reiche, Ina

“… •New differentiation criteria and improved non-invasive characterization of red iron-based prehistoric coloring matter.•First application of confocal XRF to …”
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Efficiency of combined MA-XRF and CXRF to give nondestructive insights about changes of a historical painting von Tapia, José, Eveno, Myriam, Calligaro, Thomas, Pichon, Laurent, Laval, Eric, Ravaud, Elisabeth, Reiche, Ina

“… Historical paintings with important iconographical changes represent an analytical challenge. Considering the case study of a fifteenth-century French painting …”
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Time-Resolved Photoluminescence Microscopy for the Analysis of Semiconductor-Based Paint Layers von Comelli, Daniela, Artesani, Alessia, Nevin, Austin, Mosca, Sara, Gonzalez, Victor, Eveno, Myriam, Valentini, Gianluca

“… In conservation, science semiconductors occur as the constituent matter of the so-called semiconductor pigments, produced following the Industrial Revolution …”
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Unraveling the Composition of Rembrandt's Impasto through the Identification of Unusual Plumbonacrite by Multimodal X‐ray Diffraction Analysis von Gonzalez, Victor, Cotte, Marine, Wallez, Gilles, van Loon, Annelies, de Nolf, Wout, Eveno, Myriam, Keune, Katrien, Noble, Petria, Dik, Joris

“… Rembrandt (1606–1669) is renowned for his impasto technique, involving his use of lead white paint with outstanding rheological properties. This paint was …”
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A multimodal study of smalt preservation and degradation on the painting “Woman doing a Libation or Artemisia” from an anonymous painter of the Fontainebleau School von de Mecquenem, Clément, Eveno, Myriam, Alfeld, Matthias, Pillay, Ruven, Laval, Eric, Ravaud, Elisabeth, Reiche, Ina

“… The blue pigment smalt, a synthetic potash glass tinted with cobalt, was widely used between the sixteenth and the eighteenth centuries. As part of a study on …”
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A multimodal study of smalt preservation and degradation on the painting "Woman doing a Libation or Artemisia" from an anonymous painter of the Fontainebleau School von de Mecquenem, Clément, Eveno, Myriam, Alfeld, Matthias, Pillay, Ruven, Laval, Eric, Ravaud, Elisabeth, Reiche, Ina

“… The blue pigment smalt, a synthetic potash glass tinted with cobalt, was widely used between the sixteenth and the eighteenth centuries. As part of a study on …”
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Neural network simulation of original colors in Friedrich’s Abbey Among Oak Trees featuring discoloured smalt von de Mecquenem, Clément, Eveno, Myriam, Alfeld, Matthias, Calligaro, Thomas, Laval, Eric, Mösl, Kristina, Reiche, Ina

“… Artwork appearances change over time due to aging. Smalt, a blue cobalt-tinted glass pigment, deteriorates over time in oil paintings causing significant and …”
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Portable Apparatus for In Situ X-Ray Diffraction and Fluorescence Analyses of Artworks von Eveno, Myriam, Moignard, Brice, Castaing, Jacques

“… A portable X-ray fluorescence/X-ray diffraction (XRF/XRD) system for artwork studies has been designed constructed and tested. It is based on Debye Scherrer …”
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Influence of the addition of crushed glass on the physical and chemical properties of lead white oil paint von Cooper, Lucy, Pierre, Alexandre, Ravaud, Elisabeth, Mélinge, Yannick, Majérus, Odile, Caurant, Daniel, Bastian, Gilles, Eveno, Myriam, Andraud, Christine, Tournié, Aurélie

“… Microscopic particles of transparent colourless silicate glass have been found in numerous oil paintings dating from the fifteenth and sixteenth centuries. The …”
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Inside Back Cover: Unraveling the Composition of Rembrandt's Impasto through the Identification of Unusual Plumbonacrite by Multimodal X‐ray Diffraction Analysis (Angew. Chem. Int. Ed. 17/2019) von Gonzalez, Victor, Cotte, Marine, Wallez, Gilles, van Loon, Annelies, de Nolf, Wout, Eveno, Myriam, Keune, Katrien, Noble, Petria, Dik, Joris

“… Rembrandt is renowned for his impasto, a paint with outstanding rheological properties, the exact formulation of which has remained a mystery. In their …”
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A portable X-ray diffraction apparatus for in situ analyses of masters’ paintings von Eveno, Myriam, Duran, Adrian, Castaing, Jacques

“… It is rare that the analyses of materials in paintings can be carried out by taking micro-samples. Valuable works of art are best studied in situ by …”
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