Intellectual property and cultural property /

The number and variety of methodological and substantive challenges that face those working at the interface of intellectual and cultural property have generated a rich interdisciplinary literature. Responding to a myriad of questions that the juxtaposition of the concepts of intellectual property a...

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Hlavní autor: Macmillian, Fiona (Autor)
Korporativní autor: Edward Elgar Publishing
Médium: E-kniha
Jazyk:angličtina
Vydáno: Cheltenham, UK : Edward Elgar Publishing Limited, 2022
Edice:Elgar research reviews in law
Témata:
Intellectual property.
Cultural property.
duševné vlastníctvo
kultúrne vlastníctvo
elektronické dokumenty
ISBN:9781789909692 (e-book)
On-line přístup: Získat plný text
Tagy: Přidat tag
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Obsah:
  • Recommended readings (Machine generated): 1.
  • (2019), Natsuko Akagawa and Laurajane Smith (eds), Safeguarding Intangible Heritage: Practices and Politics, Oxford, UK and New York, NY, USA: Routledge
  • 2. (2017), Jane Anderson and Haidy Geismar (eds), The Routledge Companion to Cultural Property, Oxford, UK and New York, NY, USA: Routledge
  • 3. (2018), Christoph Antons and William Logan (eds), Intellectual Property, Cultural Property and Intangible Cultural Heritage, Oxford, UK and New York, NY, USA: Routledge
  • 4. (1996), Ronald V. Bettig (ed.), Copyrighting Culture: The Political Economy of Intellectual Property, Oxford, UK and New York, NY, USA: Routledge
  • 5. Janet Blake (2000), On Defining Cultural Heritage', International and Comparative Law Quarterly, 49, 61-85
  • 6. Michael Blakeney (2013), 'The Protection of Traditional Knowledge Under Intellectual Property Law', European Intellectual Property Law Review, 22, 251-61
  • 7. Michael Blakeney (2009), 'Protecting the Spiritual Beliefs of Indigenous Peoples: Australian Case Studies', Pacific Rim Law and Policy Journal, 22, 391-427
  • 8. Kathy Bowrey and Jane Anderson (2009), 'The Politics of Global Information Sharing: Whose Cultural Agendas are Being Advanced?', Social and Legal Studies, 18, 479-504
  • 9. (2008), James Boyle (ed.), The Public Domain: Enclosing the Commons of the Mind, New Haven, USA and London, UK: Yale University Press
  • 10. (2018), Merima Bruncevic (ed.), Art and the Commons: Space, Materiality and the Normative, Oxford, UK and New York, NY, USA: Routledge
  • 11. Kristen A. Carpenter, Sonya K. Katyal and Angela R. Riley (2009), 'In Defense of Property', Yale Journal of Law, 100-204
  • 12. (1998), Rosemary J. Coombe (ed.), The Cultural Life of Intellectual Properties: Authorship, Appropriation and the Law, Durham, NC, USA: Duke University Press
  • 13. Rosemary J. Coombe (2009), 'The Expanding Purview of Cultural Properties and their Politics', Annual Review of Law and Social Science, 5, 393-412
  • 14. (2011), Carys J. Craig (ed.), Copyright, Communication and Culture: Towards a Relational Theory of Copyright Law, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd
  • 15. (2018), Charlotte Waelde, Catherine Cummings, Mathilde Pavis and Helena Enright (eds), Research Handbook on Contemporary Intangible Cultural Heritage: Law and Heritage, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd
  • 16.
  • William Fisher (2018), 'Theories of Intellectual Property' in Stephen R. Munzer (ed.), New Essays in the Legal and Political Theory of Property, Chapter 6, Cambr+AI4idge, UK: Cambridge University Press, 168-200
  • 17. Peter Fitzpatrick and Richard Joyce (2007), 'Copying Right: Cultural Property and the Limits of (Occidental) Law', in Fiona Macmillan (ed.), New Directions in Copyright Law: Volume 4, Chapter 8, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd, 169-90.
  • 18. Tatiana Flessas (2003), 'Cultural Property Defined and Redefined as Nietzschean Aphorism', Cardozo Law Review, 1067-98
  • 19. Manlio Frigo (2004), 'Cultural Property v. Cultural Heritage: A battle of Concepts in International Law?', International Review of the Red Cross, 86 (854), 367-78
  • 20. (1991), Jane M. Gaines (ed.), Contested Culture: The Image, the Voice, and the Law, Chapel Hill, NC, USA and London, UK: University of North Carolina Press
  • 21.Johanna Gibson (2006), 'Community and the Exhaustion of Culture: Creative Territories in Traditional Cultural Expressions', in Fiona Macmillan and Kathy Bowrey (eds), New Directions in Copyright Law: Volume 3, Chapter 2, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd
  • 22. (2008), Christoph Beat Graber and Mira Burri-Nenova (eds), Intellectual Property and Traditional Cultural Expressions in a Digital Environment, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd
  • 23. Martin Skrydstrup and Valdimar Tr. Hafstein (2017), 'Heritage vs. Property: Contrasting Regimes and Rationalities in the Patrimonial Field', in Jane Anderson and Haidy Geismar (eds), The Routledge Companion to Cultural Property, Oxford, UK and New York, NY, USA: Routledge, 38-53
  • 24. (2013), Rodney Harrison (ed.), Heritage: Critical Approaches, London, UK and New York, NY, USA: Routledge
  • 25. (2004), Eva Hemmings Wirtén (ed.), No Trespassing: Authorship, Intellectual Property Rights, and the Boundaries of Globalization, Toronto, Canada: University of Toronto Press
  • 26. Eva Hemmings Wirtén (2006), 'Our of Sight & Out of Mind: On the Cultural Hegemony of Intellectual Property (Critique)', Cultural Studies, 20, 282-91
  • 27.
  • (2008), Eva Hemmings Wirtén (ed.), Terms of Use: Negotiating the Jungle of the Intellectual Commons, Toronto, Canada: University of Toronto Press
  • 28. Lawrence Liang (2011), 'Beyond Representation: The Figure of the Pirate', in Mario Biagiola, Peter Jaszi and Martha Woodmansee (eds), Making and Unmaking Intellectual Property: Creative Production in Legal and Cultural Perspective, Chicago, IL, USA and London, UK: University of Chicago Press, 167-80
  • 29. Fiona Macmillan (2005), 'Commodification and Cultural Ownership', in Jonathan Griffiths and Uma Suthersanen (eds), Copyright and Free Speech: Comparative and International Analyses, Chapter 3, Oxford, UK and New York, NY, USA: Oxford University Press
  • 30. (2006), Fiona Macmillan and Kathy Bowrey (eds), New Directions in Copyright Law: Volume 3, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd
  • 31. (2021), Fiona Macmiilan (ed.), Intellectual and Cultural Property: Between Market and Commodity, London, UK and New York, NY, USA: Routledge
  • 32. (2002), Kartsen Schubert and Daniel McClean (eds), Dear Images: Art, Copyright and Culture, London, UK: Ridinghouse and Institute of Contemporary Arts
  • 33. (2001), Kembrew McLeod (ed.), Owning Culture: Authorship, Ownership and Intellectual Property Law, New York, NY, USA: Peter Lang Publishing Inc.
  • 34. (2018), Jani McCutcheon and Fiona McGaughey (eds), Research Handbook on Art and Law, Cheltenham, UK and Northampton, MA, USA: Edward Elgar Publishing Ltd
  • 35. Naomi Mezey (2007), 'The Paradoxes of Cultural Property', Columbia Law Review, 107, 2004-46.
  • 36. (2014), Laura J. Murray, S. Tina Piper and Kirsty Robertson (eds), Putting Intellectual Property in its Place: Rights Discourses, Creative Labor, and the Everyday, Oxford, UK and New York, NY, USA: Oxford University Press
  • 37. Neil Weinstock Netanel (1996), 'Copyright and a Democratic Civil Society', Yale Law Journal, 106, 283-387
  • 38. (2008), Neil Weinstock Netanel (ed.), Copyright's Paradox, Oxford, UK and New York, NY, USA: Oxford University Press
  • 39. (1997), Patrick Parrinder and Warren L. Chernaik (eds), Textual Monopolies: Literary Copyright and the Public Domain, London, UK: University of London Press
  • 40. Lyndel V. Prott and Patrick J. O'Keefe (1992), '"Cultural Heritage" or "Cultural Property"?', International Journal of Cultural Property, 1, 307-20
  • 41. Carol M. Rose (2003), 'Roman, Roads and Romantic Creators: Traditions of Public Property in the Information Age', Law & Contemporary Problems, 66, 89-110
  • 42. (1993), Mark Rose (ed.), Authors and Owners: The Invention of Copyright, Boston, MA, USA: Harvard University Press
  • 43. (1992), David Saunders (ed.), Authorship and Copyright, London, UK and New York, NY, USA: Routledge
  • 44. Joseph R. Slaughter (2011), 'Form and Informality: An Unliterary Look at World Literature', in Robyn Warhol (ed.), The Work of Genre: Selected Essays from the English Institute, Cambridge, MA, USA: The English Institute in collaboration with the American Council of Learned Societies, 182-226
  • 45. (2006), Laurajane Smith (ed.), Uses of Heritage, London, UK and New York, NY, USA: Routledge
  • 46. (2001), Siva Vaidhyanathan (ed.), Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity, New York, NY, USA: New York University Press
  • 47. Jeremy Waldron (1993), 'From Authors to Copiers: Individual Rights and Social Values in Intellectual Property', Chicago-Kent Law Review, 68, 841-87
  • 48. (1994), Martha Woodmansee and Peter Jaszi (eds), The Construction of Authorship: Textual Appropriation in Law and Literature, Durham, NC, USA: Duke University Press.

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