Marcel Duchamp's Fountain One Hundred Years Later /
This book marks the centenary of Marcel Duchamp's Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative...
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cham :
Springer International Publishing,
2018.
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| Ausgabe: | 1st ed. 2018. |
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| ISBN: | 9783319691589 |
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| 024 | 7 | |a 10.1007/978-3-319-69158-9 |2 doi | |
| 035 | |a CVTIDW11380 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Kilroy, Robert. |4 aut | |
| 245 | 1 | 0 | |a Marcel Duchamp's Fountain |h [electronic resource] : |b One Hundred Years Later / |c by Robert Kilroy. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a XIII, 168 p. |b online resource. | ||
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a 1. Chapter 1 Étant donnés: 1° la chute d'eau / 2° le gaz d'éclairage -- 2. Part I Reopening "The Richard Mutt Case": Fountain in 2017. Chapter 2 Art History and Psychoanalysis Today -- 3. Chapter 3 Duchamp with Lacan through Žižek -- 4. Part II Revisiting the Crime Scene: Fountain's Reception. Chapter 4 Art Historian as Analyst as Detective -- 5. Chapter 5 The Facts and Curious Features of the Case -- 6. Part III Retracing the Crime: Fountain Stripped Bare. Chapter 6 The Artist -- 7. Chapter 7 The Onlooker -- 8. Chapter 8 The Spectator -- 9. Chapter 9 Tasty Affairs -- 10. Part IV Resolving the Crime: Fountain's Legacy. Chapter 10 Posterity -- 11. Chapter 11 The Lighthouse -- 12. Chapter 12 The One-Man Show and the Dealer -- 13. Chapter 13 The Art Historian. | |
| 516 | |a text file PDF | ||
| 520 | |a This book marks the centenary of Marcel Duchamp's Fountain by critically re-examining the established interpretation of the work. It introduces a new methodological approach to art-historical practice rooted in a revised understanding of Lacan, Freud and Slavoj Žižek. In weaving an alternative narrative, Kilroy shows us that not only has Fountain been fundamentally misunderstood but that this very misunderstanding is central to the work's significance. The author brings together Duchamp's own statements to argue Fountain's verdict was strategically stage-managed by the artist in order to expose the underlying logic of its reception, what he terms 'The Creative Act.' This book will be of interest to a broad range of readers, including art historians, psychoanalysts, scholars and art enthusiasts interested in visual culture and ideological critique. | ||
| 650 | 0 | |a Fine arts. | |
| 650 | 0 | |a Aesthetics. | |
| 650 | 0 | |a Psychoanalysis. | |
| 650 | 0 | |a Culture-Study and teaching. | |
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| 919 | |a 978-3-319-69158-9 | ||
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