Displacing Caravaggio Art, Media, and Humanitarian Visual Culture /
This book takes its start from a series of attempts to use Caravaggio's works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting The Seven Works of Mercy (1...
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| Hlavný autor: | |
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| Médium: | Elektronický zdroj E-kniha |
| Jazyk: | English |
| Vydavateľské údaje: |
Cham :
Springer International Publishing,
2018.
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| Vydanie: | 1st ed. 2018. |
| Predmet: | |
| ISBN: | 9783319933788 |
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| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 003 | SK-BrCVT | ||
| 005 | 20220618120246.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 181017s2018 gw | s |||| 0|eng d | ||
| 020 | |a 9783319933788 | ||
| 024 | 7 | |a 10.1007/978-3-319-93378-8 |2 doi | |
| 035 | |a CVTIDW08522 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Zucconi, Francesco. |4 aut | |
| 245 | 1 | 0 | |a Displacing Caravaggio |h [electronic resource] : |b Art, Media, and Humanitarian Visual Culture / |c by Francesco Zucconi. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a XI, 244 p. 34 illus., 23 illus. in color. |b online resource. | ||
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a 1. Introduction -- 2. Humanitarian Archeology -- 3. Unstill Life -- 4. Pathos, Survival, and "Quasi Immanence" -- 5. On the Limits of the Virtual Humanitarian Experience -- 6. Caravaggio on Lampedusa -- 7. On Displacing. | |
| 516 | |a text file PDF | ||
| 520 | |a This book takes its start from a series of attempts to use Caravaggio's works for contemporary humanitarian communications. How did his Sleeping Cupid (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio's work, Francesco Zucconi takes Baroque art as a point of departure to guide readers through some of the most haunting and compelling images of our time. Each chapter analyzes a different form of media and explores a problem that ties together art history and humanitarian communications: from Caravaggio's attempt to represent life itself as a subject of painting to the way bodies and emotions are presented in NGO campaigns. What emerges from this probing inquiry at the intersection of art theory, media studies and political philosophy is an original critical path in humanitarian visual culture. | ||
| 650 | 0 | |a Fine arts. | |
| 650 | 0 | |a Ethnology. | |
| 650 | 0 | |a Culture-Study and teaching. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-93378-8 |y Vzdialený prístup pre registrovaných používateľov |
| 910 | |b ZE05802 | ||
| 919 | |a 978-3-319-93378-8 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 274722 |d 274722 | ||