Hip Hop, Hegel, and the Art of Emancipation Let's Get Free /
This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general,...
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| Hlavní autor: | |
|---|---|
| Médium: | Elektronický zdroj E-kniha |
| Jazyk: | angličtina |
| Vydáno: |
Cham :
Springer International Publishing,
2018.
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| Vydání: | 1st ed. 2018. |
| Témata: | |
| ISBN: | 9783319913049 |
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| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 003 | SK-BrCVT | ||
| 005 | 20220618115814.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 180704s2018 gw | s |||| 0|eng d | ||
| 020 | |a 9783319913049 | ||
| 024 | 7 | |a 10.1007/978-3-319-91304-9 |2 doi | |
| 035 | |a CVTIDW10067 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Vernon, Jim. |4 aut | |
| 245 | 1 | 0 | |a Hip Hop, Hegel, and the Art of Emancipation |h [electronic resource] : |b Let's Get Free / |c by Jim Vernon. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a VII, 259 p. |b online resource. | ||
| 500 | |a Religion and Philosophy | ||
| 505 | 0 | |a Chapter 1: Introduction -- Chapter 2: The South Bronx, or the 'State of Nature' -- Chapter 3: Graffiti Writing, or The Symbolic Stage Art -- Chapter 4: DJing and Breaking, or The Classical Stage of Art -- Chapter 5: MCing, or The Romantic Stage of Art -- Chapter 6: Knowledge, or From Art to Religion, Philosophy and Politics -- Chapter 7: Conclusion. | |
| 516 | |a text file PDF | ||
| 520 | |a This book argues that Hip Hop's early history in the South Bronx charts a course remarkably similar to the conceptual history of artistic creation presented in Hegel's Lectures on Aesthetics. It contends that the resonances between Hegel's account of the trajectory of art in general, and the historical shifts in the particular culture of Hip Hop, are both numerous and substantial enough to make us re-think not only the nature and import of Hegel's philosophy of art, but the origin, essence and lesson of Hip Hop. As a result, the book articulates and defends a unique reading of Hegel's Aesthetics, as well as providing a philosophical explanation of the Hip Hop community's transition from total social abandonment to some limited form of social inclusion, via the specific mediation of an artistic culture grounded in novel forms of sensible expression. Thus, the fundamental thesis of this book is that Hegel and Hip Hop are mutually illuminating, and when considered in tandem each helps to clarify and reinforce the validity and power of the other. . | ||
| 650 | 0 | |a Aesthetics. | |
| 650 | 0 | |a Popular Culture. | |
| 650 | 0 | |a Philosophy and social sciences. | |
| 650 | 0 | |a Continental Philosophy. | |
| 650 | 0 | |a Political philosophy. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-91304-9 |y Vzdialený prístup pre registrovaných používateľov |
| 910 | |b ZE07347 | ||
| 919 | |a 978-3-319-91304-9 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 273898 |d 273898 | ||

