Creative Selves / Creative Cultures Critical Autoethnography, Performance, and Pedagogy /
This book addresses and demonstrates the importance of critical approaches to autoethnography, particularly the commitment that such approaches make to theorizing the personal and to creating work that embodies a social justice ethos. Arts-based and practice-led approaches to this work allow the exp...
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| Médium: | Elektronický zdroj E-kniha |
|---|---|
| Jazyk: | angličtina |
| Vydáno: |
Cham :
Springer International Publishing,
2018.
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| Vydání: | 1st ed. 2018. |
| Edice: | Creativity, Education and the Arts
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| Témata: | |
| ISBN: | 9783319475271 |
| On-line přístup: |
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Obsah:
- PART I: Researching and Writing Creative Selves/Creative Cultures
- Chapter 1. Creative Selves/Creative Cultures: Critical Autoethnography, Performance and Pedagogy; Stacy Holman Jones
- Chapter 2. Troubling Autoethnography: Critical, Creative, and Deconstructive: Approaches to Writing; Susanne Gannon
- Chapter 3. Performing Teaching, Citizenship and Criticality; Marc Pruyn, Lisa Cary & Luis Huerta-Charles
- PART II: Mapping and Remembering Creative Selves/Creative Cultures
- Chapter 4. Six Sirens and a Broken Oud: Mapping the Self Within the Political Landscape; Stefan Schut
- Chapter 5. Writing Sensation: Critical Autoethnography in Posthumanism; Summer Dickenson
- Chapter 6. Mind and Matter: (Re)membering, Performing, and Being; Juliana Kirschner
- PART III: Embodying Creative Selves/Creative Cultures
- Chapter 7. Mother-Poems: Using the Confessional as Critique in Autoethnographic Poetry; Sandra L. Faulkner
- Chapter 8. I Am a Monument; Anne Harris & Stacy Holman Jones
- Chapter 9. The Last Days of Education? An Attempt to Reclaim Teaching Through Socratic Dialogue; Craig Wood
- PART IV: Rehearsing and Transforming Creative Selves/Creative Cultures
- Chapter 10. Inside our Islands: Confronting the Colonized Muse in the Decolonizing Performance Space; Linden Wilkenson
- Chapter 11. Shrug off the Old Lies: Writing Critical Autoethnography as Decolonality with Helene Cixous; Elizabeth Mackinlay
- Chapter 12. Transformer: More Than Meets the I/Eye; Fetaui Iosefo
- PART V: Tracing, Playing , and Improvising Creative Selves/Creative Cultures
- Chapter 13. Got Lost: Embodied Vocal Performance at the Junction of Autoethnography and Practice-Based Research; Jessica Aszodi
- Chapter 14. Creating Memories: A Cartography of Musical Learning; Phoebe Green
- Chapter 15. Critical Autoethnography Musical Improvisation: Reflections, Conjuctions, and 21st Century Dimensions; Leon de Bruin
- Chapter 16. Creative Selves, Creative Cultures, Creative Futures; Stacy Holman Jones.

