Movie Circuits : Curatorial Approaches to Cinema Technology /

Movie Circuits is a book about cinema; more precisely, it is about how technological changes are negotiated within the operation of the medium, thus resulting in the preservation, obsolescence and expansion of its conventional apparatus. Based on an active effort to take distance from traditional di...

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Hlavní autor: Menotti, Gabriel (Autor)
Médium: E-kniha
Jazyk:angličtina
Vydáno: Amsterdam : Amsterdam University Press, 2019
Edice:MediaMatters
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ISBN:9789048527540
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100 1 |a Menotti, Gabriel,   |4 aut.  |4 aut 
245 1 0 |a Movie Circuits :  |b Curatorial Approaches to Cinema Technology /  |c Gabriel Menotti. 
260 |a Amsterdam :   |b Amsterdam University Press,   |c 2019 
300 |a 1 online resource (432 p.) 
490 0 |a MediaMatters 
505 0 0 |t Frontmatter --   |t Table of Contents --   |t Introduction: Blind Optics --   |t 1. What Is a Movie? --   |t 2. The Becoming of Cinema --   |t 3. Projection Studies --   |t 4. Performing Medium Specificities --   |t 5. Denied Distances --   |t Acknowledgements --   |t Comprehensive Bibliography --   |t Index 
516 |a text file PDF 
520 |a Movie Circuits is a book about cinema; more precisely, it is about how technological changes are negotiated within the operation of the medium, thus resulting in the preservation, obsolescence and expansion of its conventional apparatus. Based on an active effort to take distance from traditional disciplines, the author produces scholarship from the standpoint of the flusserian functionaries of the apparatus. He deploys his empirical, hands-on experience with the medium underpinnings, both as a projectionist and a curator, as a form of practice-based approach able to pierce through the veils of the scientific paradigm and medial ideology alike, in order to better comprehend the relationship between moving image and media technology. Departing from the modes of organization of cinema promoted by different cultural practices, from art making to piracy, the volume does a critical revision of current theories, putting into question the institutional character of medium ontology. 
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