Rethinking Genre in Contemporary Global Cinema
Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume's content-...
Saved in:
| Format: | Electronic eBook |
|---|---|
| Language: | English |
| Published: |
Cham :
Springer International Publishing,
2018.
|
| Edition: | 1st ed. 2018. |
| Subjects: | |
| ISBN: | 9783319901343 |
| Online Access: |
|
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 003 | SK-BrCVT | ||
| 005 | 20220618102756.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 180802s2018 gw | s |||| 0|eng d | ||
| 020 | |a 9783319901343 | ||
| 024 | 7 | |a 10.1007/978-3-319-90134-3 |2 doi | |
| 035 | |a CVTIDW13646 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 245 | 1 | 0 | |a Rethinking Genre in Contemporary Global Cinema |h [electronic resource] / |c edited by Silvia Dibeltulo, Ciara Barrett. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a XV, 242 p. 3 illus., 1 illus. in color. |b online resource. | ||
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a 1. Introduction: Genres in Transition (Silvia Dibeltulo and Ciara Barrett) -- 2. Black, White, and Transnational: An Analysis of the Rise, Fall, and Potential Rebirth of the Contemporary Urban Dance Musical in Anglophone Western Cinemas (Ciara Barrett) -- 3. Tales of Loss, Betrayal, and Regain: Irishness and Ethnic Identity in Contemporary Irish-Themed American Gangster Films (Silvia Dibeltulo) -- 4. Neurotic and Going Nowhere: Comedy and the Contemporary Jewish American Male (Jennifer O'Meara) -- 5. Modern Bromance, Mikhail Bakhtin, and the Dialogics of Alterity (David Wall) -- 6. The En-genrement of the Nation: The Spanish Civil War Film and Guillermo del Toro's Fantasies (Juan F. Egea) -- 7. Commedia all' italiana American Style: Assessing the Recent Remakes of Classic Comedy Italian Style (Giacomo Boitani) -- 8. The Wuxia Films of Zhang Yimou: A Genre in Transit (Ian Kinane) -- 9. The "Smart" Teen Film 1990-2005: Identity Crisis, Nostalgia, and the Teenage Viewpoint (Laura Canning) -- 10. Constructing the Televideofilm: Corporatization, Genrefication, and the Blurring Boundaries of Nigerian Media (Noah Tsika) -- 11. From Nordic Gloom to Nordic Cool: Producing Genre Film for the Global Markets (Pietari Kääpä) -- 12. A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin (Giovanna Rampazzo) -- 13. Kant's Sublime and the Disaster Film after 9/11 (Barry Monahan) -- 14. Two Chronotopes of the Terrorist Genre (Cormac Deane) -- 15. Between Torture Porn and Zombie Apocalypse: Horror and Utopia in British-themed Biopolitical Films after 9/11 (Tamás Nagypál). | |
| 516 | |a text file PDF | ||
| 520 | |a Rethinking Genre in Contemporary Global Cinema offers a unique, wide-ranging exploration of the intersection between traditional modes of film production and new, transitional/transnational approaches to film genre and related discourses in a contemporary, global context. This volume's content-the films, genres, and movements explored, as well as methodologies used in their analysis-is diverse and, crucially, up-to-date with contemporary film-making practice and theory. Significantly, the collection extends existing scholarly discourse on film genre beyond its historical bias towards a predominant focus on Hollywood cinema, on the one hand, and a tendency to treat "other" national cinemas in isolation and/or as distinct systems of production, on the other. In view of the ever-increasing globalisation and transnational mediation of film texts and screen media and culture worldwide, the book recognises the need for film genre studies and film genre criticism to cast a broader, indeed global, scope. The collection thus rethinks genre cinema as a transitional, cross-cultural, and increasingly transnational, global paradigm of film-making in diverse contexts. | ||
| 650 | 0 | |a Film genres. | |
| 650 | 0 | |a Motion pictures. | |
| 650 | 0 | |a Culture. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-90134-3 |y Vzdialený prístup pre registrovaných používateľov |
| 910 | |b ZE10926 | ||
| 919 | |a 978-3-319-90134-3 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 242477 |d 242477 | ||