Religious Imaging in Millennialist America Dark Gnosis /
Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch-among other artists, novelists, and film directors-utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks t...
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
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Cham :
Springer International Publishing,
2018.
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| Ausgabe: | 1st ed. 2018. |
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| ISBN: | 9783319991726 |
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| 024 | 7 | |a 10.1007/978-3-319-99172-6 |2 doi | |
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| 041 | |a eng | ||
| 100 | 1 | |a Crawford, Ashley. |4 aut | |
| 245 | 1 | 0 | |a Religious Imaging in Millennialist America |h [electronic resource] : |b Dark Gnosis / |c by Ashley Crawford. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a VIII, 316 p. |b online resource. | ||
| 500 | |a Religion and Philosophy | ||
| 505 | 0 | |a Chapter 1: Introduction: American Gnosis -- Chapter 2. Delirium: A brief history of America's religious founding(s).-Chapter 3: Dualism: An exploration of good and evil via David Lynch's films.-Chapter 4 Delusion: On Mormon and Masonic symbolism in Matthew Barney's CREMASTER films -- Chapter 5: Deconstruction: On Judaic law and the apocalypse of language in Ben Marcus' The Flame Alphabet -- Chapter 6: Dereliction and Defecation: On the religious underpinnings in Matthew Barney's Subliming Vessel and Ben Marcus' Leaving the Sea and the apocalyptic imaging of Matthew Barney's River of Fundament -- Chapter 7. Dark Gnosis. | |
| 516 | |a text file PDF | ||
| 520 | |a Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch-among other artists, novelists, and film directors-utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a 'secular' context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it. | ||
| 650 | 0 | |a Religion and sociology. | |
| 650 | 0 | |a Popular Culture. | |
| 650 | 0 | |a Motion pictures and television. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-99172-6 |y Vzdialený prístup pre registrovaných používateľov |
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