The Reasonable Audience Theatre Etiquette, Behaviour Policing, and the Live Performance Experience /
Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage - bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of 'theatre etiq...
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| Hlavní autor: | |
|---|---|
| Médium: | Elektronický zdroj E-kniha |
| Jazyk: | angličtina |
| Vydáno: |
Cham :
Springer International Publishing,
2018.
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| Vydání: | 1st ed. 2018. |
| Témata: | |
| ISBN: | 9783319991665 |
| On-line přístup: |
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MARC
| LEADER | 00000nam a22000005i 4500 | ||
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| 003 | SK-BrCVT | ||
| 005 | 20220618102751.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 181102s2018 gw | s |||| 0|eng d | ||
| 020 | |a 9783319991665 | ||
| 024 | 7 | |a 10.1007/978-3-319-99166-5 |2 doi | |
| 035 | |a CVTIDW13399 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Sedgman, Kirsty. |4 aut | |
| 245 | 1 | 4 | |a The Reasonable Audience |h [electronic resource] : |b Theatre Etiquette, Behaviour Policing, and the Live Performance Experience / |c by Kirsty Sedgman. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a XI, 174 p. 2 illus. |b online resource. | ||
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a 1. Introduction -- 2. The Theatre Contract -- 3. Audience Attention & Aesthetic Experience -- 4. A Defence of Theatre Etiquette -- 5. On the Reasonable Audience -- 6. Marked/Unmarked Bodies. | |
| 516 | |a text file PDF | ||
| 520 | |a Audiences are not what they used to be. Munching crisps or snapping selfies, chatting loudly or charging phones onstage - bad behaviour in theatre is apparently on the rise. And lately some spectators have begun to fight back... The Reasonable Audience explores the recent trend of 'theatre etiquette': an audience-led crusade to bring 'manners and respect' back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as 'reasonable' within public space?Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others. | ||
| 650 | 0 | |a Theater. | |
| 650 | 0 | |a Performing arts. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-99166-5 |y Vzdialený prístup pre registrovaných používateľov |
| 910 | |b ZE10679 | ||
| 919 | |a 978-3-319-99166-5 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 242434 |d 242434 | ||