National Identity in 21st-Century Cuban Cinema Screening the Repeating Island /
National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures-the monster, the child, the historic icon, and the recluse-in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba...
Uloženo v:
| Hlavní autor: | |
|---|---|
| Médium: | Elektronický zdroj E-kniha |
| Jazyk: | angličtina |
| Vydáno: |
Cham :
Springer International Publishing,
2018.
|
| Vydání: | 1st ed. 2018. |
| Témata: | |
| ISBN: | 9783319931036 |
| On-line přístup: |
|
| Tagy: |
Přidat tag
Žádné tagy, Buďte první, kdo vytvoří štítek k tomuto záznamu!
|
MARC
| LEADER | 00000nam a22000005i 4500 | ||
|---|---|---|---|
| 003 | SK-BrCVT | ||
| 005 | 20220618101757.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 180810s2018 gw | s |||| 0|eng d | ||
| 020 | |a 9783319931036 | ||
| 024 | 7 | |a 10.1007/978-3-319-93103-6 |2 doi | |
| 035 | |a CVTIDW11982 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Fehimović, Dunja. |4 aut | |
| 245 | 1 | 0 | |a National Identity in 21st-Century Cuban Cinema |h [electronic resource] : |b Screening the Repeating Island / |c by Dunja Fehimović. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a XIII, 281 p. 32 illus. in color. |b online resource. | ||
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a 1. Introduction: Screening the Repeating Island -- 2. A Cuban Zombie Nation?: Monsters in Havana -- 3. Not Child's Play: Tactics, Strategies, and Heterotopias -- 4. Time 'Out of Joint': Icons, Images, and Archives -- 5. Of Moles and Giraffes: Recluses, Drifters, and Disconnection -- 6. Conclusion: Shipwrecks and Seasickness. | |
| 516 | |a text file PDF | ||
| 520 | |a National Identity in 21st-Century Cuban Cinema tours early 21st-century Cuban cinema through four key figures-the monster, the child, the historic icon, and the recluse-in order to offer a new perspective on the relationship between the Revolution, culture, and national identity in contemporary Cuba. Exploring films chosen to convey a recent diversification of subject matters, genres, and approaches, it depicts a changing industrial landscape in which the national film institute (ICAIC) coexists with international co-producers and small, 'independent' production companies. By tracing the reappearance, reconfiguration, and recycling of national identity in recent fiction feature films, the book demonstrates that the spectre of the national haunts Cuban cinema in ways that reflect intensified transnational flows of people, capital, and culture. Moreover, it shows that the creative manifestations of this spectre screen-both hiding and revealing-a persistent anxiety around Cubanness even as national identity is transformed by connections to the outside world. | ||
| 650 | 0 | |a Motion pictures, American. | |
| 650 | 0 | |a Ethnology-Latin America. | |
| 650 | 0 | |a Popular Culture. | |
| 650 | 0 | |a Film genres. | |
| 650 | 0 | |a Latin America-Politics and government. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-93103-6 |y Vzdialený prístup pre registrovaných používateľov |
| 910 | |b ZE09262 | ||
| 919 | |a 978-3-319-93103-6 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 238333 |d 238333 | ||