Screen Production Research Creative Practice as a Mode of Enquiry /

Aimed at students and educators across all levels of Higher Education, this agenda-setting book defines what screen production research is and looks like-and by doing so celebrates creative practice as an important pursuit in the contemporary academic landscape. Drawing on the work of international...

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Médium: Elektronický zdroj E-kniha
Jazyk:English
Vydavateľské údaje: Cham : Springer International Publishing, 2018.
Vydanie:1st ed. 2018.
Predmet:
Motion pictures > Production and direction.
Sociology-Research.
Digital media.
Motion picture authorship.
Documentary films.
ISBN:9783319628370
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Obsah:
  • 1. Introduction
  • 2. A 'Logical' Explanation of Screen Production as Method-Led Research - Susan Kerrigan
  • 3. Lights, Camera, Research: The Specificity of Research in Screen Production - Leo Berkeley
  • 4. The Primacy of Practice: Establishing the Terms of Reference of Creative Arts and Media Research - Desmond Bell
  • 5. Screenwriting as a Mode of Research, and the Screenplay as a Research Artefact - Craig Batty and Dallas J Baker
  • 6. Using Practitioner Based Enquiry (PBE) to Examine Screen Production as a Form of Creative Practice - Phillip McIntyre
  • 7. Ethnography and Screen Production Research - Marsha Berry
  • 8. Method in Madness: a Case Study in Practice Research Methods - Erik Knudsen
  • 9. Cinematography: Practice as Research, Research into Practice - Cathy Greenhalgh
  • 10. Practices of Making as Forms of Knowledge: Creative Practice Research as a Mode of Documentary-making in Northeast India - Aparna Sharma
  • 11. Fragments, Form and Photogénie: Using Practice to Research the Intersectional Work of Poetic Documentary - Bettina Frankham
  • 12. Peter Kennedy's The Photographs' Story: the Dialectical Image as Research - John Hughes
  • 13. The Naïve Researcher, Resisting Methodology: a PhD Experience - Smiljana Glisovic
  • 14. Afterword: Tacit Knowledge and Affect - Soft Ethnography and Shared Domains Belinda Middleweek and John Tulloch. .

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