Performing Place in French and Italian Queer Documentary Film Space and Proust's Lieu Factice /

This book explores the space of queer documentary through the modernist optic of Marcel Proust's 'lieu factice' (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary i...

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1. Verfasser: Brett, Oliver (VerfasserIn)
Format: Elektronisch E-Book
Sprache:Englisch
Veröffentlicht: Cham : Springer International Publishing, 2018.
Ausgabe:1st ed. 2018.
Schlagworte:
ISBN:9783319967011
Online-Zugang: Volltext
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245 1 0 |a Performing Place in French and Italian Queer Documentary Film  |h [electronic resource] :  |b Space and Proust's Lieu Factice /  |c by Oliver Brett. 
250 |a 1st ed. 2018. 
260 1 |a Cham :  |b Springer International Publishing,  |c 2018. 
300 |a IX, 249 p. 16 illus. in color.  |b online resource. 
500 |a Literature, Cultural and Media Studies  
505 0 |a 1. Contemporary queer cinema in France and Italy: undoing 'place' -- 2. Framing the 'lieu factice': shifting notions of documentary 'place' -- 3. Mourning 'place' -- 4. Forsaking 'place' -- 5. Intersecting 'place' -- 6. Conclusion. 
516 |a text file PDF 
520 |a This book explores the space of queer documentary through the modernist optic of Marcel Proust's 'lieu factice' (artificial place), a perspective that problematizes the location of place in a post-postmodern world with a dispersed sense of the real. The practice of queer documentary in France and Italy, from the beginning of the new millennium onwards, is seen to re-write the coherence of 'place' through a range of emerging queer realities. Proposing the post-queer as a way of contending with the spatial dynamics of these contexts, analysis of key texts positions place as mourned, conceded and intersectional. The performance of place as agency is considered through the notional film, the radical archive of documentary, the enactment of politics, queer indeterminacy and a phenomenology of the object, the frame and queer mobility. The central themes of family, gender, dis/location, in/visibility and re/presentation question blind investment in the integrity of being emplaced. 
650 0 |a Motion pictures-European influences. 
650 0 |a Documentary films. 
650 0 |a Motion pictures. 
650 0 |a Queer theory. 
650 0 |a Ethnology-Europe. 
650 0 |a European literature. 
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