Jews, Cinema and Public Life in Interwar Britain
This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider publi...
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| Hlavní autor: | |
|---|---|
| Médium: | Elektronický zdroj E-kniha |
| Jazyk: | angličtina |
| Vydáno: |
London :
Palgrave Macmillan UK,
2018.
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| Vydání: | 1st ed. 2018. |
| Témata: | |
| ISBN: | 9781137569318 |
| On-line přístup: |
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MARC
| LEADER | 00000nam a22000005i 4500 | ||
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| 003 | SK-BrCVT | ||
| 005 | 20220618101150.0 | ||
| 007 | cr nn 008mamaa | ||
| 008 | 181103s2018 xxk| s |||| 0|eng d | ||
| 020 | |a 9781137569318 | ||
| 024 | 7 | |a 10.1057/978-1-137-56931-8 |2 doi | |
| 035 | |a CVTIDW10904 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Toffell, Gil. |4 aut | |
| 245 | 1 | 0 | |a Jews, Cinema and Public Life in Interwar Britain |h [electronic resource] / |c by Gil Toffell. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a London : |b Palgrave Macmillan UK, |c 2018. | |
| 300 | |a XI, 227 p. 8 illus. |b online resource. | ||
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a 1. Introduction -- 2. The Spaces and Places of Jewish Cinema Culture -- 3. Films of Jewish Interest -- 4. The Public Lives of Jewish Stars -- 5. The Jews Behind the Camera -- 6. Jewish Defence -- 7. Epilogue - The Decline of a Jewish Cinema Culture. | |
| 516 | |a text file PDF | ||
| 520 | |a This book investigates a Jewish orientation to film culture in interwar Britain. It explores how pleasure, politics and communal solidarity intermingled in the cinemas of Jewish neighbourhoods, and how film was seen as a vessel through which Jewish communal concerns might be carried to a wider public. Addressing an array of related topics, this volume examines the lived expressive cultures of cinemas in Jewish areas and the ethnically specific films consumed within these sites; the reception of film stars as representations of a Jewish social body; and how an antisemitic canard that understood the cinema as a Jewish monopoly complicated its use as a base for anti-fascist activity. In shedding light on an unexplored aspect of British film reception and exhibition, Toffell provides a unique insight into the making of the modern city by migrant communities. The title will be of use to anyone interested in Britain's interwar leisure landscape, the Jewish presence in modernity, and a cinema studies sensitised to the everyday experience of audiences. | ||
| 650 | 0 | |a Motion pictures-History. | |
| 650 | 0 | |a Judaism and culture. | |
| 650 | 0 | |a Ethnology-Europe. | |
| 650 | 0 | |a World War, 1939-1945. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-1-137-56931-8 |y Vzdialený prístup pre registrovaných používateľov |
| 910 | |b ZE08184 | ||
| 919 | |a 978-1-137-56931-8 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 236725 |d 236725 | ||

