Kinesthetic Spectatorship in the Theatre Phenomenology, Cognition, Movement /
This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguist...
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| Hlavní autor: | |
|---|---|
| Médium: | Elektronický zdroj E-kniha |
| Jazyk: | angličtina |
| Vydáno: |
Cham :
Springer International Publishing,
2018.
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| Vydání: | 1st ed. 2018. |
| Edice: | Cognitive Studies in Literature and Performance
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| Témata: | |
| ISBN: | 9783319917948 |
| On-line přístup: |
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| 008 | 180921s2018 gw | s |||| 0|eng d | ||
| 020 | |a 9783319917948 | ||
| 024 | 7 | |a 10.1007/978-3-319-91794-8 |2 doi | |
| 035 | |a CVTIDW10947 | ||
| 040 | |a Springer-Nature |b eng |c CVTISR |e AACR2 | ||
| 041 | |a eng | ||
| 100 | 1 | |a Garner, Jr., Stanton B. |4 aut | |
| 245 | 1 | 0 | |a Kinesthetic Spectatorship in the Theatre |h [electronic resource] : |b Phenomenology, Cognition, Movement / |c by Stanton B. Garner, Jr. |
| 250 | |a 1st ed. 2018. | ||
| 260 | 1 | |a Cham : |b Springer International Publishing, |c 2018. | |
| 300 | |a XII, 277 p. |b online resource. | ||
| 490 | 1 | |a Cognitive Studies in Literature and Performance | |
| 500 | |a Literature, Cultural and Media Studies | ||
| 505 | 0 | |a Introduction -- Movement and Animation.-Movement, Difference, Ability -- Movement, Attention, and Intentionality.-Kinesthetic Resonance.-Language, Speech, Movement -- Empathy and Otherness. | |
| 516 | |a text file PDF | ||
| 520 | |a This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how these movements inhabit us. Individual chapters explore the dynamics of movement and animation, action and intentionality, kinesthetic resonance (or mirroring), language, speech, and empathy. In one of its most important contributions to the study of theatre, performance, and spectatorship, this book foregrounds otherness, divergence, and disability in its account of movement perception. The discussions of this and other issues are accompanied by detailed analysis of theatre, puppetry, and dance performances. | ||
| 650 | 0 | |a Performing arts. | |
| 650 | 0 | |a Theater. | |
| 650 | 0 | |a Actors. | |
| 856 | 4 | 0 | |u http://hanproxy.cvtisr.sk/han/cvti-ebook-springer-eisbn-978-3-319-91794-8 |y Vzdialený prístup pre registrovaných používateľov |
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| 919 | |a 978-3-319-91794-8 | ||
| 974 | |a andrea.lebedova |f Elektronické zdroje | ||
| 992 | |a SUD | ||
| 999 | |c 236600 |d 236600 | ||