Digitalizing Xianchang: documentary experiments on Shanghai COVID lockdown
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| Názov: | Digitalizing Xianchang: documentary experiments on Shanghai COVID lockdown |
|---|---|
| Autori: | Zeng, Jinyan |
| Prispievatelia: | Lund University, Joint Faculties of Humanities and Theology, Departments, Centre for Languages and Literature, Section 6, Division of Chinese Studies and Japanese Studies, Chinese Studies, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Språk- och litteraturcentrum, Sektion 6, Avdelningen för japanska och kinesiska, Kinesiska, Originator, Lund University, Joint Faculties of Humanities and Theology, Departments, Department of History, Centre for East and South-East Asian Studies, Lund University, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Historiska institutionen, Centrum för öst- och sydöstasienstudier, Originator |
| Zdroj: | Studies in Documentary Film. :1-22 |
| Predmety: | Humanities and the Arts, Arts, Film Studies, Humaniora och konst, Konst, Filmvetenskap, Other Humanities, Cultural Studies, Annan humaniora och konst, Kulturstudier, Social Sciences, Sociology, Social Anthropology, Samhällsvetenskap, Sociologi, Socialantropologi, Media and Communications, Media and Communication Studies, Medie, kommunikations, och informationsvetenskaper, Medie- och kommunikationsvetenskap |
| Popis: | This article explores the expanded indexicality of documentary image and audio in the digital era. It analyzes the awarded Chinese documentary The Memo (2022) responding to the Shanghai COVID lockdown. The documentary reconstructs a digital xianchang (lit. the present and the site of happening, being there) of personal witnessing, collective testimony, trauma healing, and conceptual thinking during the Shanghai lockdown. The documentary exemplifies confined xianchang, instant archived xianchang, digital mapping of censored xianchang, AI-generated audio xianchang, multi-dimensional imaginary xianchang, collective testimonial xianchang, and healing xianchang. Limited production conditions due to deepening authoritarianism have encouraged innovative digital technology interventions, rhetoric, and modes of filmmaking. By providing first-person witnessing and collective testimony, showing the speechless close-ups of faces of ordinary people, and using cinematic irony, the filmmakers’ cinematic interventions weave a humanistic veil to counter the cruelty and dehumanization of the Shanghai COVID lockdown. This article highlights how digital technology has activated, enhanced, and altered the indexicality of audio-visual materials. Thus, the concept of digital indexicality alters the epistemology of xianchang in truth-claiming. |
| Prístupová URL adresa: | https://doi.org/10.1080/17503280.2025.2462526 |
| Databáza: | SwePub |
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| Items | – Name: Title Label: Title Group: Ti Data: Digitalizing Xianchang: documentary experiments on Shanghai COVID lockdown – Name: Author Label: Authors Group: Au Data: <searchLink fieldCode="AR" term="%22Zeng%2C+Jinyan%22">Zeng, Jinyan</searchLink> – Name: Author Label: Contributors Group: Au Data: Lund University, Joint Faculties of Humanities and Theology, Departments, Centre for Languages and Literature, Section 6, Division of Chinese Studies and Japanese Studies, Chinese Studies, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Språk- och litteraturcentrum, Sektion 6, Avdelningen för japanska och kinesiska, Kinesiska, Originator<br />Lund University, Joint Faculties of Humanities and Theology, Departments, Department of History, Centre for East and South-East Asian Studies, Lund University, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Historiska institutionen, Centrum för öst- och sydöstasienstudier, Originator – Name: TitleSource Label: Source Group: Src Data: <i>Studies in Documentary Film</i>. :1-22 – Name: Subject Label: Subject Terms Group: Su Data: <searchLink fieldCode="DE" term="%22Humanities+and+the+Arts%22">Humanities and the Arts</searchLink><br /><searchLink fieldCode="DE" term="%22Arts%22">Arts</searchLink><br /><searchLink fieldCode="DE" term="%22Film+Studies%22">Film Studies</searchLink><br /><searchLink fieldCode="DE" term="%22Humaniora+och+konst%22">Humaniora och konst</searchLink><br /><searchLink fieldCode="DE" term="%22Konst%22">Konst</searchLink><br /><searchLink fieldCode="DE" term="%22Filmvetenskap%22">Filmvetenskap</searchLink><br /><searchLink fieldCode="DE" term="%22Other+Humanities%22">Other Humanities</searchLink><br /><searchLink fieldCode="DE" term="%22Cultural+Studies%22">Cultural Studies</searchLink><br /><searchLink fieldCode="DE" term="%22Annan+humaniora+och+konst%22">Annan humaniora och konst</searchLink><br /><searchLink fieldCode="DE" term="%22Kulturstudier%22">Kulturstudier</searchLink><br /><searchLink fieldCode="DE" term="%22Social+Sciences%22">Social Sciences</searchLink><br /><searchLink fieldCode="DE" term="%22Sociology%22">Sociology</searchLink><br /><searchLink fieldCode="DE" term="%22Social+Anthropology%22">Social Anthropology</searchLink><br /><searchLink fieldCode="DE" term="%22Samhällsvetenskap%22">Samhällsvetenskap</searchLink><br /><searchLink fieldCode="DE" term="%22Sociologi%22">Sociologi</searchLink><br /><searchLink fieldCode="DE" term="%22Socialantropologi%22">Socialantropologi</searchLink><br /><searchLink fieldCode="DE" term="%22Media+and+Communications%22">Media and Communications</searchLink><br /><searchLink fieldCode="DE" term="%22Media+and+Communication+Studies%22">Media and Communication Studies</searchLink><br /><searchLink fieldCode="DE" term="%22Medie%22">Medie</searchLink><br /><searchLink fieldCode="DE" term="%22kommunikations%22">kommunikations</searchLink><br /><searchLink fieldCode="DE" term="%22och+informationsvetenskaper%22">och informationsvetenskaper</searchLink><br /><searchLink fieldCode="DE" term="%22Medie-+och+kommunikationsvetenskap%22">Medie- och kommunikationsvetenskap</searchLink> – Name: Abstract Label: Description Group: Ab Data: This article explores the expanded indexicality of documentary image and audio in the digital era. It analyzes the awarded Chinese documentary The Memo (2022) responding to the Shanghai COVID lockdown. The documentary reconstructs a digital xianchang (lit. the present and the site of happening, being there) of personal witnessing, collective testimony, trauma healing, and conceptual thinking during the Shanghai lockdown. The documentary exemplifies confined xianchang, instant archived xianchang, digital mapping of censored xianchang, AI-generated audio xianchang, multi-dimensional imaginary xianchang, collective testimonial xianchang, and healing xianchang. Limited production conditions due to deepening authoritarianism have encouraged innovative digital technology interventions, rhetoric, and modes of filmmaking. By providing first-person witnessing and collective testimony, showing the speechless close-ups of faces of ordinary people, and using cinematic irony, the filmmakers’ cinematic interventions weave a humanistic veil to counter the cruelty and dehumanization of the Shanghai COVID lockdown. This article highlights how digital technology has activated, enhanced, and altered the indexicality of audio-visual materials. Thus, the concept of digital indexicality alters the epistemology of xianchang in truth-claiming. – Name: URL Label: Access URL Group: URL Data: <link linkTarget="URL" linkTerm="https://doi.org/10.1080/17503280.2025.2462526" linkWindow="_blank">https://doi.org/10.1080/17503280.2025.2462526</link> |
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| RecordInfo | BibRecord: BibEntity: Identifiers: – Type: doi Value: 10.1080/17503280.2025.2462526 Languages: – Text: English PhysicalDescription: Pagination: PageCount: 22 StartPage: 1 Subjects: – SubjectFull: Humanities and the Arts Type: general – SubjectFull: Arts Type: general – SubjectFull: Film Studies Type: general – SubjectFull: Humaniora och konst Type: general – SubjectFull: Konst Type: general – SubjectFull: Filmvetenskap Type: general – SubjectFull: Other Humanities Type: general – SubjectFull: Cultural Studies Type: general – SubjectFull: Annan humaniora och konst Type: general – SubjectFull: Kulturstudier Type: general – SubjectFull: Social Sciences Type: general – SubjectFull: Sociology Type: general – SubjectFull: Social Anthropology Type: general – SubjectFull: Samhällsvetenskap Type: general – SubjectFull: Sociologi Type: general – SubjectFull: Socialantropologi Type: general – SubjectFull: Media and Communications Type: general – SubjectFull: Media and Communication Studies Type: general – SubjectFull: Medie Type: general – SubjectFull: kommunikations Type: general – SubjectFull: och informationsvetenskaper Type: general – SubjectFull: Medie- och kommunikationsvetenskap Type: general Titles: – TitleFull: Digitalizing Xianchang: documentary experiments on Shanghai COVID lockdown Type: main BibRelationships: HasContributorRelationships: – PersonEntity: Name: NameFull: Zeng, Jinyan – PersonEntity: Name: NameFull: Lund University, Joint Faculties of Humanities and Theology, Departments, Centre for Languages and Literature, Section 6, Division of Chinese Studies and Japanese Studies, Chinese Studies, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Språk- och litteraturcentrum, Sektion 6, Avdelningen för japanska och kinesiska, Kinesiska, Originator – PersonEntity: Name: NameFull: Lund University, Joint Faculties of Humanities and Theology, Departments, Department of History, Centre for East and South-East Asian Studies, Lund University, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Historiska institutionen, Centrum för öst- och sydöstasienstudier, Originator IsPartOfRelationships: – BibEntity: Dates: – D: 10 M: 02 Type: published Y: 2025 Identifiers: – Type: issn-print Value: 17503280 – Type: issn-print Value: 17503299 – Type: issn-locals Value: SWEPUB_FREE – Type: issn-locals Value: LU_SWEPUB Titles: – TitleFull: Studies in Documentary Film Type: main |
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