El Robaperas (The Pear Thief)
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| Title: | El Robaperas (The Pear Thief) |
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| Authors: | Bengtsen, Peter |
| Contributors: | Lund University, Joint Faculties of Humanities and Theology, Departments, Department of Arts and Cultural Sciences, Division of Art History and Visual Studies, Lunds universitet, Humanistiska och teologiska fakulteterna, Institutioner, Institutionen för kulturvetenskaper, Avdelningen för konsthistoria och visuella studier, Originator |
| Source: | Public Art Dialogue. 14(2):137-145 |
| Subject Terms: | Humanities and the Arts, Arts, Visual Arts, Humaniora och konst, Konst, Fri Konst |
| Description: | With a point of departure in the creation of an unsanctioned street installation in Granada, Spain, in 2005 - which colloquially became known by residents in its vicinity as "El Robaperas" (English: "The Pear Thief") - this essay considers some of the central characteristics of street art. It further discusses some of the conditions under which urban environs may become places for autonomous interventions, experiences and reflections rather than spaces people merely pass through. |
| Access URL: | https://doi.org/10.1080/21502552.2024.2367186 |
| Database: | SwePub |
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Nájsť tento článok vo Web of Science | Abstract: | With a point of departure in the creation of an unsanctioned street installation in Granada, Spain, in 2005 - which colloquially became known by residents in its vicinity as "El Robaperas" (English: "The Pear Thief") - this essay considers some of the central characteristics of street art. It further discusses some of the conditions under which urban environs may become places for autonomous interventions, experiences and reflections rather than spaces people merely pass through. |
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| ISSN: | 21502552 21502560 |
| DOI: | 10.1080/21502552.2024.2367186 |