From inclusive to nonclusive design: a shift in categorisation

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Názov: From inclusive to nonclusive design: a shift in categorisation
Autori: Hedvall, Per-Olof, Ericsson, Stina
Prispievatelia: Lund University, Faculty of Engineering, LTH, Departments at LTH, Department of Design Sciences, Ergonomics and Aerosol Technology, Lunds universitet, Lunds Tekniska Högskola, Institutioner vid LTH, Institutionen för designvetenskaper, Ergonomi och aerosolteknologi, Originator, Lund University, Faculty of Engineering, LTH, Departments at LTH, Department of Design Sciences, CIRCLE, Lunds universitet, Lunds Tekniska Högskola, Institutioner vid LTH, Institutionen för designvetenskaper, CIRCLE, Originator, Lund University, Faculty of Engineering, LTH, Departments at LTH, Department of Design Sciences, Ergonomics and Aerosol Technology, Certec - Rehabilitation Engineering and Design, Lunds universitet, Lunds Tekniska Högskola, Institutioner vid LTH, Institutionen för designvetenskaper, Ergonomi och aerosolteknologi, Certec - Rehabiliteringsteknik och Design, Originator
Zdroj: Design for All, India. 19(6 (June)):10-29
Predmety: Humanities and the Arts, Arts, Design, Humaniora och konst, Konst, Languages and Literature, Comparative Language Studies and Linguistics, Språk och litteratur, Jämförande språkvetenskap och allmän lingvistik, Architecture, Arkitektur, Engineering and Technology, Civil Engineering, Architectural Engineering, Teknik, Samhällsbyggnadsteknik, Arkitekturteknik
Popis: The background to this article is an interest in what categorisations such as ‘persons with or without disability’ create in terms of inequality and stigma, and how categorisations can support the implementation of Universal Design (UD). The article aims to show how a shift in categorisation can lead to a shift in the conceptualisation of UD, from “inclusive” to “nonclusive” design, i.e., to design processes that refrain from categorising people, bodies and roles. Our analysis is based on a range of photographs, images, and extracts from policy documents related to inclusion and exclusion collected in five recent research projects. Current ways to categorise will reiterate and perpetuate the current power structures, if not changed. In the article, we show what a shift from inclusive design to nonclusive design might look like in four types of artefacts: graphic design, physical products and environments, texts, and information and communication technology (ICT). Such a shift in categorisation will make it possible to meet variation with variation, and to ensure that the next product, program, or environment does not divide people into predefined boxes based on, e.g., their bodily configurations. However, working with nonclusive design will demand having just as rich an image of human variation and how to support it as ever before. In conclusion, we argue that Nonclusive Design is Universal Design, completing the progress from barrier-free to inclusive to nonclusive design(ing).
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  Data: <searchLink fieldCode="AR" term="%22Hedvall%2C+Per-Olof%22">Hedvall, Per-Olof</searchLink><br /><searchLink fieldCode="AR" term="%22Ericsson%2C+Stina%22">Ericsson, Stina</searchLink>
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  Data: Lund University, Faculty of Engineering, LTH, Departments at LTH, Department of Design Sciences, Ergonomics and Aerosol Technology, Lunds universitet, Lunds Tekniska Högskola, Institutioner vid LTH, Institutionen för designvetenskaper, Ergonomi och aerosolteknologi, Originator<br />Lund University, Faculty of Engineering, LTH, Departments at LTH, Department of Design Sciences, CIRCLE, Lunds universitet, Lunds Tekniska Högskola, Institutioner vid LTH, Institutionen för designvetenskaper, CIRCLE, Originator<br />Lund University, Faculty of Engineering, LTH, Departments at LTH, Department of Design Sciences, Ergonomics and Aerosol Technology, Certec - Rehabilitation Engineering and Design, Lunds universitet, Lunds Tekniska Högskola, Institutioner vid LTH, Institutionen för designvetenskaper, Ergonomi och aerosolteknologi, Certec - Rehabiliteringsteknik och Design, Originator
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  Data: The background to this article is an interest in what categorisations such as ‘persons with or without disability’ create in terms of inequality and stigma, and how categorisations can support the implementation of Universal Design (UD). The article aims to show how a shift in categorisation can lead to a shift in the conceptualisation of UD, from “inclusive” to “nonclusive” design, i.e., to design processes that refrain from categorising people, bodies and roles. Our analysis is based on a range of photographs, images, and extracts from policy documents related to inclusion and exclusion collected in five recent research projects. Current ways to categorise will reiterate and perpetuate the current power structures, if not changed. In the article, we show what a shift from inclusive design to nonclusive design might look like in four types of artefacts: graphic design, physical products and environments, texts, and information and communication technology (ICT). Such a shift in categorisation will make it possible to meet variation with variation, and to ensure that the next product, program, or environment does not divide people into predefined boxes based on, e.g., their bodily configurations. However, working with nonclusive design will demand having just as rich an image of human variation and how to support it as ever before. In conclusion, we argue that Nonclusive Design is Universal Design, completing the progress from barrier-free to inclusive to nonclusive design(ing).
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