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Rhythms of Urban Injustice: A Spatial Reimagining of Marketing in Tourist Cities

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Názov: Rhythms of Urban Injustice: A Spatial Reimagining of Marketing in Tourist Cities
Autori: Cassinger, Cecilia, Eksell, Jörgen
Prispievatelia: Lund University, Faculty of Social Sciences, Departments of Administrative, Economic and Social Sciences, Department of Communication, Lunds universitet, Samhällsvetenskapliga fakulteten, Samhällsvetenskapliga institutioner och centrumbildningar, Institutionen för kommunikation, Originator, Lund University, Other research environments, Centre for Retail and Logistics (REAL), Lunds universitet, Andra forskningsmiljöer, Centrum för handel och logistik (REAL), Originator
Zdroj: Consumption Markets and Culture.
Predmety: Social Sciences, Social and Economic Geography, Other Geographic Studies (including Tourism, Urban, Rural, and Global Studies), Samhällsvetenskap, Social och ekonomisk geografi, Andra geografiska studier
Popis: This paper challenges dominant paradigms of place marketing by foregrounding its role in the production of spatial injustice in urban consumption spectacles. Drawing on rhythmanalysis and spatial injustice, we conceptualize tourism-driven place marketing as a form of spatial production privileging spectacle, circulation, and visibility – often at the expense of everyday life. Based on ethnographic research in Amsterdam, Stockholm, and Barcelona (2019–2021), we identify three tensions – clashing, inverting, and intrusive rhythms – that structure residents' experiences of tourism. These rhythms are not merely disruptions but manifestations of spatial injustice and embodied forms of resistance to commodification. We introduce decommodification as a normative principle challenging dominant marketing logics and calling for more justice-oriented practices. By engaging with urban rhythms, place marketers can support collective rights to space and enable more just modes of inhabitation.
Prístupová URL adresa: https://doi.org/10.1080/10253866.2025.2568634
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  Data: This paper challenges dominant paradigms of place marketing by foregrounding its role in the production of spatial injustice in urban consumption spectacles. Drawing on rhythmanalysis and spatial injustice, we conceptualize tourism-driven place marketing as a form of spatial production privileging spectacle, circulation, and visibility – often at the expense of everyday life. Based on ethnographic research in Amsterdam, Stockholm, and Barcelona (2019–2021), we identify three tensions – clashing, inverting, and intrusive rhythms – that structure residents' experiences of tourism. These rhythms are not merely disruptions but manifestations of spatial injustice and embodied forms of resistance to commodification. We introduce decommodification as a normative principle challenging dominant marketing logics and calling for more justice-oriented practices. By engaging with urban rhythms, place marketers can support collective rights to space and enable more just modes of inhabitation.
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