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Artistic Design as a Sign System: A Semiotic Study of Roland Barthes in the Film 'Sinners (2025)'

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Titel: Artistic Design as a Sign System: A Semiotic Study of Roland Barthes in the Film 'Sinners (2025)'
Autoren: Fachrezy, Haekal Althaaf, Nafsika, Salsa Solli
Quelle: Cinematology: Journal Anthology of Film and Television Studies; Vol 5, No 2 (2025): June; 130-140
Verlagsinformationen: Universitas Pendidikan Indonesia (UPI), 2025.
Publikationsjahr: 2025
Schlagwörter: Art Direction, Semiotics, Roland Barthes, Symbolism
Beschreibung: This study analyzes the artistic design in the film Sinners (2025) using Roland Barthes’ semiotic approach to uncover the meanings behind its visual elements. The primary focus is directed toward props and symbols such as the guitar, cutting wounds, and the cross, which function not merely as aesthetic complements but also as sign systems conveying profound messages related to identity, trauma, and ideology. Through the stages of denotation, connotation, and myth analysis, this study finds that the artistic design in the film represents complex social and cultural narratives, such as inherited sin, collective suffering, and the characters’ existential struggles. These symbols construct discourses on morality, religiosity, and internal conflict, positioning the artistic design as a medium of ideological expression that reinforces the film’s overall narrative meaning.
Publikationsart: Article
Dateibeschreibung: application/pdf
Sprache: English
ISSN: 2797-7099
2797-9903
DOI: 10.17509/cinematology.v5i2.84919
Zugangs-URL: http://ejournal.upi.edu/index.php/Cinematology/article/view/84919
Rights: CC BY SA
Dokumentencode: edsair.journalunive..f46c65e391331ce9c0719b5c7c0bbdf8
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  Data: Artistic Design as a Sign System: A Semiotic Study of Roland Barthes in the Film 'Sinners (2025)'
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  Data: Cinematology: Journal Anthology of Film and Television Studies; Vol 5, No 2 (2025): June; 130-140
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  Data: This study analyzes the artistic design in the film Sinners (2025) using Roland Barthes’ semiotic approach to uncover the meanings behind its visual elements. The primary focus is directed toward props and symbols such as the guitar, cutting wounds, and the cross, which function not merely as aesthetic complements but also as sign systems conveying profound messages related to identity, trauma, and ideology. Through the stages of denotation, connotation, and myth analysis, this study finds that the artistic design in the film represents complex social and cultural narratives, such as inherited sin, collective suffering, and the characters’ existential struggles. These symbols construct discourses on morality, religiosity, and internal conflict, positioning the artistic design as a medium of ideological expression that reinforces the film’s overall narrative meaning.
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