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Las tecnologías emergentes en la narrativa de una sobreviviente de la Shoá (holocausto).

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Název: Las tecnologías emergentes en la narrativa de una sobreviviente de la Shoá (holocausto). (Spanish)
Autoři: Java Balanovsky, Daniela
Zdroj: Cuadernos del Centro de Estudios de Diseño y Comunicación; 2025/2026, Vol. 28 Issue 283, p291-302, 12p
Témata: TRANSGENERATIONAL trauma, TWO-dimensional bar codes, HOLOCAUST survivors, VIRTUAL reality, HUMAN body, GENOCIDE
Abstract (English): This work is based on first-person testimonies, particularly those of one woman, Lea Zajac, a Holocaust survivor. She has recorded her voice and image in a format called Dimensions in Testimony at the Holocaust Museum in Buenos Aires. It consists of a large two-dimensional screen with her image. In front of the screen, there is a microphone for interacting with Lea Zajac's image. She answers all the audience's questions. This technology preserves her memories from the passage of time, as a challenge to denial and forgetting. This descriptive proposal is based on the use of contemporary technologies to help younger generations understand the full extent of what happened. The use of AI, virtual reality headsets, QR codes, 360° tours, applications and synthetic memories, and the use of smartphones as devices attached to the human body enhance the experiences of cognitive processes. Consequently, the elaboration of vicarious trauma or intergenerational trauma, based on contemporary technological resources, becomes a heroic path. [ABSTRACT FROM AUTHOR]
Abstract (Spanish): Este trabajo se apoya en los testimonios en primera persona. Particularmente de una mujer, Lea Zajac, sobreviviente de la Shoá (holocausto). Ella ha grabado su voz y su imagen en un formato llamado Dimensions in Testimony en el museo del Holocausto de Buenos Aire. Se trata de una pantalla bidimensional de grandes proporciones con su imagen. Delante de la pantalla hay un micrófono para interactuar con la imagen de Lea Zajac. Ella responde todas las inquietudes del público. Esta tecnología preserva sus memorias del paso del tiempo, como un desafío frente al negacionismo y al olvido. Esta propuesta descriptiva, se sustenta en la utilización de tecnologías contemporáneas, para que las generaciones más jóvenes tomen dimensión de lo sucedido. La utilización de IA, cascos de realidad virtual, los QR, recorridos 360°, aplicaciones y las memorias sintéticas, utilización de Smartphones, como dispositivos acoplados al cuerpo humano, aumentan las experiencias de los procesos cognitivos. En consecuencia, la elaboración del trauma vicario o el trauma intergeneracional, a partir de recursos tecnológicos contemporáneos, se convierte en un camino heroico. [ABSTRACT FROM AUTHOR]
Abstract (Portuguese): Este trabalho baseia-se em depoimentos em primeira pessoa, particularmente os de uma mulher, Lea Zajac, sobrevivente do Holocausto. Ela gravou sua voz e imagem em um formato chamado Dimensões em Testemunho, no Museu do Holocausto em Buenos Aires. Consiste em uma grande tela bidimensional com sua imagem. Em frente à tela, há um microfone para interação com a imagem de Lea Zajac. Ela responde a todas as perguntas do público. Essa tecnologia preserva suas memórias da passagem do tempo, como um desafio à negação e ao esquecimento. Esta proposta descritiva baseia-se no uso de tecnologias contemporâneas para ajudar as gerações mais jovens a compreender a extensão total do que aconteceu. O uso de IA, óculos de realidade virtual, códigos QR, tours 360°, aplicativos e memórias sintéticas, e o uso de smartphones como dispositivos acoplados ao corpo humano, potencializam as experiências dos processos cognitivos. Consequentemente, a elaboração do trauma vicário ou intergeracional, com base em recursos tecnológicos contemporâneos, torna-se um caminho heroico. [ABSTRACT FROM AUTHOR]
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Databáze: Biomedical Index
Popis
Abstrakt:This work is based on first-person testimonies, particularly those of one woman, Lea Zajac, a Holocaust survivor. She has recorded her voice and image in a format called Dimensions in Testimony at the Holocaust Museum in Buenos Aires. It consists of a large two-dimensional screen with her image. In front of the screen, there is a microphone for interacting with Lea Zajac's image. She answers all the audience's questions. This technology preserves her memories from the passage of time, as a challenge to denial and forgetting. This descriptive proposal is based on the use of contemporary technologies to help younger generations understand the full extent of what happened. The use of AI, virtual reality headsets, QR codes, 360° tours, applications and synthetic memories, and the use of smartphones as devices attached to the human body enhance the experiences of cognitive processes. Consequently, the elaboration of vicarious trauma or intergenerational trauma, based on contemporary technological resources, becomes a heroic path. [ABSTRACT FROM AUTHOR]
ISSN:16680227