Art performance as a political communication tool in Indonesia: beyond the stage.

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Název: Art performance as a political communication tool in Indonesia: beyond the stage.
Autoři: Mahfud, Mahfud, Purwasito, Andrik, Warto, Warto, Rais, Wakit Abdullah
Zdroj: International Journal of Sociology & Social Policy; 2024, Vol. 44 Issue 11/12, p1087-1108, 22p
Témata: POLITICAL communication, CULTURAL identity, DANCE costume, PROPAGANDA, THEMATIC analysis, PERFORMING arts
Abstrakt: Purpose: This retrospective phenomenological case study examines the experiences of 18 politicians who participated in a political campaign using performing arts and artists in a regional heads and legislators in Indonesia. Also, the role of Gandrung art as a performing art is becoming a political communication tool for political actors in Indonesia. Design/methodology/approach: This study employs a retrospective phenomenological case. The informants recruited were 18 politicians who have local, regional and national political levels. The participants were interviewed about their experiences of campaigning using traditional performing arts as a form of political communication. Data collection techniques used in this study include interviews and photo documentation during the campaign process to triangulate findings. Findings: Based on a case study analysis and through thematic analysis, this research reveals three emerging themes which indicate that performing arts function as political communication tools in three significant ways: (1) as a form of artistic expression for conveying political messages through movement and the use of dancer costumes; (2) as a medium for showcasing cultural identity and representation as a form of concern for the local culture of voters; and (3) as a means to garner mass appeal and propagate political propaganda. Research limitations/implications: The study has two limitations. First, the study only interviewed a small number of participants. Thus, generalization for wider contexts of politicians is not possible. Second, the study focuses on examining the voice of politicians and analyzing it using thematic analysis. Originality/value: There is a scarcity of research that specifically focuses on uncovering the perspectives of politicians who employ performing arts as a political communication tool. This study contributes to the understanding that art performance is inherently non-neutral, highlighting how performing arts can actively engage in political communication by conveying messages, shaping cultural identity and influencing public opinion in the context of Indonesia. [ABSTRACT FROM AUTHOR]
Copyright of International Journal of Sociology & Social Policy is the property of Emerald Publishing Limited and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
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  Data: Art performance as a political communication tool in Indonesia: beyond the stage.
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  Data: <searchLink fieldCode="AR" term="%22Mahfud%2C+Mahfud%22">Mahfud, Mahfud</searchLink><br /><searchLink fieldCode="AR" term="%22Purwasito%2C+Andrik%22">Purwasito, Andrik</searchLink><br /><searchLink fieldCode="AR" term="%22Warto%2C+Warto%22">Warto, Warto</searchLink><br /><searchLink fieldCode="AR" term="%22Rais%2C+Wakit+Abdullah%22">Rais, Wakit Abdullah</searchLink>
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  Data: International Journal of Sociology & Social Policy; 2024, Vol. 44 Issue 11/12, p1087-1108, 22p
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  Data: <searchLink fieldCode="DE" term="%22POLITICAL+communication%22">POLITICAL communication</searchLink><br /><searchLink fieldCode="DE" term="%22CULTURAL+identity%22">CULTURAL identity</searchLink><br /><searchLink fieldCode="DE" term="%22DANCE+costume%22">DANCE costume</searchLink><br /><searchLink fieldCode="DE" term="%22PROPAGANDA%22">PROPAGANDA</searchLink><br /><searchLink fieldCode="DE" term="%22THEMATIC+analysis%22">THEMATIC analysis</searchLink><br /><searchLink fieldCode="DE" term="%22PERFORMING+arts%22">PERFORMING arts</searchLink>
– Name: Abstract
  Label: Abstract
  Group: Ab
  Data: Purpose: This retrospective phenomenological case study examines the experiences of 18 politicians who participated in a political campaign using performing arts and artists in a regional heads and legislators in Indonesia. Also, the role of Gandrung art as a performing art is becoming a political communication tool for political actors in Indonesia. Design/methodology/approach: This study employs a retrospective phenomenological case. The informants recruited were 18 politicians who have local, regional and national political levels. The participants were interviewed about their experiences of campaigning using traditional performing arts as a form of political communication. Data collection techniques used in this study include interviews and photo documentation during the campaign process to triangulate findings. Findings: Based on a case study analysis and through thematic analysis, this research reveals three emerging themes which indicate that performing arts function as political communication tools in three significant ways: (1) as a form of artistic expression for conveying political messages through movement and the use of dancer costumes; (2) as a medium for showcasing cultural identity and representation as a form of concern for the local culture of voters; and (3) as a means to garner mass appeal and propagate political propaganda. Research limitations/implications: The study has two limitations. First, the study only interviewed a small number of participants. Thus, generalization for wider contexts of politicians is not possible. Second, the study focuses on examining the voice of politicians and analyzing it using thematic analysis. Originality/value: There is a scarcity of research that specifically focuses on uncovering the perspectives of politicians who employ performing arts as a political communication tool. This study contributes to the understanding that art performance is inherently non-neutral, highlighting how performing arts can actively engage in political communication by conveying messages, shaping cultural identity and influencing public opinion in the context of Indonesia. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label:
  Group: Ab
  Data: <i>Copyright of International Journal of Sociology & Social Policy is the property of Emerald Publishing Limited and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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        Value: 10.1108/IJSSP-02-2024-0095
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        Text: English
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      – SubjectFull: POLITICAL communication
        Type: general
      – SubjectFull: CULTURAL identity
        Type: general
      – SubjectFull: DANCE costume
        Type: general
      – SubjectFull: PROPAGANDA
        Type: general
      – SubjectFull: THEMATIC analysis
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      – SubjectFull: PERFORMING arts
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      – TitleFull: Art performance as a political communication tool in Indonesia: beyond the stage.
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              Text: 2024
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