Tí ΃àρ τoντo Πρòς τòv λó΃ov; PLUTARCH'S GRYLLUS AND THE SO-CALLED GRYLLOI.

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Název: Tí ΃àρ τoντo Πρòς τòv λó΃ov; PLUTARCH'S GRYLLUS AND THE SO-CALLED GRYLLOI.
Autoři: HERCHENROEDER, LUCAS
Zdroj: American Journal of Philology; Fall2008, Vol. 129 Issue 3, p347-379, 33p
Témata: ETYMOLOGY, ANIMALS in literature, HEROES in literature, ELITE (Social sciences) in literature
Abstrakt: Plutarch's Gryllus is a parodic take on contemporary intellectual culture, offering a humorous portrait of elite perspectives regarding language and sophistic learning. The parodic effect stems from the figure of the talking pig, the dialogue's protagonist, whose name, Gryllus ("Grunter"), signifies ineptness in speech and characterizes him as a mocking figure through puns with the names of an Egyptian dance form and a parodic painting style—connections not observed in definitive interpretations of the dialogue. Ultimately, in its engagement with rhetorical performance and popular philosophical themes, the dialogue parodies reliance upon paideia as a form of empowerment. [ABSTRACT FROM AUTHOR]
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  Data: Tí ΃àρ τoντo Πρòς τòv λó΃ov; PLUTARCH'S GRYLLUS AND THE SO-CALLED GRYLLOI.
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  Data: American Journal of Philology; Fall2008, Vol. 129 Issue 3, p347-379, 33p
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  Data: <searchLink fieldCode="DE" term="%22ETYMOLOGY%22">ETYMOLOGY</searchLink><br /><searchLink fieldCode="DE" term="%22ANIMALS+in+literature%22">ANIMALS in literature</searchLink><br /><searchLink fieldCode="DE" term="%22HEROES+in+literature%22">HEROES in literature</searchLink><br /><searchLink fieldCode="DE" term="%22ELITE+%28Social+sciences%29+in+literature%22">ELITE (Social sciences) in literature</searchLink>
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  Data: Plutarch's Gryllus is a parodic take on contemporary intellectual culture, offering a humorous portrait of elite perspectives regarding language and sophistic learning. The parodic effect stems from the figure of the talking pig, the dialogue's protagonist, whose name, Gryllus ("Grunter"), signifies ineptness in speech and characterizes him as a mocking figure through puns with the names of an Egyptian dance form and a parodic painting style—connections not observed in definitive interpretations of the dialogue. Ultimately, in its engagement with rhetorical performance and popular philosophical themes, the dialogue parodies reliance upon paideia as a form of empowerment. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label:
  Group: Ab
  Data: <i>Copyright of American Journal of Philology is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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