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DIGITÁLNA TECHNOIMAGINÁCIA A OBRAZ V KONTEXTE SÚČASNEJ KULTÚRY.

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Název: DIGITÁLNA TECHNOIMAGINÁCIA A OBRAZ V KONTEXTE SÚČASNEJ KULTÚRY. (Slovak)
Alternate Title: DIGITAL TECHNOIMAGINATION AND IMAGE IN THE CONTEXT OF CONTEMPORARY CULTURE. (English)
Autoři: TOLNAIOVÁ, SABÍNA GÁLIKOVÁ
Zdroj: Megatrends & Media; 2019, p32-45, 14p
Témata: DIGITAL images, EVERYDAY life, DIGITAL media, IMAGINATION, CULTURE
Abstract (English): Nowadays, more and more attracts professional attention technoimagination. This is a phenomenon that differs from the “traditional” imagination, which is the daily experience of most people. As a form and method of coding / decoding technoimages complement and replace our imagination. In contribution, the author notes that these technoimages in the perfect simulacral, hyperreal form of today’s digital images have a great influence in our culture, characterized by “image turn”. Their meaning is evident in science, art, education ... and in our daily lives too. Finally, she points out that for the novelty of our ability to create and consume technoimages, as well as for their new specific effects, the need for more precise understanding and careful valorisation is currently showing. [ABSTRACT FROM AUTHOR]
Abstract (Slovak): V súčasnosti čoraz viac púta odbornú pozornosť technoimaginácia. To je fenomén, ktorý sa odlišuje od „tradičnej“ imaginácie, ktorý je každodennou skúsenosťou väčšiny ľudí. Ako forma a metóda kódovania/dekódovania technoobrazov našu imagináciu dopĺňa a nahrádza. V príspevku autorka konštatuje, že tieto technoobrazy v dokonalej simulakrálnej, hyperreálnej podobe dnešných digitálnych obrazov majú veľký vplyv v našej kultúre, ktorú charakterizuje „obrazový obrat”. Ich význam je zrejmý vo vede, v umení, edukácii..., tiež v našom bežnom živote. Napokon upozorňuje, že sa pre novosť našej schopnosti vytvárať a spotrebovávať technoobrazy, ako aj pre ich nové špecifické efekty, aktuálne ukazuje potreba ich precíznejšieho porozumenia a opatrného zhodnocovania. [ABSTRACT FROM AUTHOR]
Copyright of Megatrends & Media is the property of University of SS. Cyril & Methodius in Trnava, Faculty of Mass Media Communication and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)
Databáze: Complementary Index
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  Data: DIGITÁLNA TECHNOIMAGINÁCIA A OBRAZ V KONTEXTE SÚČASNEJ KULTÚRY. (Slovak)
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  Data: DIGITAL TECHNOIMAGINATION AND IMAGE IN THE CONTEXT OF CONTEMPORARY CULTURE. (English)
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  Data: <searchLink fieldCode="DE" term="%22DIGITAL+images%22">DIGITAL images</searchLink><br /><searchLink fieldCode="DE" term="%22EVERYDAY+life%22">EVERYDAY life</searchLink><br /><searchLink fieldCode="DE" term="%22DIGITAL+media%22">DIGITAL media</searchLink><br /><searchLink fieldCode="DE" term="%22IMAGINATION%22">IMAGINATION</searchLink><br /><searchLink fieldCode="DE" term="%22CULTURE%22">CULTURE</searchLink>
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  Data: Nowadays, more and more attracts professional attention technoimagination. This is a phenomenon that differs from the “traditional” imagination, which is the daily experience of most people. As a form and method of coding / decoding technoimages complement and replace our imagination. In contribution, the author notes that these technoimages in the perfect simulacral, hyperreal form of today’s digital images have a great influence in our culture, characterized by “image turn”. Their meaning is evident in science, art, education ... and in our daily lives too. Finally, she points out that for the novelty of our ability to create and consume technoimages, as well as for their new specific effects, the need for more precise understanding and careful valorisation is currently showing. [ABSTRACT FROM AUTHOR]
– Name: AbstractNonEng
  Label: Abstract (Slovak)
  Group: Ab
  Data: V súčasnosti čoraz viac púta odbornú pozornosť technoimaginácia. To je fenomén, ktorý sa odlišuje od „tradičnej“ imaginácie, ktorý je každodennou skúsenosťou väčšiny ľudí. Ako forma a metóda kódovania/dekódovania technoobrazov našu imagináciu dopĺňa a nahrádza. V príspevku autorka konštatuje, že tieto technoobrazy v dokonalej simulakrálnej, hyperreálnej podobe dnešných digitálnych obrazov majú veľký vplyv v našej kultúre, ktorú charakterizuje „obrazový obrat”. Ich význam je zrejmý vo vede, v umení, edukácii..., tiež v našom bežnom živote. Napokon upozorňuje, že sa pre novosť našej schopnosti vytvárať a spotrebovávať technoobrazy, ako aj pre ich nové špecifické efekty, aktuálne ukazuje potreba ich precíznejšieho porozumenia a opatrného zhodnocovania. [ABSTRACT FROM AUTHOR]
– Name: Abstract
  Label:
  Group: Ab
  Data: <i>Copyright of Megatrends & Media is the property of University of SS. Cyril & Methodius in Trnava, Faculty of Mass Media Communication and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract.</i> (Copyright applies to all Abstracts.)
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      – Code: slo
        Text: Slovak
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        PageCount: 14
        StartPage: 32
    Subjects:
      – SubjectFull: DIGITAL images
        Type: general
      – SubjectFull: EVERYDAY life
        Type: general
      – SubjectFull: DIGITAL media
        Type: general
      – SubjectFull: IMAGINATION
        Type: general
      – SubjectFull: CULTURE
        Type: general
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      – TitleFull: DIGITÁLNA TECHNOIMAGINÁCIA A OBRAZ V KONTEXTE SÚČASNEJ KULTÚRY.
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              Text: 2019
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              Y: 2019
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