Výsledky vyhledávání - Computing methodologies Computer graphics Image manipulación

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    Alternate Title: Comparación de diferentes filtros espaciales para la identificación de la materia gris en imágenes cerebrales. (Spanish)

    Zdroj: Revista EIA; ene-jun2025, Vol. 22 Issue 43, p1-20, 20p

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    Alternate Title: Visual Programming as a Creative Resource in the Field of Fine Arts: The Case of VVVV, a Multipurpose Toolkit. (English)

    Zdroj: Revista Internacional del Arte en la Sociedad; 2022, Vol. 2 Issue 2, p23-40, 18p

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    Alternate Title: Assessing juicy elements in interactive infographics. (English)

    Autoři: Campos, Bruno

    Zdroj: Revista de Comunicación de la SEECI; 2025, Issue 58, p1-19, 37p

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    Alternate Title: Visual Programming as a Creative Resource in the Field of Fine Arts: The Case of VVVV, a Multipurpose Toolkit. (English)

    Zdroj: Revista Internacional del Arte en la Sociedad; 2022, Vol. 2 Issue 1, p23-40, 18p

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    Zdroj: Revista Especializada en Investigación Jurídica; Núm. 16 (2025): año 9, número 16, (enero-junio 2025) Publicación continua; 1-23 ; 2448-8739 ; 10.20983/reij.2025.1

    Popis souboru: application/pdf

    Relation: http://erevistas.uacj.mx/ojs/index.php/reij/article/view/6745/8304; Altuncu, E., Franqueira, V. N. L. y Li, S. (2022). Deepfake: Definitions, Performance Metrics and Standards, Datasets and Benchmarks, and a Meta-Review. arXiv:2208.10913. https://doi.org/10.48550/arXiv.2208.10913; Bañuelos, J. (2020). Deepfake: la imagen en tiempos de la posverdad. Revista Panamericana de Comunicación, 2(1), 51-61. https://doi.org/10.21555/rpc.v0i1.2315; Bravo, A. (2017). Image Manipulation Practices through the History and Evolution of Photography. En J. Jaramillo, A. Burbano, F. Londoño y G. Mejía. (Eds.), Proceedings of the 23rd International Symposium on Electronic Art ISEA2017 Manizales (pp. 205-210). Editorial de la Universidad de Caldas.; Bregler, C., Covell, M. y Slaney, M. (1997). Video Rewrite: Driving Visual Speech with Audio. SIGGRAPH ’97: Proceedings of the 24th Annual Conference on Computer Graphics and Interactive Techniques, 353-360. https://doi.org/10.1145/258734.258880; Camacho, A. (1998). Manual de derecho probatorio. Editorial Themis.; Cano, S. (2024, 4-5 de abril). La manipulación de la prueba documental a través de la ia: un reto para los jueces [Conferencia]. XIII Fórum Internacional de Expertos y Jóvenes Investigadores en Derecho y Nuevas Tecnologías; Salamanca, España.; Colegio Técnico del Área de Milwaukee. (2024, 9 de abril). Fake News / ai Deepfakes. https://guides.matc.edu/fakenews/deepfakes; Cootes, T., Edwards, G. y Taylor, C. (2001). Active Appearance Models. ieee Transactions on Pattern Analysis and Machine Intelligence, 23(6), 681-685. https://doi.org/10.1109/34.927467; De Ruiter, A. (2021). The Distinct Wrong of Deepfakes. Philosophy & Technology, 34, 1311-1332. https://doi.org/10.1007/s13347-021-00459-2; Delfino, R. (2023). Deepfakes on Trial: A Call to Expand the Trial Judge’s Gatekeeping Role to Protect Legal Proceedings from Technological Fakery. uc Law Journal, 74(2), 293-348.; Devis Echandía, H. (1984). Compendio de la prueba judicial. Rubinzal – Culzoni Editores.; Eberl, A., Kühn, J. y Wolbring, T. (2022). Using Deepfakes for Experiments in the Social Sciences – A Pilot Study. Frontiers in Sociology, 7. https://doi.org/10.3389/fsoc.2022.907199; Gil, R., Virgili-Gomà, J., López-Gil, J.-M. y García, R. (2023). Deepfakes: Evolution and Trends. Soft Computing: A Fusion of Foundations, Methodologies and Applications, 27, 11295-11318. https://doi.org/10.1007/s00500-023-08605-y; GOV.UK. (2024). Government Cracks Down on ‘Deepfakes’ Creation. https://acortar.link/Y60RFA; Jacobsen, B. N. (2023). The Tensions of Deepfakes. Information, Communication & Society, 1095-1109. https://doi.org/10.1080/1369118X.2023.2234980; Keith, R. (2024, 30 de enero). Intimate Images Protection Act. Harper Grey llp. https://acortar.link/1r8x3J; Lee, S. (2024, 13 de mayo). ai and Elections: Lessons from South Korea. The Diplomat. https://thediplomat.com/2024/05/ai-and-elections-lessons-from-south-korea/; Lubbe, W., Ham-Baloyi, W. y Smit, K. (2020). The Integrative Literature Review as a Research Method: A Demonstration Review of Research on Neurodevelopmental Supportive Care in Preterm Infants. Journal of Neonatal Nursing, 26(6), 308-315. https://doi.org/10.1016/j.jnn.2020.04.006; McIntyre, L. (2018). Post-Truth. Editorial del Instituto de Tecnología de Massachusetts (MIT).; Molina, A. C. y Berenguel, O. L. (2022). Deepfake: A Evolução Das Fake News. Research, Society and Development, 11(6). https://doi.org/10.33448/rsd-v11i6.29533; Mustak, M., Salminen, J., Mäntymäki, M., Rahman, A. y Dwivedi, Y. K. (2023). Deepfakes: Deceptions, Mitigations, and Opportunities. Journal of Business Research, 154. https://doi.org/10.1016/j.jbusres.2022.113368; Naitali, A., Ridouani, M., Salahdine, F. y Kaabouch, N. (2023). Deepfake Attacks: Generation, Detection, Datasets, Challenges, and Research Directions. Computers, 12(10). https://doi.org/10.3390/computers12100216; Nieva Fenoll, J. (2018). Repensando Daubert: la paradoja de la prueba pericial. Civil Procedure Review, 9(1), 11-26.; Oxford. (2024). Deepfake. https://www.oxfordlearnersdictionaries.com/definition/english/deepfake; . (2024). Post-Truth. https://www.oxfordlearnersdictionaries.com/definition/english/post-truth?q=Post-Truth; Rare Historical Photos. (2021). How Stalin’s Propaganda Machine Erased People from Photographs, 1922-1953. https://rarehistoricalphotos.com/stalin-photo-manipulation-1922-1953/; Rodny-Gumede, Y. (2018). Fake It till You Make It: The Role, Impact and Consequences of Fake News. En B. Mutsvairo y B. Karam. (Eds.), Perspectives on Political Communication in Africa (pp. 203-219). Editorial de Palgrave Macmillan.; Russell, C. (2005). An Overview of the Integrative Research Review. Prog Transplant, 15(1). https://doi.org/10.1177/152692480501500102; Sharma, J. y Sharma, R. (2017). Analysis of Key Photo Manipulation Cases and their Impact on Photography. iis University Journal of Arts, 6(1), 88-99.; Sodji, L. (2023, 26 de octubre). How We Made David Beckham Speak 9 Languages. Synthesia. https://www.synthesia.io/post/david-beckham; Somers, M. (2020, 21 de julio). Deepfakes, Explained. MIT Management Sloan School. https://mitsloan.mit.edu/ideas-made-to-matter/deepfakes-explained; Song, D. (2019, 23 de septiembre). A Short History of Deepfakes. Medium. https://medium.com/@songda/a-short-history-of-deepfakes-604ac7be6016; Suwajanakorn, S., Seitz, S. y Kemelmacher-Shlizerman, I. (2017). Synthesizing Obama: Learning Lip Sync from Audio. acm Transactions on Graphics, 36(4), 1-13. https://doi.org/10.1145/3072959.3073640; The New York Times. (2009). A Brief History of Photo Fakery. https://archive.nytimes.com/www.nytimes.com/slideshow/2009/08/23/weekinreview/20090823_FAKE_SS_6.html; Thies, J., Zollhöfer, M., Stamminger, M., Theobalt, C. y Nießner, M. (2019). Face2Face: Real-Time Face Capture and Reenactment of rgb Videos. Communications of the acm, 62(1), 96-104. https://doi.org/10.1145/3292039; Thissen, B. (2024, 6 de febrero). La nueva normativa de la ue penalizará los “manuales de pederastia” y los “deepfakes” de abusos a menores. Euro News. https://acortar.link/FAs4BY; Torraco, R. (2016). Writing Integrative Literature Reviews: Using the Past and Present to Explore the Future. Human Resource Development Review, 15(4). https://doi.org/10.1177/1534484316671606; Tsay-Vogel, M. (2020). Third-Person Effect. The International Encyclopedia of Media Psychology. https://doi.org/10.1002/9781119011071.iemp0130; Tucher, A. (2022). Not Exactly Lying: Fake News and Fake Journalism in American History. Editorial de la Universidad de Columbia.; Van Rijmenam, M. (2022). What is Synthetic Media: The Ultimate Guide. The Digital Speaker. https://www.thedigitalspeaker.com/what-is-synthetic-media-ultimate-guide/; Wade, N. (2006). It May Look Authentic; Here’s How to Tell It Isn’t. The New York Times. https://www.nytimes.com/2006/01/24/science/it-may-look-authentic-heres-how-to-tellit-isnt.html; Waldorf, S. (2021). The Man Who Photographed Ghosts. Centro Getty. https://www.getty.edu/news/the-man-who-photographedghosts/; Wang, L., Zhou, L., Yang, W. y Yu, R. (2022). Deepfakes: A New Threat to Image Fabrication in Scientific Publications? Patterns, 3(5). https://doi.org/10.1016/j.patter.2022.100509; Waters, M. (2017). The Great Lengths Taken to Make Abraham Lincoln Look Good in Portraits. Atlas Obscura. https://www.atlasobscura.com/articles/abraham-lincoln-photos-edited; Westerlund, M. (2019). The Emergence of Deepfake Technology: A Review. Technology Innovation Management Review, 9(11), 39-52. http://doi.org/10.22215/timreview/1282; Wolofsky, T. (2014). Photographic Art in the Age of Digital Manipulation: Back to the Darkroom with Michael Lynch and Bruno Latour. Tooth & Claw, 11, 89-99.; Zhang, L. (2023, abril 26). China: Provisions on Deep Synthesis Technology Enter Into Effect. Library of Congress. https://acortar.link/bCKCq7; http://erevistas.uacj.mx/ojs/index.php/reij/article/view/6745

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    Alternate Title: Mesh retopology applied to 3D models of cultural heritage for interactive visualization enhancement in Virtual Reality and Augmented Reality. (English)
    Retopologia de malha aplicada a modelos 3D de património cultural para melhorar a visualização interativa em realidade virtual e realidade aumentada. (Portuguese)

    Zdroj: Ge-Conservación; 2023, Vol. 24 Issue 1, p87-98, 12p

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    Alternate Title: Development Methodology of Techniques for Data Clustering Using Machine Learning. (English)

    Zdroj: Tecnura; abr-jun2022, Vol. 26 Issue 72, p42-58, 17p

    Geografický termín: COLOMBIA

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    Alternate Title: Perspectivas sobre la automatización y la creatividad en el montaje cinematográfico con Inteligencia Artificial (IA): una visión desde el sector profesional del documental. (Spanish)

    Zdroj: Communication & Society; 2024, Vol. 37 Issue 3, p201-219, 37p

    Geografický termín: SPAIN

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    Alternate Title: Accessibility for people with low vision of statistical graphics in the digital press: A methodological proposal based on heuristic indicators. (English)

    Zdroj: El Profesional de la Información; Sep/Oct2020, Vol. 29 Issue 5, p1-24, 24p

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