Suchergebnisse - "Music streaming platform"
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Autoren:
Quelle: Journal of Humanities and Applied Social Sciences, Vol 7, Iss 5, Pp 451-451 (2025)
Schlagwörter: Artificial intelligence, Recommendation system characteristics, Music recommender, Customer experience, Customer subscription intention, Subscription-based online services, Music streaming platform/services, Technology adoption model, Social sciences (General), H1-99
Dateibeschreibung: electronic resource
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Autoren: Shin, Saehe
Schlagwörter: Melon, YouTube Music, ddc:330, FLO, music streaming platform, Genie Music, music streaming service, music streaming, niche analysis
Zugangs-URL: https://hdl.handle.net/10419/302476
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Autoren: et al.
Weitere Verfasser: et al.
Quelle: Lecture Notes in Computer Science ISBN: 9783030856151
Schlagwörter: FOS: Computer and information sciences, Fairness, General Computer Science, Computer Science - Human-Computer Interaction, fairness, influencing taste, 02 engineering and technology, [INFO] Computer Science [cs], music streaming platform, quotas, lack of control, Transparency, gender balance, Theoretical Computer Science, Human-Computer Interaction (cs.HC), Quotas, Taverne, 0202 electrical engineering, electronic engineering, information engineering, Music streaming platform, transparency, Music artists, music artists, music context, Music context, Influencing taste, Gender balance, Lack of control
Dateibeschreibung: application/pdf
Zugangs-URL: http://arxiv.org/pdf/2106.02415
http://arxiv.org/abs/2106.02415
https://inria.hal.science/hal-04196863v1/document
https://doi.org/10.1007/978-3-030-85616-8_33
https://inria.hal.science/hal-04196863v1
https://link.springer.com/chapter/10.1007/978-3-030-85616-8_33
https://dblp.uni-trier.de/db/journals/corr/corr2106.html#abs-2106-02415
https://doi.org/10.1007/978-3-030-85616-8_33
https://dspace.library.uu.nl/handle/1874/414991 -
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Autoren: et al.
Quelle: Journal of Innovation & Knowledge, Vol 7, Iss 3, Pp 100212- (2022)
Schlagwörter: User-generated playlist (UGP), Playlist selection, Language expectancy theory (LET), Dual coding theory, Music streaming platform, History of scholarship and learning. The humanities, AZ20-999, Social sciences (General), H1-99
Dateibeschreibung: electronic resource
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5
Autoren: et al.
Weitere Verfasser: et al.
Schlagwörter: black box, digital method, ethnography, field research, online music streaming platform, platformization of music curation, Settore SPS/08 - Sociologia dei Processi Culturali e Comunicativi
Relation: info:eu-repo/semantics/altIdentifier/wos/WOS:000605357200001; volume:6; issue:4; numberofpages:10; journal:SOCIAL MEDIA + SOCIETY; https://hdl.handle.net/2434/815748
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Autoren: RAFAEL DE OLIVEIRA PECANHA ORTMAN
Thesis Advisors: MARIA MANUELA RUPP QUARESMA
Schlagwörter: [pt] MUSICA, [pt] PLATAFORMA DE STREAMING DE MUSICA, [pt] FONOGRAFIA, [pt] STREAMING, [pt] EXPERIENCIA ESTETICA, [en] MUSIC, [en] MUSIC STREAMING PLATFORM, [en] PHONOGRAPHY, [en] STREAMING, [en] EXPERIENCE AESTHETIC
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Autoren:
Weitere Verfasser:
Schlagwörter: digital innovation, competitiveness, Spotify, music streaming platform, innovation
Dateibeschreibung: application/pdf
Zugangs-URL: https://urn.nsk.hr/urn:nbn:hr:192:971956
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Autoren: et al.
Weitere Verfasser: et al.
Schlagwörter: music streaming platform, ethnography, music curation, algo-torial power, platform gatekeeping, Settore SPS/08 - Sociologia dei Processi Culturali e Comunicativi
Relation: info:eu-repo/semantics/altIdentifier/wos/WOS:000498968800001; volume:5; issue:4; firstpage:1; lastpage:11; numberofpages:11; journal:SOCIAL MEDIA + SOCIETY; https://hdl.handle.net/2434/678730
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Autoren: et al.
Weitere Verfasser: et al.
Schlagwörter: 音樂串流平台, 音樂串流平台服務內容, 閱聽眾需求, music streaming platform, music streaming platform service contents, audience needs
Dateibeschreibung: application/pdf
Relation: https://etds.lib.ntnu.edu.tw/thesis/detail/8c3736373f72eaaa36f30ab11745e222/; http://rportal.lib.ntnu.edu.tw/handle/20.500.12235/120844
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Autoren:
Weitere Verfasser:
Schlagwörter: DRUŠTVENE ZNANOSTI. Ekonomija, SOCIAL SCIENCES. Economics, inovacije, digitalna inovacija, konkurentnost, glazbena streaming platforma, Spotify, innovation, digital innovation, competitiveness, music streaming platform
Dateibeschreibung: application/pdf
Relation: https://www.unirepository.svkri.uniri.hr/islandora/object/efri:4603; https://urn.nsk.hr/urn:nbn:hr:192:971956; https://www.unirepository.svkri.uniri.hr/islandora/object/efri:4603/datastream/PDF
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Autoren: et al.
Weitere Verfasser: et al.
Schlagwörter: 串流音樂平台, 4C 策略行銷架構, KKBOX, Spotify, 滿意度, 購買意願, online music streaming platform, 4C strategic marketing framework, satisfaction, purchase intention
Dateibeschreibung: 1994496 bytes; application/pdf
Relation: 中文文獻\n1.吳震威(2016)。線上串流音樂平台使用者對平台之購買意願-以KKBOX與Spotify為例。國立台灣大學，台北市。\n2.沈政輝(2003)。數位音樂平台之經營模式與價值再造分析-以KKBOX及iTunes Music Store為例(未出版之碩/博士論文)。國立中央大學，桃園市。\n3.邱志聖(2017)。品牌策略與管理，台北：智勝文化。\n4.邱志聖(2017)。策略行銷分析:架構與實務應用，台北：智勝文化\n5.林岳甫(2014)。數位音樂下載與串流之滿意度與購買意願-以iTunes與KKBOX為例。淡江大學，台北市。\n6.周世玉、黃品瑄、王蕙晴(2008)。KKBOX 線上音樂系統使用意願影響因素之實證研究。2008第12屆科際整合管理研討會，私立東吳大學。\n7.周榮賢、張弘毅、張世明(2013)。KKBOX使用者參與動機及關係品質對其顧客忠誠度之影響。資訊傳播研究，2，95-116。\n8.張瑞倫(2003)。多媒體串流技術簡介與實作。電腦與通訊，103，41-47。\n9.莊于葶(2015)。串流音樂產業平台競爭之策略:以KKBOX為例(未出版之碩/博士論文)。國立台灣大學，台北市。\n10.曾雅彩(2011)。台灣線上音樂市場發展動態之研究。中山管理評論，19(2)，939-969。\n11.Taiwan Beats(2017)。myMusic 與資策會公佈調查：台灣音樂服務付費市場漸趨成熟。檢自https://zh.taiwanbeats.tw/archives/17941(Mar 27,2019)\n12.Titan & Liz Chen(2013)。KKBOX vs. Spotify：台灣線上串流音樂大戰。檢自https://www.inside.com.tw/article/3016-kkbox-vs-spotify (Mar 26,2019)\n13.何佩珊(2018)。對戰蘋果沒本錢硬碰硬， KKBOX改打整合戰活下去。檢自https://www.bnext.com.tw/article/51188/kkbox (Jun 3,2019)\n14.唐子晴(2018)。從線上走到線下！KKBOX經營場館辦演唱會，成立「LIVE」新事業體。檢自https://www.bnext.com.tw/article/49614/kkbox-group-establish-new-company-kklive?fbclid=IwAR3Jgnvl2HV-v24jRh59lGymeX9GpLK4WBJWlw84s2yh5aJYBVNk-iKYjBU (Jun 3,2019)\n15.唐子晴(2018)。全娛樂時代來臨，149元聽歌、追劇雙享，KKBOX為什麼要「賠本」推出Prime服務？。檢自https://www.bnext.com.tw/article/50078/kkbox-prime (Jun 3,2019)\n16.陳怡如(2013)。打入唱片生態圈KKBOX搶攻亞洲音樂版圖(一)。檢自https://www.bnext.com.tw/article/28182/BN-ARTICLE-28182(Mar 26,2019)\n17.陳怡如(2013)。打入唱片生態圈KKBOX搶攻音樂版圖(二)。檢自https://www.bnext.com.tw/article/28220/BN-ARTICLE-28220 (Mar 26,2019)\n18.楊安琪(2018)。個人化音樂體驗再升級！Spotify手機免費版正式在台上線。檢自https://technews.tw/2018/11/13/spotify-free-now-on-mobile/ (Mar 28, 2019)\n19.顏理謙(2017)。你都怎麼聽音樂KKBOX發表音樂數據報告:歌單取代專輯、嘻哈與電音崛起。檢自https://www.bnext.com.tw/article/44913/kkbox-unveil-digital-music-report(Mar 26,2019)\n20.顏理謙(2017)。每五個網友就有一個是用戶! Spotify亞洲區總監：台灣是全球前20大串流音樂市場。檢自https://www.bnext.com.tw/article/44992/spotify-thinks-taiwan-is-a-important-market-for-music-streaming (Mar 26,2019)\n\n英文文獻\n1.Datta, H., Knox, H., Bronnenberg, J. H. (2018). Changing Their Tune: How Consumers’ Adoption of Online Streaming Affects Music Consumption and Discovery. Marketing Science, 37(1),5-21.\n2.International Federation of the Phonographic Industry (2019) Global Music Report 2019, London, United Kingdom.\n3.Morris, J. W., & Powers, D. (2015). Control, curation and musical experience in streaming music services. Creative Industries Journal, 8:2, 106-122, doi:10.1080/17510694.2015.1090222\n4.Marshall, L. (2015). ‘Let`s keep music special. F—Spotify’: on-demand streaming and the controversy over artist royalties. Creative Industries Journal, 8:2, 177-189, doi:10.1080/17510694.2015.1096618\n5.Wlömert, N. & Papiesb, D. (2015). On-demand streaming services and music industry revenues —Insights from Spotify`s market entry. International Journal of Research in Marketing, 33 (2), 314–327, doi:10.1016/j.ijresmar.2015.11.002\n6.Wang, A. X. (2018). Spotify Is in Trouble With Record Labels (Again). Retrieved from https://www.rollingstone.com/music/music-news/spotify-record-labels-dispute-720512/(April 2, 2019)\n7.McKenzie, H. (2012). How Napster gave birth to Spotify. Retrieved from https://pando.com/2012/11/08/how-napster-gave-birth-to-spotify/\n(April 1,2019)\n8.Linshi, J. (2014), Here`s Why Taylor Swift Pulled Her Music From Spotify. Retrieved from http://time.com/3554468/why-taylor-swift-spotify/ (April 1,2019)\n9.Parson, J. (2018). History of Spotify: how the Swedish streaming company changed the music industry. Retrieved from https://www.mirror.co.uk/tech/history-spotify-how-swedish-streaming-12291542 (April 2,2019)\n10.Lu, K. (2016). 9 International Growth Strategies from Spotify. Retrieved from http://www.oneskyapp.com/blog/spotify-global-expansion/(April 3,2019)\n11.Lu, K. (2016). Localization in Asia: How Spotify Conquered 6 Challenging Markets (Includes Japan Pre-Launch Case Study). Retrieved from http://www.oneskyapp.com/blog/spotify-asia-expansion-japan-case-study/(April 3,2019)\n12.Marks, S. (2017). Celebrating the ‘Celestial Jukebox’. Retrieved from https://www.huffpost.com/entry/celestial-jukeboxes_b_8462468\n(April 1, 2019)\n13.Brewster, W. (2017). MUSICOLOGY: THE HISTORY OF MUSIC STREAMING From Napster To Now. Retrieved from http://www.mixdownmag.com.au/musicology-history-music-streaming\n(April 1, 2019)\n; G0106363083; https://nccur.lib.nccu.edu.tw//handle/140.119/129237; https://nccur.lib.nccu.edu.tw/bitstream/140.119/129237/1/308301.pdf
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Autoren: et al.
Weitere Verfasser: et al.
Schlagwörter: 知覺品質, 知覺價值, 購買意願, 數位音樂, 線上串流音樂平台, Perceived Quality, Perceived Value, Purchase Intention, Digital Music, Online Music Streaming Platform, musiq
Time: 76
Relation: http://ntur.lib.ntu.edu.tw/bitstream/246246/275097/1/ntu-105-R01342007-1.pdf; http://ntur.lib.ntu.edu.tw/handle/246246/275097
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